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PRODUCTION / FUNDING Romania / Germany
by Ştefan Dobroiu
explores the consequences that employment-based immigration has on families
The screenplay, written by Ruxandra Ghiţescu (whose Otto the Barbarian [+see also: film reviewinterview: Ruxandra Ghiţescufilm profile]
has just been nominated in as many as 13 categories at the Gopos
a former teacher who leaves her family in a poor Romanian village to work as a live-in nanny for a German family
Her son Ionuţ (Luca Puia) misses her deeply
and a decision that he makes will force Clara to reconsider her path in life
The director tells Cineuropa that his film is deeply personal
as he was one of the many children left behind by (as many as five million
according to some sources) Romanians searching for better work opportunities abroad or in other cities
and I felt the need to pour my soul into a film about this very timely Romanian issue,” the director explains
which symbolically connects Clara’s native village and her adoptive new home in Ulm
Finding the right young actor to play his child protagonist was of paramount importance
and after meeting more than 100 young actors
Dorohoi made the acquaintance of little Luca Puia almost by accident
and he was of the right age and had the exact look I was searching for
He learned the lines for the audition on the spot
and that was really impressive,” the director says gushingly of his discovery
and a domestic release is expected for 2023
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02/05/2025Production / Funding – Italy
Shooting begins on Walter Fasano’s Nino, a portrait of scoring maestro Nino Rota
02/05/2025Production / Funding – Belgium
Wallimage is backing Michaël R Roskam's Le Faux Soir
30/04/2025Production / Funding – Italy
The final clapperboard slams on Il falsario, starring Pietro Castellitto
30/04/2025Production / Funding – UK/France/Germany
Sally Potter’s Alma to star Pamela Anderson and Dakota Fanning
29/04/2025Production / Funding – Spain
Claudia Pinto finishes filming Morir no siempre sale bien
29/04/2025Production / Funding – Latvia
The National Film Centre of Latvia unveils the recipients of its latest round of funding
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Crossing Europe 2025
Review: Callas, Darling
Cannes 2025 Marché du Film
The Party’s Over! leads France TV Distribution’s Cannes slate
CPH:DOX 2025 CPH:DOX Industry
Europa Distribution explores the release of documentaries at CPH:DOX
Cannes 2025 Marché du Film
AFCI runs its second annual Global Film Commission Network Summit at Marché du Film
Festivals / Awards Czech Republic
Czech Republic’s Anifilm goes sci-fi
Distribution / Releases / Exhibitors Europe
European Arthouse Cinema Day set to return on 23 November
Cannes 2025 Marché du Film
Indie Sales presents a three-star line-up at Cannes
HOFF 2025
The Shadow and U Are the Universe win at Estonia’s Haapsalu Horror and Fantasy Film Festival
Crossing Europe 2025 Awards
The New Year That Never Came and The Flats crowned at Crossing Europe
Cannes 2025 Marché du Film
Be For Films to sell Love Me Tender in Cannes
Cannes 2025/Sponsored
Latvia set to shine bright at Cannes, led by Sergei Loznitsa’s competition entry Two Prosecutors
Las Palmas 2025 MECAS/Awards
Manuel Muñoz Rivas and Joana Carro win awards at the eighth MECAS
Market TrendsFOCUSA busy spring festival season awaits the European film industry. Cineuropa will continue to keep its readers up to date with the latest news and market insights, covering the buzziest events, including Cannes, Kraków, Karlovy Vary, Tribeca, Hot Docs, Annecy, Brussels, Munich and many others
Distribution, Exhibition and Streaming – 06/05/2025Europa Distribution explores the release of documentaries at CPH:DOXThe network has held a case study workshop as part of its brand-new partnership with the Copenhagen-based festival
Distribution, Exhibition and Streaming – 02/05/2025Slovak crime-thriller Černák becomes the highest-grossing film in domestic cinemasThe second film in the saga about a local mafia boss, directed by Jakub Króner, outgrossed its first part, which dominated Slovak cinemas last year
Jaśmina Wójcik • Director of King Matt the First
The Polish director discusses her approach to taking on a 1920s children’s literary classic in an unexpected way
Želimir Žilnik • Director of Eighty Plus
The Serbian director discusses his deep suspicion of ideologies in relation to his irresistibly charming latest feature, which follows a man whose life spans three political systems
Paulina Jaroszewicz • Distribution and marketing manager, New Horizons Association
Cineuropa sat down with the Polish distributor to discuss her company’s strategy as well as the connection between its distribution line-up and BNP Paribas New Horizons Festival’s programme
Lorcan Finnegan • Director of The Surfer
The Irish filmmaker discusses his mystery-thriller, how he created the character with Nicolas Cage and his approach to the use of colours in the film
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Mr. Cioflâncă was in residence at the Mandel Center from January 2 to July 30, 2009.
The Jack, Joseph and Morton Mandel Center for Advanced Holocaust Studies is a leading generator of new knowledge and understanding of the Holocaust.
2014Save this storySave this storySave this storySave this storyIn my teens
I asked my Great Aunt Rose where in Romania our family had come from
“It was a horrible place and we were lucky to get out of there
There’s no reason for anyone to go back.” I begged her to tell me at least the name of the place
She gave me an uncharacteristically steely glare and said again
“I don’t remember.” That was the end of the conversation
My paternal grandfather—Aunt Rose’s brother
a farm laborer—preceded her to the United States when he was sixteen
He was processed at Ellis Island and then settled in New York City
where he made neckties out of dress remnants
He insured that my father got a good education
and my family has lived in prosperity ever since
I’ve often wondered about the life my grandfather left behind
Presumably my forebears had inquiring and capacious minds much like mine and my father’s
and I have often pondered what it would be like to be us and to live like that
Fifteen years ago, my friend Leslie Hawke moved to Romania and founded an N.G.O., OvidiuRo
I joined her board in part because I saw a parallel between the oppression of my Jewish ancestors and the oppression of the Roma
We had bettered our lives through education outside Romania; they might better theirs with access to schooling in Romania
When a Romanian publisher bought the rights to my book “The Noonday Demon: An Atlas of Depression,” last year
it reignited my curiosity about this ancestral place
I saw an elegant circularity in the contrast between my grandfather’s departure in destitution and my return as a published author
A second cousin I had dredged up on Facebook said that she thought we hailed from Dorohoi
a small city about two hundred and fifty miles north of Bucharest
An amateur genealogist friend offered to do further research
and she unearthed papers confirming that the family had indeed come from Dorohoi; my grandfather and two brothers had sailed steerage from Hamburg in 1900
sending for their parents and siblings four years later
My publisher worried that Romanians might not be ready to talk openly about depression
but the zeitgeist had shifted more than they had guessed
agreed to write an introduction and to participate in the book launch
and in my first two days there I was interviewed on all three major television networks
A large crowd squeezed into a bookstore for the inaugural event
and “The Noonday Demon” went into a second printing the next day
But all was not to go as smoothly as planned. Before I arrived, Leslie had been in touch with Florin Buhuceanu, who leads ACCEPT
Leslie’s friend Genevieve had a connection to the Central University Library
a spectacular building in central Bucharest with an impressive lecture theatre that was opened
They agreed that this would be an ideal place for me to speak to Bucharest’s L.G.B.T
Genevieve arranged a meeting with the library director
after what Leslie and Florin said was a very cordial hour-long discussion
confirmed that the hall was available and that she would be delighted for the lecture to be held there
Florin thanked her for her courage in supporting an L.G.B.T
and posted details about the event on Facebook
Putin’s homophobic shadow falls long in Eastern Europe
and in early June the Romanian Chamber of Deputies defeated a bill that would have granted legal recognition to gay couples
with two hundred and ninety-eight votes against
angrily accused her of lying about the nature of the lecture
and said that the library would never host an event in which gay identity was to be discussed
she did not return either Florin’s or Leslie’s multiple messages
Many of the questions pertained to my family life—what it was like to have a husband and children
how it felt to find acceptance from my father and in a wider social context—which was as unimaginable to them as my life of relative affluence would have been to my great-grandparents
Several attendees said that they dreamed of immigrating to a place where they could find such acceptance
Too many described severe depression as a result of social oppression
and several alluded to the change of venue for my lecture as an example of that problem
While it was hardly comparable to a pogrom
the incident helped me to imagine what it might have been like for my family to belong to a group that most Romanians found repugnant
Leslie and I drove seven hours to a horse farm in the north Moldavian highlands
eating rustic food and drinking homemade blackberry brandy
we picked up one of the last Jews in the county
It was haunting to look at the gently rolling landscape on our approach and think of my grandfather and his grandfather seeing those same hills
Life seemed to have changed little in the elapsed century; farmers in oxcarts were going about their labor
women in head scarves were hoeing the fields by hand
faces had the cracked skin that comes from brutal summers and brutal winters too close in succession
up a long dirt road; it was locked behind a tall metal fence
but a man who lived nearby had the key and for about five dollars each he let us in
The cemetery was in a state of profound neglect—but so is everything else near Dorohoi
A lowing cow wandered among the tombstones
many from people born after my grandfather had emigrated
It’s impossible to know for sure whether these are my relatives
but the Jewish community was never enormous (there are about forty-five hundred Jewish graves in the county)
and it seems likely that my namesakes are my relatives
I placed stones on some of the graves (Jewish tradition is to place a stone rather than to bring flowers)
and thought about these people who could have left and didn’t
which was just a barn with a Star of David on it
One of the graves had an inscription memorializing the Solomons who had died “at the hands of Hitler”; many of those dead had names that occur elsewhere in our family
A memorial at the center of the burial ground commemorates the five thousand Jews who were taken from the area
“We were lucky to get out of there.” I had hoped she might not be entirely right
that this European source of the family would be at least picturesque
that I’d have a surprising sense of identification with the place
I didn’t know how despondent it would make me to imagine being trapped in that life
I’ve reported from war zones and deprived societies for decades
but they have always been profoundly other
and this felt shockingly accessible—I could have been born here
I wondered who in my family might have stood underneath these trees and relished the same taste
I thought how my own children would have scarfed down those cherries if they had been with me
And I suddenly had the revelation that my forebears had been children
in their day—that this place had been visited not only by old men with beards but by boys and girls who would have climbed the fruit trees to reap the plenty of their upper branches
I looked at the local peasants and thought that
if their forefathers had not burned down the houses of mine
And I looked at what had happened to us in two generations
and looked at what hadn’t happened to them in two or three
and instead of feeling outraged by their history of aggression I felt privileged by it
Oppression sometimes benefits its victims more than its perpetrators
While those who are ravaging their neighbors’ lives exhaust their energy on that destruction
those whose lives are being shattered must expend their vigor on solutions—some of which can be exquisite
Hatred drove my family to the United States and its previously unimaginable freedoms
The conditions in the Roma settlements to which Leslie took me next made Dorohoi look like East Hampton
Where the peasants of northern Romania ate badly
the Gypsies of Colonia were going hungry; while the peasants lived short lives
the Gypsies showed obvious signs of illness
The peasants may not have had good plumbing
but the Gypsies had none at all; they defecated in the surrounding pasture
fifteen hundred Roma children are getting the early education that might help them break out of their poverty
and hoped they could escape becoming like the morose teen-agers and glassy-eyed adults who sat around Colonia in the squalor
He said that he would be writing an official letter about the matter to the Romanian government
“A human-rights organization militating for L.G.B.T
rights in Romania cannot access a lecture hall in the most important library in Bucharest
An illustrious American writer and journalist should not speak about sexuality and identity in a cultural institution
will be disregarded in an academic and literary setting because of the sexual orientation of their authors?” Remus Cernea
told the press that he had asked the education ministry to punish the people responsible within the Central University Library
(After being called out on the floor of the parliament and in the press
the library officials have made a ludicrous claim that it was a “bad approach.”)
BUCHAREST: Sabin Dorohoi is currently in production with his debut feature Clara
This drama on the social phenomenon of migration of labour force is a Romanian/German coproduction
The film script written by Ruxandra Ghițescu follows a young woman who leaves her small son and her poor Romanian village to go working in Germany
Clara is based on Dorohoi’s award winning short film Way of the Danube / Calea Dunării (2013)
The main characters are played by Olga Török and Luca Puia
“It is always enjoyable to work on a debut feature
I was willing to help tell an interesting story which follows a historical route
because Germans from Ulm came by boat to the Romanian region of Banat some 300 years ago
The Danube is an important character in the film
the mothers who leave their children to work abroad are causing a major debate in the European Union nowadays (...)
We are happy for the partnership with ZDF and it is important for us not to let it down,” producer Dan Burlac told FNE
The shooting started in Ulm on 2 March and continued at the Danube’s Big Boilers (Cazanele Mari) on 7 March 2022
It will continue in the Romanian town of Reșița till 5 April 2022
The film is expected to be ready by the end of 2022 and to enter the festival circuit at the beginning of 2023
It will be theatrically released in Romania in 2023
Click Here for Statements from European Film Organisations
The Film New Europe (FNE) Association is the networking platform for film professionals in the CEE/SEE/Baltics region
The webportal and FNE newswire was chosen as the MAIN TOOL to achieve the network’s objectives of the sharing of know how
visibility of regional cultural diversity and finally the VOICE of the region
FNE’s objectives include VISIBILITY for the region and AUDIENCES for films by providing a special focus on the region
Powered by Bury Free Press, Suffolk Free Press, Newmarket Journal & Haverhill Echo
Powered by Bury Free Press, Suffolk Free Press, Newmarket Journal and Haverhill Echo
Home Bury St Edmunds News Article
two downpours and some sunshine - the first day of the spring fayre in Bury St Edmunds had it all
organised by Our Bury St Edmunds Business Improvement District (BID)
yesterday and the fun is set to continue today
plant and craft stalls as well as a flower
food and craft market and a vintage market
said: “The ominous pre-event weather forecast gave me huge concerns but despite two heavy showers yesterday afternoon
the weather overall was good and consequently the urban beach was a huge success
“Our dinosaur visitors in the arc were very popular with both youngsters and adults
“The craft market on Angel Hill was very popular
as was the vintage market in the Buttermarket
“All are available again today as are our virtual reality games and the expertise of the Athenaeum Astronomy stand
“The weather forecast suggests no rain so ideal weather for people to pop along and see all that’s on offer on the second day of our spring fayre.”
On the second anniversary of Russia's full-scale invasion of Ukraine
this event aims to delve into the realms of journalism and architecture
focusing particularly on the destruction brought by war
The event begins with a screening of the short documentary film ‘89 Days’ (20 min) directed by Pavlo Dorohoi
followed by discussion with Vasilisa Stepanenko
Pulitzer Prize winning Ukrainian video journalist
Borderland: A Journey through the History of the Ukraine
Ukrainian architectural and urban historian
author of the book Being a Ukrainian Architect During Wartime.
How do journalists react to the devastation of the built environment
War doesn't afford the luxury of distant observation – it doesn't permit first-hand reporting from the scene
there can be no retrospective view offered by historians
there exists only the immediacy of "now," and it is within this realm that journalism operates.
‘89 days’ film summary: Since the first days of the war
the subway has become a bomb shelter for many Kharkiv residents
they have been equipping it for a more or less comfortable life
But the local government and the subway management want to vacate the subway of its residents and launch the transit network again.
This event is organised by the Architecture & Historic Urban Environments MA.
Vasilisa Stepanenko is a Pulitzer Prize winning Ukrainian video journalist and investigative reporter working for The Associated Press
whose front-line work – in both breaking news and investigations – focuses on issues of human rights and social justice
especially related to the war in her country
She is a field producer for the Oscar and BAFTA nominated documentary “20 Days in Mariupol”.
Pavlo Dorohoi is the Director of ‘89 Days’
he studied at the DOKDOKDOK school of contemporary photography
he directed his first short documentary film
Since the beginning of the full-scale invasion
he has focused on documenting the situation in Kharkiv and the region
His photographs have been published in many European publications
and the American New York Times and New Yorker
he worked on a documentary about the lives of people in the Kharkiv subway during the first months of the war. His feature-length documentary METRO 2022 won the EFM award at our 2nd edition of the Ji.hlava New Visions Forum 2022.
Anna Reid is an English journalist and author whose work focuses primarily on the history of Eastern Europe
and a master’s in Russian history from London University’s School of Slavonic and East European Studies
She was Kyiv correspondent for the Economist and the Daily Telegraph from 1993 to 1995
From 2003 to 2007 she worked for the British think-tank Policy Exchange
editing several of their publications and running the foreign affairs programme
was published to wide acclaim in 1997.
Her work focuses on architecture and urban planning of the 20th century in Ukraine
with a multidisciplinary approach to heritage studies
Jenia is a co-founder of Urban Forms Center
a leading Ukrainian NGO that specialises in the study
She is the author of the books Slavutych: Architectural Guide (2015) and Soviet Modernism
Buildings and Structures in Ukraine 1955–1991 (2019)
In 2020–2021 She curated the Encyclopedia of Ukrainian Architecture
an online multimedia project that worked with architecture
Being a Ukrainian Architect During Wartime was released
offering insights into her experiences against the backdrop of the war.
Image Caption: Children in Subway - still from 89 Days
Altex will open a new unit in Dorohoi on August 31 within the commercial complex NEST Dorohoi
This is the first Altex store in Dorohoi and the second that the company will open in 2017
The store has a surface of 600 sqm.
we offer Dorohoi citizens access to a modern technology at accessible prices
The store offers clients a wide range of products
a specialists team prepared to offer consultancy to choose the most suitable technology solutions and special promotions,” said Daniel Mirea
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An opportunity to purchase a large cropping operation of almost 4,000ha has presented itself in north east Romania
One of the features of this farm is that 3,072ha are owned with the remaining 916ha leased in – this is unusual in Romania
The company was established and began purchasing land in 2007 and the yard was purchased in 2010
High-quality clay loams are the principal soil types present and in recent years maize
wheat and soya have made up three quarters of the crops grown
the company is being sold with land and buildings as the main asset
2,000ha are operated under a Joint Venture Agreement
there is no machinery being sold with the farm
The large silo storage bins each have the capacity to hold 3,000 tons of grain
The main yard extends to just under 14ac and includes an office and accommodation
There is also further storage in the form of sheds
There is plenty scope for further expansion within the yard if required
The land farmed is located between Dorohoi and Botosani the company headquarters is 40km from the international airport in Suceava
there is a guide price of €10,000/ ha for the owned land
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