Paintings highlighting stories of women who have helped shape British culture are part of three-year project by NPG
The National Portrait Gallery has acquired five self-portraits by female artists as part of a three-year project to enhance the representation of women in its collection
which is currently closed for a major refurbishment
said the works highlighted stories of women who have helped shape British culture
address issues of identity and gender stereotypes
“They are not just portraiture of likeness
The importance of these five acquisitions is they show the multifaceted identity of an artist
but also of women more generally,” she said
They include the first painted self-portrait by a black female artist in the gallery’s collection
Åkersberga layers multiple faces in recognition of her roles as artist
View image in fullscreenjälvporträtt
Photograph: National Portrait Gallery London/Courtesy Richard Saltoun GallerySpeaking about the painting
who emigrated from Tanzania to Sweden in the 1970s and eventually settled in the UK
my conflicts – my whole life … It was a form of psychological survival.”
Rose Finn-Kelcey was a major figure in the contemporary British art scene for more than four decades
her work has been the subject of greater attention for its engagement with ideas around feminism
shows two images of herself engaging in conversation while sitting on a bench at Speaker’s Corner in London’s Hyde Park
By speaking to herself in a place where people have made speeches since the mid-19th century
her self-portrait highlights how women’s voices have traditionally been unheard
Chila Kumari Burman is also depicted twice in her 1988 self-portrait
taking the distinct roles of a young woman at rest and a warrior
It was created as part of a series of self-portraits in conjunction with her 2019 memoir
in which she documents her relationship with Lucian Freud
She said recently: “To see one’s self truthfully is one of the most challenging things for an artist… self-hatred is as invalid as self-love
Susan Hiller’s Ace (Retrieved) is part of the artist’s series of portraits and self-portraits based on photobooth images. Hiller
including “those who don’t own or can’t borrow cameras”
Frigeri said: “Each of these self-portraits challenges traditional notions of female self-representation and identity.”
When the National Portrait Gallery reopens next year
it “will have many more women being celebrated on the walls – not only artists
“This has plagued a lot of institutions for a very long time
Female sitters and work by women were not considered a priority for many decades.”
The NPG’s acquisition of the five self-portraits is part of a three-year project in partnership with the Chanel Culture Fund
This article was amended on 8 March 2022 to correct the spelling of the surname of Susan Hiller
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has agreed to divest its district heating activities in Åkersberga
Åkersberga is a fast-growing municipality and the biofueled district heating business delivers c 70 GWh heat per year
Solör is a Nordic producer and distributor of heat
primarily in the Swedish and Norwegian markets
through its Nordic Energy and Infrastucture Corporate Finance team
acted as financial advisor to E.ON in the competitive transaction process
Learn more of the transaction here
Below you can find a selection of EY's recent deal alerts and you can also find a more extensive list on our Strategy and Transactions page.
EY Corporate Finance financial advisor to E.ON in its divestment of its Swedish district heating network in Åkersberga, north of Stockholm, to Solör.
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The owner supplies building materials from its Stockholm base throughout the Stockholm archipelago and needed an efficient way of getting to all its clients
The main requirements that were asked of Kewatec were for a big deck to maximise cargo space
a powerful crane for loading and unloading cargo
minimal draught for greatest access to shore and a maximum 15-metre hull length
Other requests included a kitchen/pantry and toilet for the crew in the event that they had to spend an entire day aboard
Kewatec has certainly achieved these requirements in Harald
0.6-metre draught and displacement of 14.8 tonnes
A hydraulic bow door is wide enough for cars and some larger equipment to self-load off a dock or beach whilst a Fassi deck crane can extend to reach the entire cargo area
Propulsion is courtesy of a pair of Volvo Penta D6 330 DHP diesel stern drives
the two engines give Harald a top speed of 34 knots
The selection of stern drives rather than shaft driven propellers was made to enhance the shallow water capabilities of the vessel
Also installed in the engine room is a MASE 700 auxiliary engine providing 230 volts power to the ship systems
which include Simrad navigation and communication gear
A Sidepower bow thruster has been fitted and aids with manoeuvrability and comes in handy when needing to load or unload at austere docks that are difficult to tie up to
The diesel engines are fed by two 650-litre fuel tanks
The wheelhouse has seating for a skipper and one deck hand in chairs that offer excellent visibility in most directions
The aft of the wheelhouse is given to a cooking area whilst a toilet is located underneath
Peab has been commissioned to build a new shopping center
The customer is Fastica Åkersberga AB and the contract is worth SEK 180 million
The project comprises new construction of a shopping center for Ica with the accompanying groundwork and parking as well as demolition of the existing building on the property
The new building will be a wooden structure with a sedum roof and solar panels
Peab will do the preparatory work for future construction of a three story office building
The building will be certified according to Miljöbyggnad
“As a community builder we’re happy we can simplify life for people living in Åkersberga
It’s important to meet the growing need for service so we look forward to being part of building Maxi ICA,” says Lars Enroth
Construction is expected to be completed in March 2023
The project will be order registered in the second quarter 2021
Peab is the Nordic Community Builder with 16,000 employees and net sales of SEK 57 billion
With a local presence and focus on our own resources we develop
do the groundwork and build everyday life where it’s lived
Company headquarters are in Förslöv on Bjäre Peninsula in southern Sweden
The Peab share is listed on Nasdaq Stockholm
She grew up in the shadow of Kilimanjaro and never knew racism until moving to Europe
As the ‘clandestine artist’ finally gets her due
she looks back on a rich life lived in defiance of convention
she would craft nocturnal art in her house in Åkersberga
Swahili teacher and student; by night a clandestine artist
we’re meeting in the basement of the Richard Saltoun gallery in London’s Mayfair
As Nicodemus makes her way down the stairs
before sitting down and suddenly springing to life
The truth is she’s not on the wane at all: she’s a live wire
with stories for days and an opinion on everything
The walls are covered with her paintings: large scale
vivid works that marry religious symbolism and figurative elements and have seen her described as “one of the strongest feminist voices to emerge from Eastern Africa in the past 30 years”
The whole of the upstairs is dedicated to her work too
having a career renaissance as she approaches 70
She was born in 1954 in Marangu, the Tanzanian town that is the starting point for most people who scale Mount Kilimanjaro
Nicodemus would set off on her own philosophical expeditions which would often put her at odds with authority figures
she questioned the priests about inconsistencies in their teachings – she once threatened to leave the Lutheran church and go to the Catholic one down the road to see if she could get answers
She was so outspoken that her father used to worry about her getting into fights
“He used to tell everybody that he would like to have a big pocket so he could take me everywhere to protect me,” she says
View image in fullscreen‘When I came to Sweden
it was the first time I looked at my skin and said
Photograph: David Levene/The GuardianNicodemus puts her pugilistic approach to life down to her grandmother
who raised the artist and her siblings in a home with no male authority figure (her parents lived elsewhere in the town)
Boys and girls would be treated equally at Makuna’s house
A rota was produced for water collection and everyone was expected to pull their weight
That might seem like a simple egalitarian system but it was radically different to the patriarchal Chagga tradition most children grew up in – and it instilled in Nicodemus a sense of right and wrong
“My grandmother didn’t call herself a feminist,” she says
she would object to being told she had to serve others
‘Cook breakfast for your brothers.’” To this
Tomorrow they’re going to cook breakfast for me.”
Such acts of defiance have become a recurring theme in Nicodemus’s life
she got into teacher training school but then met her first love and eloped with the man who would become her husband: a Swedish economist from a well-to-do family who was working in Tanzania
They got married and after his two-year contract ran out the pair returned to Sweden where they had a daughter
I told my professors I’m going to study you
which means you are going to be my specimensHer relationship with Sweden has soured over the years
mastering the language and bringing up her daughter before she left for France
bullet-pointed list with entries including: “I refuse to be a prisoner of racism
sexism and the past … The Swedish chapter of my life is closed.”
encountering racism for the first time in her life
“That notion was not in my head,” she said
I didn’t think about the fact he was a different colour
There was never this notion of me being inferior
In a bid to understand what was confronting her
Nicodemus decided to study social anthropology
reductive attitudes Europeans had towards their subjects
Nicodemus was proud of Marangu: her family were educated; her town had a gallery and a teacher training centre; her father was an artisan
a carpenter who repaired Lutheran churches
The obsession with so-called primitive Africa was anathema to her
“I told my professors that I think the people who need to be studied are you anthropologists
which means you are going to be my specimen.” What did they say
View image in fullscreen‘Mother
the 1982 self-portrait acquired by the National Portrait Gallery
London/courtesy Richard Saltoun GalleryWhenever Nicodemus tells one of these stories
it’s accompanied by a laugh that starts as a low
almost inaudible hum and builds into a high-pitched giggle that often leaves her bent double
She’s serious about the prejudice she faced but clearly revels in the mischief she caused
seeing the funny side of the hopeless double standards of those around her
She decided to move back to Tanzania so Carolina could get to know her family and the Chagga culture
after taking part in weekend drawing lessons
Within six months I’m going to exhibit in the Dar es Salaam National Museum.’ Her friends said she was mad but Nicodemus was serious
She began painting and once she had 60 works she approached the director of the Tanzanian museum
‘I have come here with my works of art and poems
I’m here and I’m not moving until you look at my art.’ He laughed and said
The director liked her work and gave her an exhibition just as she had predicted
and the poetry she created that sat alongside it
There wasn’t the racial baggage of anthropology
After getting divorced from her first husband, she met and married the Swedish art historian, TV producer and critic Kristian Romare
who supported her financially so she could focus on her art and poetry full-time
Nicodemus combined her anthropological skills with her artistic practice
using her new freedom to interview women and ask them about their lives: sex workers
cleaners and doctors – no one was excluded or considered unworthy
The result was Women in the World
which would see Nicodemus travel to Denmark
Tanzania and West Bengal to do interviews and produce paintings inspired by her conversations
“I collected more than 50 hours of tape about what it is to be a woman,” she says
“I started by telling them everything about me
from my childhood to work problems I faced
happiness.” More work about trauma followed
a collection of featureless women often in pairs that “addresses the triumph of the human spirit over suffering”; and 2004’s Reference Scroll on Genocide
a 16-metre-long scroll documenting genocides and ethnic cleansings
where she was one of the event’s revelations – despite having had her first solo exhibition in 1980
“So it was just the right time that they discovered me
because I think I couldn’t cope any more.” The interest meant she didn’t have to worry about paying her bills
leaving her to paint whenever she wanted and no longer needing to work at the care home
It was one of the original paintings created in 1982 in Sweden that would bring Nicodemus her biggest success to date. In March 2022, her work Självporträtt, Åkersberga would become the first painted self-portrait by a black female artist to be acquired by the National Portrait Gallery
That moment was the culmination of a journey that started in the foothills of Kilimanjaro
the work was created only two years after she took up painting
A reflection on the various roles she was expected to play – mother
daughter – it’s a rare inward look at an artist who mostly tries to understand others
As well as the solo show at Richard Saltoun and the National Portrait Gallery acquisition
she has also just been offered a scholarship at Princeton
So does she think all the defiance has finally paid off
“I guess I never learned my place,” she laughs
Everlyn Nicodemus is at Richard Saltoun Gallery, London
An apartment building in Åkersberga north of Stockholm has been damaged by an explosion in the early hours of Tuesday morning
The force of the blast at the building's entrance blew out windows on several floors
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and he's had ample opportunity to flex them during his tenure
but the party has been struggling in the polls.Just months after taking power
his party failed to push its budget through
reported the local newspaper.In the next election in 2018
his party got its worst result in over a century
and it took four months of negotiations before a new government was put together.Earlier this summer
he became Sweden's first Prime Minister in history to lose a no-confidence vote
following a row over rent controls.However
the opposition was unable to form a viable coalition to take over
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Archaeologists at a forest dig in Åkersberga
have found a dozen ceramic figures with faces believed to be from the Stone Age
making them the oldest objects ever found with a human face in Sweden
The small clay figures were discovered at the dig in Åkersberga
where arrowheads and parts of fishing nets have previously been found
The figures are said to have human facial features and are approximately five centimeters high
It is the first find of human-like figures from the Swedish Stone Age
Niclas Björck says the unique find provides an insight into how people might have looked in the Stone Age
"One can mark the dress and the hair on them
so it is a fantastic snapshot of how people looked during the last part of the Stone Age."
What the figures were used for is still unknown
it is likely that they may have represented some kind of gods of the Stone Age people who lived during that period
"I think these figures had a great impact in their world
perhaps this was the best way to communicate these stories to the next generation," he tells Vetenskapsradion
What do you pack when you only have three minutes to pack up your life - or 30 minutes
It's been about two weeks since they first set foot in Sweden
now a group of refugees from Ukraine are beginning to process what they have been through
Radio Sweden meets them in a temporary accommodation in Åkersberga
Ulla Engbergulla.engberg@sverigesradio.se
the government announced that anyone wanting to buy an electric car with the 70,000 kronor government rebate
would have to buy or order it before midnight on Tuesday
This meant an extremely busy day for car dealers around Sweden
the phones haven't stopped ringing," said Orod Ashkani
Stockholm police said they found what are believed to be the priceless funeral regalia stolen earlier this summer on top of a rubbish bin in the northeast suburb of Åkersberga
The royal regalia - two crowns and a royal orb dating back to the 17th century - was taken from the Strängnäs Cathedral in July 2018
police say it is "likely" that these are the missing items
and the ongoing trial against a 22-year-old man
has been put on hold to include the possible new evidence
Radio Sweden spoke with Christofer Lundgren
about his feelings after he heard the news.
Ulla Engbergulla.engberg@sverigesradio.se