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the Giardini Reali will remain under concession to Venice Gardens Foundation for 40 years: an agreement was signed today betweenAgenzia del Demanio - Direzione Regionale Veneto and Venice Gardens Foundation extending the term of the concession originally signed in 2014
2064.This agreement marks a historic moment: it is in fact the first application in Italy of a recent regulatory change (introduced by Art
296/2005) that allows nonprofit institutions
foundations and associations (active in the fields of culture
health and research) to obtain concessions and leases of state assets for up to 50 years
as long as they ensure their enhancement and accessibility to the public
vien and considered an important recognition for the work done by Venice Gardens Foundation
which has managed the Royal Gardens since 2014
Mark’s Square and its Basin and surrounded by the Correr Museum
had been in gradual decline since the mid-20th century
The decay affected not only the historic greenery but also the architectural structures: the Pavilion built between 1816 and 1817 by Lorenzo Santi
the cast-iron pergola and the ancient drawbridge were in a state of neglect
while incongruous buildings had altered its original harmony
The turning point came in December 2014, when the State Property Agency and the city of Venice entrusted the Foundation with the task of restoring and enhancing the monumental compendium. The project, carried out thanks to the support of Generali, enabled thephilological restoration of the gardens and their reopening to the public in December 2019
Among the most significant interventions was the restoration of the drawbridge
which re-established the architectural link between the Giardini Reali and the Procuratie Nuove
returning the site to its original function as a green oasis accessible to all
The restoration involved the collaboration of two leading professionals: landscape architect Paolo Pejrone
responsible for the architectural interventions and renovation of the Greenhouse
The botanical variety of the gardens has been enriched with species from all over the world
recreating a lush and articulate vegetation capable of offering new landscape perspectives
The daily management and care of the Royal Gardens remains entrusted to the foundation
which operates with its own team of gardeners led by Edoardo Bodi
The approach taken combines ancient knowledge and innovative techniques
ensuring the preservation of the botanical heritage with targeted and sustainable interventions
The same model has been applied to theGarden Garden of the Church of the Most Holy Redeemer
which was also recently restored and opened to the public for the first time
Generali’s support was instrumental in the restoration and enhancement of the site
which has historically been present in the Procuratie Vecchie in St
promoted the restoration of the Giardini Reali as part of its strategy to protect the historical and artistic heritage
The Human Garden Greenhouse chronicles this mission and the link with The Human Safety Net Foundation
The work done by Venice Gardens Foundation has won prestigious awards: in 2022, the Giardini Reali was awarded “The Most Beautiful Park in Italy,” while in 2023 the Foundation received the European Cultural Heritage Award and the Grand Prix - Europa Nostra Award
The extension of the concession until 2064 ensures the continuity of the Venice Gardens Foundation’s mission
which will be able to continue the work of protecting and promoting the site
is confirmed as a central element of Venice’s history and landscape
“It is a great joy and a great honor for Venice Gardens Foundation that the Agenzia del Demanio
continues to place its trust in our Foundation and in our mission of taking care of the Royal Gardens of Venice,” comments President Adele Re Rebaudengo
“a place of rare beauty and symbolic for the city and known worldwide
Thanks to the active commitment and a solid commonality of intentions and values among all the actors involved
of a botanical and architectural heritage of absolute historical and cultural value not only for the city of Venice but for the whole world has been possible
our Foundation has been committed in the city of Venice to the restoration and conservation of parks and gardens as well as to the recognition of the founding role that these assets can play in a social and community context: a commitment aimed at reconstructing the transcendent relationship intimately related to nature
aimed at their growth and protection (which requires daily interventions as a living being)
are not limited to ’maintenance’ but generate over the years a ’new garden’ and thus ’a new value’
creating a very important international interest and network of adherence
visibility and prestige (as in the past the famous ’Italian gardens’).Therefore
care and enhancement interventions that will be undertaken over time turn out to be indispensable for the preservation
enhancement of the value and public enjoyment of this relevant Asset
as well as for the protection of its botanical and landscape heritage
I would like to express special thanks to the Agenzia del Demanio
which supported us in the realization of this project
and finally a heartfelt and profound thanks to the entire team of the Foundation
which has supported me in these years with passion and dedication
in observance of those principles of care and love for what is undertaken.”
A new book of photographs by Marco Valmarana takes readers inside the Floating City’s secret gardens
“Venice is a woman,” Diane von Furstenberg has written
“The gardens of Venice are like precious emeralds set in the mounting of an elaborate golden jewel
small green spots scattered throughout a complex urban fabric
These green oases, which float above the city’s swampy lagoon, are everywhere in Venice
Gardens hug the sprawling Fondazione Giorgio Cini
They highlight the outdoor sculptures at the Peggy Guggenheim Collection
and concealed behind tall fences and brick walls
was last seen at her grandmother’s house in Venice Gardens at 9 p.m
left her phone at her grandmother’s house when she was last seen Sunday in Venice
VENICE — A North Port mother whose teen daughter disappeared from a Venice home is hoping the public can help find her
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Alice had her wonderland, the "gardens of memory" where she promised the Mad Hatter they would meet. Angelenos have The Cook's Garden on Abbot Kinney in Venice where
amid clucking chickens and bouncing bunnies
crowds are packing picnic tables for arguably the best pizza SoCal has to offer
Both were slid into a wood fired Neapolitan oven decorated with recycled turquoise pool tiles where blazing hot wood was ready to perfectly blister the hand-pulled crust.
Michael Fiorelli and Liz Gutierrez are drawing crowds to The Cook's Garden on Abbot Kinney in Venice.
The result was a perfect east coast worthy pizza
every bit as good as one made by a Pizzaiolo in Naples with fresh herbs that had been sourced from the earth seconds earlier
The only thing that could have made it taste better was a bottle of house Italian red
but Fiorelli hasn't been able to secure a BYOB license — yet
outside Fiorelli Pizza's garden plot where pizza toppings are picked fresh
The duo opened Fiorelli's pop up in March, but in recent weeks as the weather warms, the swarms have started waiting in line well before the 1 p.m. opening of the pizza garden on Thursdays, Fridays, Saturdays and Sundays. Fiorelli has worked in many high-end kitchens, among them Love & Salt in Manhattan Beach
but firing up pizzas in the great outdoors
"feels like putting on an event every day."
"It's completely different," he says
"It's very freeing and in some ways more challenging than a restaurant." Things you take for granted in a brick and mortar location
not to mention air conditioning or even electricity," isn't always easy.
But it's "special," says Chef Fiorelli of his pizza garden.
"We're in a garden," Fiorelli adds
"Cooking what we want and offering it the way we want
We're very lucky and don't take it for granted for one second."
Thelma Golden will celebrate Lauren Halsey and U.K.-based singer Griff will take the stage
featured A-list designers and Otis College standouts who earned scholarships for innovation in Fashion Design
lawyers say Boston Police Officer John O'Keefe showed injuries consistent with a dog attack and plan to present a case against Chloe
a German Shepherd who was re-homed by the owner's of the house where the cop's body was found in a snowbank
Magazine’s takeaways on five notable topics from President Donald Trump’s first 100 days of his second term
consumers are stocking up on household items
and bites from THEBlvd and Hinoki & the Bird
Following major restoration and conservation by the Venice Gardens Foundation
the ancient Garden Garden of the Church of the Most Holy Redeemer in Venice opened its doors to the public yesterday
Promoted by an initiative oriented to the values of knowledge
this precious historic site becomes open to visitors and offers an experience that fully respects Capuchin principles and the idea of a responsible future
a project desired by Adele Re Rebaudengo and implemented by her foundation
restore and manage the Compendium that includes the Garden with the Kitchen Garden
the Ancient Workshops and the Greenhouse of the Convent of the Most Holy Redeemer in Venice.The project is a tribute to the tradition of convent gardens
reflecting a commitment to a conscious tomorrow
The Redeemer Garden Garden Compendium extends from the Giudecca Canal to the Lagoon and presents a symbolic and spiritual environment
the complex was donated to the Capuchins as a sign of gratitude after the plague of 1575-1577
Badly affected by the November 2019 acqua granda
which reached 187 centimeters devastating the city
it was entrusted to the Venice Gardens Foundation in 2021 by the Provincial Curia of Capuchin Friars Minor
with approval from the Holy See and the Soprintendenza Archeologia Belle Arti e Paesaggio
The implementation of the international project relied on funding from NextGenerationEU in the amount of 2 million euros (PNRR - Ministry of Culture)
the Superintendence of Venice and the Lagoon
The Venice International Foundation and other donors
Thanks to the leadership of Adele Re Rebaudengo
the opening of the Compendium will be celebrated tomorrow with a public event
the Garden will be accessible Thursday through Saturday
and will be continuously maintained by the foundation itself
with paths shaded by chestnut arbors and adorned with climbing roses
orchards and cultivations of Mediterranean herbs and flowers
reminiscent of the ancient Garden of Simples
the Water Lily Pool represents the heart of the Garden
offers a perfect vantage point for watching the sunset
The itinerary also includes the Meditation Chapel
the Antiche Officine restored by architect Alessandra Raso with new energy-efficient facilities
Exhibitions in harmony with the soul of the garden will be held here
The Workshops will welcome oil and honey production with the Oil Mill and the Honey Removal Room
on the Lagoon front and managed by illycaffè
will offer visitors products grown in the garden
Experimental activities for experienced gardeners will be held in the Greenhouse
The Venice Gardens Foundation maintains the Royal Gardens and the Garden Garden through an integrated approach of ancient and modern knowledge
always with the goal of respecting and preserving the ecosystem
recycling and on-site composting ensure soil fertility
the Foundation will organize cultural events of international significance
which will offer the public an intimate and deep immersion in the history and charm of the place
Remo Salvadori ’s L’Alveare welcomes visitors with its poetics on the harmonious work of bees
while the Antiche Officine hosts a video by Lucia Veronesi on the restoration of the Orto Giardino
flanked by Guido Guidi and Francesco Neri’s shots of the rebirth of the Compendium
“It is a great joy and a great honor for Venice Gardens Foundation to be able to inaugurate today the Garden Garden Garden
of the Convent of the Most Holy Redeemer,” declares President Adele Re Rebaudengo
“a place of rare beauty and admirable accord between spirit and nature
a high expression of Capuchin spirituality
of a botanical and architectural heritage of absolute historical and cultural value not only for the city of Venice but for the whole world
the one we are celebrating today,” Adele Re Rebaudengo continues
“which marks the opening after five centuries of this extraordinary place in which it is still possible to ”feel deep down“ and rediscover the joy of ”simplicity and listening to nature
the Compendium will host works expressing the vision of sensitive artists
protagonists of the world of art and culture of international importance
I would like to express special thanks to the Provincial Curia of the Capuchin Friars Minor
the Holy See and the Superintendence for the trust they have placed in the Foundation as well as to the Supporters and Patrons who with their generous support have made possible the realization of this project by creating an alliance with the garden as a source of life and creativity
fertile ground where to restore the foundations capable of restoring nature to its deep meaning
to the professionals and companies that carried out the restoration
a heartfelt and profound thank you to the entire Foundation team that has supported me over the years with passion and dedication
in observance of those principles of care and love for what one undertakes."
the Garden Garden has always been considered a valuable asset to which great care and fruitful work should be devoted
both for the productive aspects and for meditation and prayer,” says Paolo Pejrone
architect in charge of the botanical restoration by Venice Gardens Foundation
“For centuries it also represented an indispensable source of sustenance for community life
referable to the forest indicated in the first Capuchin constitutions
the Orchards even before the restoration were already lived in and loved
over time their overall texture had become looser and looser
and the first objective that animated the project was precisely to find a general structure that would make them cohesive
harmonious and as simple as possible in harmony with the Capuchin spirit
Each choice sought to respond to concrete needs with the most direct
Thus restored and entrusted to the care of the Foundation and its qualified gardeners
the Compendium is now a place of frugal and balanced beauty
rich in botanical details and lush atmospheres
but free of complacency and rhetoric.”
well-established neighborhood due east of the Venice municipal airport across U.S
most of them traditional Florida ranch homes
Venice Gardens feels tucked away from the hustle and bustle of the thoroughfares at its borders
There are mature trees and tropical foliage throughout
A number of sizable interconnected lakes provide scenic water views from many of the backyards
“It’s a calm neighborhood,” said C.J
an agent with Coldwell Banker Sunstar Realty
“It’s very family friendly – a nice place to raise kids.”
The earliest homes were built in the 1940s
but much of the neighborhood was developed in two distinct sections
with Briarwood Road at its southern boundary
concrete block houses come with 1-car garages or attached carports
Many have private swimming pools and covered lanais as well
Conner’s listing at 1761 Valencia Drive is a three-bed
with 1,490 square feet under air and a one-car garage
it has an open floor plan with a living room/dining room area and big sliding glass doors that open onto a spacious patio
“The property has mature oak trees that cover much of the roof
keeping heating and cooling bills low,” said Conner
“They also act as a buffer against the Florida sun
which helps with longevity.” He continued
“The backyard is one of the larger in the neighborhood
with room for a boat and potential customization such as adding a fence.”
While there are no deed restrictions or homeowner’s association fees
Venice Gardens is a well-kept neighborhood with considerable pride of ownership
“People take care of their properties,” said Conner
working professionals and families with children
Most of them live in Venice Gardens year-round
The community has its own eponymous recreational facility
bordered by Pomelo Drive and one of the lakes
The dog-friendly grounds feature a playground
Many residents enjoy the community swimming pool at a corner of the park and use the building of the Venice Gardens Civic Association there as a community center
Parents appreciate the convenient location of Garden Elementary School within the northeast borders of the community
allowing many of the children to walk there
For residents interested in golf and fitness
the Pelican Pointe Golf Course and Venice YMCA are right across Center Road
An Aldi food store on the western border of the neighborhood and Detwiler’s Farm Market just a mile north on U.S
Venice Island and the Gulf beaches are only a short drive away
Access to I-75 via Jacaranda Boulevard is great for people whose work takes them north or south in the county
There is also a village shopping area inside the neighborhood
which includes the Jacaranda Animal Hospital
Marco’s Pizza and Herman’s Meats & Deli
Venice Gardens used to be a relatively inexpensive starter home neighborhood
but home values have climbed in the past years
keeping pace with the rest of the real estate market
the median real estate price is now $277,822
Houses at and below that price point do come on the market – there is a pending sale which had an asking price of $277,000
the five active listings range from $316,000 to $449,900
2022 (GLOBE NEWSWIRE) -- Discovery Senior Living community Aston Gardens at Pelican Pointe has been named a 2021 Best of Venice Award Winner in two categories
including "Best Assisted Living (Under 50 Beds)" and "Best Overall Assisted Living." Conducted annually by The Venice Gondolier Sun
the Best of Venice Awards are 100% citizen-voted and honor the area's top businesses in dozens of wide-ranging categories
Aston Gardens at Pelican Pointe was named a finalist in two other categories
including "Best Assisted Living - Independent" and "Best Overall Retirement Community."
Aston Gardens at Pelican Pointe is built amidst a charming
park-like setting just one block from East Venice Avenue and the Venice Commons shopping center
which sits adjacent to the Pelican Pointe Golf & Country Club property
The continuum-of-care campus is home to 298 Active Independent Living
31 Assisted Living and 12 SHINE® Memory Care suites and one- and two-bedroom apartment homes
chef-prepared meals and access to resort-quality amenities
including multiple dining venues; a heated outdoor pool; senior-specific health and fitness center; movie theater with digital surround sound; professional beauty salon and barbershop with spa services and much more
the community unveiled the results of a $3 million designer remodel
which imparted fresh aesthetics and delivered a host of enhancements to indoor and outdoor amenities spanning the community's more than 29,000 square feet of living and common areas
"We are honored and excited to accept a pair of 2021 Best of Venice Awards for excellence in senior living," said Therese Williams
Executive Director of Aston Gardens at Pelican Pointe
it's the truest testament of all that the new aesthetics
amenities and experiences our team members are making possible each day are having the meaningful
positive impact we've envisioned in the lives of our residents."
Located at 1000 Aston Gardens Drive with accessibility from both East Venice Ave
Aston Gardens at Pelican Pointe is one of six Aston Gardens communities owned and operated by Bonita Springs-based Discovery Senior Living
Aston Gardens is part of that company's national
multi-brand portfolio that includes 110 upscale senior living communities across 19 states
planned and executed Aston Gardens' recent remodel
Discovery Senior Living is a family of companies that includes Discovery Management Group
a Medicare-certified home healthcare company
the award-winning management group has been developing
and operating upscale senior-living communities across the United States
By leveraging its innovative "Experiential Living" philosophy across a growing portfolio of more than 15,000 existing homes or homes under development
Discovery Senior Living is a recognized industry leader for lifestyle customization and today ranks among the 10 largest U.S
SMohtady@DiscoveryMGT.com| 239.676.2870
This content was issued through the press release distribution service at Newswire.com
— The National Guard has set up at the Myakka Community Center as residents in Manatee and Sarasota Counties continue dealing with flooding waters and damaged homes in the wake of Tropical Storm Debby
The National Guard set up at the community center earlier Tuesday in Manatee County
and the area near the Manatee Dam saw some of Debby's worst flooding
Watch: Action Air One flies over hard-hit Parrish
and two horses were rescued from rising water
the county has not had to conduct any water rescues since daybreak Tuesday
Parrish saw nearly 19 inches of rainfall from Debby
Many people say they've never seen flooding to that degree
some still want to know what they're returning home to and are assessing their damages
Others say the Lake Manatee Dam is to blame for the heavy flooding
says the dam did exactly what it was supposed to do
Twenty roads remain closed in Manatee County
there were more than 500 people rescued from flood waters in the Pinecraft area
Entire neighborhoods were left underwater along the Phillipi Creek as crews raced to help residents
WATCH: Action Air One shows the Lake Manatee Dam on Tuesday
Sarasota County said its evacuation center at Sarasota Technical College remains open
31 residents and 19 pets were in the shelter
The county also said 31 roads remain underwater
ABC Action News Mary O'Connell talked to Dr
Chief Medical Officer at AdventHealth Wesley Chapel
about how dangerous flooding and flooded areas can be to health and safety
His bottom line: you don't know how deep or what's in the water
“I think, like more people feel compelled to say something now if they hadn’t been before.”Animal lovers have ramped up their advocacy after being angered by an ABC Action News report about a Polk County shelter falling short of expectations
More Sarasota and Manatee County News from ABC Action News
Report a typo
From the best place to beat the crowds to the most coveted dinner-party invite
their pared-down picks will never lead you astray
Cecilia Alemani knows her way around Venice
The Italian-born curator spent plenty of time in the floating city while preparing last year’s Venice Biennale
titled “The Milk of Dreams” after a book by Surrealist painter Leonora Carrington
made headlines for its focus on female and gender non-conforming artists
who accounted for the vast majority of the 200 creators represented in the show
Alemani works as the curator of the High Line's art program
we asked Alemani to share her favorite spots in the mythical Italian city.
What’s the best neighborhood for a visitor to stay in
What's a local restaurant you can actually get into for dinner
If you’re in need of a bathroom while out and about
What are you most excited to see during the Venice Film Festival?
Io Capitano
the new movie by the incredibly talented Italian director Matteo Garrone
To Sant’Elena or to Sant'Erasmo, a small island where they grow amazing artichokes! Or you can go to the brand new Giardini Reali
Café Florian in Piazza San Marco is always a classic
Isola della Certosa
Punta della Dogana, the Guggenheim, Palazzo Grassi, Ca Pesaro, and the Prada Foundation.
Da Fiore.
You can’t leave Venice without a pair of Friulane, traditional Venetian slippers. Go to Piedaterre I Campo Santo Stefano.
There used to be an amazing club called Piccolo Mondo
For more city guides, see museum director Myriam Ben Salah on Chicago.
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Soprano Golda Zahra comes home to put on a free concert in her old neighborhood
By Linda Chase“Pa-pa-pa-pa-pa-pa…”The young couple was driving home after attending a performance of “The Magic Flute.” Their 4-year-old daughter
was in the back seat singing the sounds over and over.“Pa-pa-pa-pa-pa-pa…”Little Golda was imitating the famous aria she had just heard sung by the character Papageno
Mozart’s colorful fairy-tale opera had awakened something inside her
The car engine had barely cooled when her parents signed her up for piano lessons.Today
the 25-year-old Golda Zahra is a rising opera star
She chose her middle name for her stage name to honor her Persian heritage
Zahra views herself as not only a singer but also a woman on a mission
such as her free outdoor concert on May 24 in the Beverly Canon Gardens in Beverly Hills
she wants to win over listeners who may think opera is too highbrow and “not for them.” Her strategy is to let the beauty of the music speak for itself.Zahra’s mantra is “Put your heart in your hand.” Whether performing for picnickers at the free concert or singing in an opera at Disney Hall
the acclaimed soprano focuses on singing everything with feeling
“Emotion is something that a lot of young singers are lacking in
so I really try to move my audience,” she said in a Zoom interview.Backed up by a six-musician jazz ensemble
she will perform mostly popular Italian-Neapolitan songs
jazz classics and hits from Broadway and film
she’s presenting one of her favorite arias
“Quando me’n vo,” from Puccini’s “La Boheme.”Sung by the character Musetta in the opera
the lyrics speak of her reveling in the admiring stares of others
the aria ends in a high B flat with a diminuendo — a high-wire act requiring superb vocal command and range
whose upper range reaches F and beyond (octaves above high C)
Zahra discovered her vocal talents when she was 8 and already enrolled in the Colburn School of Music in Los Angeles
One of her advisers suggested that she sign up for a course called Opera Choruses
She went on from there to study under the renowned vocal coach Kay Montgomery.In 2015
was the youngest grand prize winner in Classical Voice for her performance at the Los Angeles Music Center’s Spotlight Awards
she left the comfort zone of 90210 to travel to the remote village of Rovigo
That led to her becoming a protégé of Barbara Frittoli
who took her to the next level of vocal technique and interpretation of roles.Zahra made her operatic debut in 2020 as Violetta in an Italian production of “La Traviata.” In 2022
she was a finalist in the Voci in Barcaccia international opera competition for Rai Radio in Rome.Today
she spends at least a week in New York every month to work with Bill Schuman
whom she describes as “the best coach on the face of the planet” for polishing her edges and giving her valuable advice about her career.Zahra is acutely aware of the physical demands of operatic singing
“Our instrument is in our body,” she explains
and when there’s an audition or concert coming up
The concert in the park is the first of four shows Zahra will do in the Los Angeles area through the summer
They include a program of sacred works titled “The Angelic Voice” at St
Monica Catholic Church in Santa Monica in June
“Golda Zahra in Concert” with the Dream Orchestra in July at the BroadStage in Santa Monica and performing the role of Liu in the concert version of Puccini’s opera “Turandot” at Disney Hall in Los Angeles in August.Linda Chase is a freelance writer based in Santa Barbara specializing in the arts
This feature is produced by the Journalism Arts Initiative
which is underwritten by donations from arts organizations and others interested in supporting excellence in arts journalism.Golda Zahra sings pop
and opera at a free outdoor concert May 24 at 6:30 p.m
Guests are encouraged to arrive early with blankets and low chairs for seating on the lawn (first-come
first-served) and are welcome to bring a picnic to enjoy during the show
The park has two large public parking lots
and there is valet parking at the Maybourne
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which has just seen a restoration by the venice gardens foundation as it had been hidden and left to decay for years
maria thereza alves comments: ‘architecture must begin with a specific place
every building is made in a garden whether or not that is recognised.’
for the venice architecture biennale, LABINAC dubs its collection ‘echoes of the forest.’ the exhibition at the royal gardens’ greenhouse presents twenty one tables designed by the two artists specifically for the event
site-specific installation at the venue after the end of the biennale
maria thereza alves and jimmie durham took inspiration from the endemic mediterranean pine tree
the tables are expressed in serpentine green marble to show the tree as see from both above and below
LABINAC scatters its arboreal collection ‘echoes of the forest’ throughout the greenhouse in venice as a didactic reminder of the lessons that can be learned by nature
jimmie durham notes: ‘we humans always need to know that the rest of nature is close.’ the collection emphasizes the necessity and challenges to engage in an inclusive dialogue
the twenty one tables will remain at the greenhouse permanently following the closing of this year’s biennale
author: LABINAC (thereza alves
location: greenhouse at the royal gardens
event: venice architecture biennale 2021
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style
president of Gabrielino-Tongva Springs Foundation and the guide for the Venice Design Series April 27 benefit tour to raise money for Venice Community Housing
Venice Design Series is presenting a guided tour of the restored Gabrielino-Tongva Sacred Springs
It’s the second of a three-part benefit to raise money for Venice Community Housing
an affordable housing developer and supportive services provider across LA’s Westside
The third event is a Rustic Canyon Dinner Party happening on May 4
This is the 10th year that Linda Lucks and Jay Griffith
the duo responsible for the Venice Garden and Home Tour
president of the Gabrielino-Tongva Springs Foundation
Gabrielino-Tongva Sacred Springs was registered as a state historical landmark
The three clearwater springs exist on the campus of University High School
which rests on the site of an ancient Native American settlement
Spaniards gave the native inhabitants of the land the name “Gabrielinos” because of their association with the San Gabriel Mission
the people chose the name “Tongva” to distance themselves from the colonial oppressor
a graduate of University High and Tongva tribe elder
discovered that the once natural wonder where two of the springs are located was overgrown and filled with trash
with her family and other community members
she cleaned up the 2-acre area and founded the Gabrielino-Tongva Springs Foundation
With the help of then-State Senator Tom Hayden
the foundation received government funding for the preservation of the springs
Behrns stepped down as president but still remains active along with her children and grandchildren
was looking for a Boy Scouts service project with his younger son
They stumbled on the Gabrielino-Tongva Sacred Springs
The existence of the springs is close to Ramirez’s heart — his ancestors are buried in the San Gabriel mission
“The best thing that happened was COVID,” Ramirez said
Their team of volunteers were able to work on the closed campus and accomplish much of the major restoration
as well as partnered with other organizations such as UCLA
and created alliances with community groups
Kuruvungna Springs Cultural Center & Museum
a repurposed former classroom that houses artifacts excavated at University High School
is open on the first Saturday of the month from 10 a.m
Ramirez explains that the springs release 56,000 gallons of fresh water every day
but a portion of which is used for irrigation
“It is exceptionally clean water,” says Ramirez
“People use it for traditional Japanese tea ceremonies
There is a Mesoamerican garden with the three sisters
The garden is also home to 43 species of birds
the largest Eucalyptus saligna in the nation and the largest Montezuma Cypress in the state
“The garden is a sanctuary for native plants and for anybody who needs healing,” Ramirez said
Both of his sons are involved with the Gabrielino-Tongva Sacred Springs — the older one as site manager and the younger as a volunteer who joins the dozens of community members who show up to weed
Ramirez explains that there is still work to be done to achieve the foundation’s mission of protecting
preserving and restoring the Gabrielino-Tongva Sacred Springs
There is a spring on the upper campus of University High that LAUSD has agreed to resurface in time for the 100-year celebration of the high school
The foundation is also looking to secure a long-term lease agreement
which includes a small parcel of surplus adjacent land that is no longer used by the school
The upcoming tour is the perfect chance for the public to see for themselves just how much effort has been put into preserving this cultural heritage
INFO: vchcorp.org/events/venice-design-series
Carmelite friars in Venice have created a garden that displays the journey of Catholic souls described by Spanish mystic St
Teresa of Avila is one of the most important female saints of Catholicism
the Carmelite sister founded the monastery of St
and compiled a series of texts that have become a staple of Catholic literature
is titled The Interior Castle and provides imaginative insights on how to lead a fulfilling life in communion with God
imagined our soul as a castle-shaped diamond containing seven houses or mansions
each representing a step in the journey that leads to total union with God
A monastery garden based on a saint’s vision
you can visit a place that has actually turned her literary allegory into reality
has created a “Mystical Garden” with seven flower beds
each representing one of the mansions of St
The Carmelite Order was founded in 1200 near Mt
The first Carmelite friars escaped the Holy Land after a Saracen invasion in the 13th century and established themselves in mainland Europe
Since their arrival in Venice in the 17th century
they have maintained a vegetable garden near the Church of St
There they grew vegetables as well as medicinal herbs used to make their renowned herbal remedy called “Melissa.” In 2014
that centuries-old garden was restructured to replicate the seven “houses” that St
Teresa used to allude to the seven stages that need to be integrated on a soul’s journey to total communion with God
The first “mansion” in St.Teresa’s book is dedicated to “self-knowledge” and humility
which can be achieved through prayer and meditation
Carmelite friars in Venice represented this “mansion” with a humble and simple grassy lawn
The second “house” of the soul is dedicated to purification that can be achieved by prayer
In Venice’s Mystical Garden this is represented by medicinal herbs
which stand for the purification of the body in order to reach communion with God
The third flower bed in the gardens hosts vegetables
and stands as a symbol for the developed ability to practice charity
avoid sins and be careful in one’s speech granted to those who move into the third house of the Interior Castle
The fourth mansion signals a shift from active stages of prayer
to mystical stages of prayer where believers can experience God’s supernatural presence
This shift is symbolized by a vineyard with 17 rows of vines
The way vines can be transformed into wine is in fact reminiscent of the supernatural power of the fourth house
The fifth flower bed is dedicated to “ancient” and “foregone flowers,” a reference to the “hidden treasures” that St
Teresa described in the fifth mansion of the Interior Castle
treasures that can be achieved by passive contemplation
The Spanish mystic specified that most of her fellow Carmelite sisters could achieve this fifth stage
the stage where believers transition from illuminative stages to unitive stages
believers can experience those mystical episodes such as visions and voices typical of great mystics such as Padre Pio and St
this stage is represented by olive trees that can live in very harsh conditions for centuries in communion with their wider environment
The seventh and final mansion is where the soul finally enters a marriage with God
All three Holy Divine Persons of the Trinity appear and speak to the soul
Teresa achieved this state in her lifetime and recounts a detailed appearance of Jesus appearing in front of her
where large trees symbolize the essence of God
The Mystical Garden of the Carmelites in Venice is right behind the main train station
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to celebrate the upcoming inauguration, a physical model of the building showing part of the interventions will be displayed to the public
this scale model will show from november 12th
2022 in the human garden space within the royal gardens
which itself reopened to the public in 2019 following a five-year restoration by the venice gardens foundation in partnership with generali
video and images courtesy of generali
the opening of venice’s procuratie vecchie follows an ambitious five-year restoration project by david chipperfield’s milan office and is due to be completed by the end of the year. the project has not been defined by a single concept or architectural gesture
but through a series of interventions that address the complexity of the work
these included the restoration of the first and second floors
the reorganisation of accessibility and usability of the building through the inclusion of new staircases and the renovation of the central pavilion on the third floor
the intervention promoted by generali will enhance the third floor to include exhibition spaces open to the public and linked to the human safety net foundation
which runs along the northern edge of the square
will become a major new destination and hub of activity
it will become the headquarters of the human safety net
working with people living in vulnerable circumstances so that they can transform the lives of their families and communities
the renovation will be part of the ambitious project to make venice the world capital of sustainability
the re-opening rounds off a special year for generali
which marked its 190th anniversary in 2021 with an array of initiatives geared towards economic recovery and sustainability
the procuratie vecchie will also be part of the ambitious project to make venice the world capital of sustainability
david chipperfield comments: ‘it has been an enormous privilege to work on the procuratie vecchie
not only for the significance of the building’s architecture and centuries of history
but also for the role it plays in defining one of the most inspiring civic spaces in the world
through our project we are carefully reunifying and adapting the building’s fabric as well as reviving the role and meaning of the procuratie vecchie for venice not merely as an attraction but as a vibrant place of activity in a living city
‘the strength of such a project relies on the quality of collaborations
advisors and the teams on site for their inspiring commitment throughout this project
we look forward with great excitement to its public opening next year.‘
the intervention will enhance the third floor to include exhibition spaces open to the public a series of interventions will address the complexity of the work the building will become the headquarters of the human safety net to celebrate the upcoming inauguration
a physical model will be displayed to the public the restoration is on track complete in spring 2022
A garden is growing in the elegant interior of Palazzo Franchetti – a particularly opulent Venetian edifice on the city’s Grand Canal
At the top of the building’s palatial marble and stone staircase
with its series of imposing gothic windows overlooking Ponte dell’Accademia
the entire upper floor is lush with vegetation
Each adjoining room is dominated by garden beds hosting a diverse range of plants
In contrast to the ornate and perfectly symmetrical pattern of flora and fauna painted on the building’s baroque vaulted ceiling above the central staircase
the real plants and flowers growing on the top floor of the palace are not there simply to decorate the space – they are claiming space
The unexpected garden is an installation called Greenhouse
created by artist-curators Mónica de Miranda
Sónia Vaz Borges and Vânia Gala for the Portuguese Pavilion at this year’s Venice Biennale
Responding to the international art exhibition’s 2024 theme “foreigners everywhere”
the trio have recreated a Creole garden which
was a plot given to and cultivated by enslaved people in order to sustain themselves
it became an ingeniously diverse model of gardening
“Creole gardens challenged systems of forced labour and monocultural plantations in colonial empires,” explains artist
“By opting for alternative forms of cultivation such as permaculture and favouring multiplicity
these plantations contributed not only to food and medicine
but also to fostering a sense of belonging and identity
By cultivating the land according to their own traditions and needs
these people were claiming a space of autonomy
The gardens were therefore not just spaces for cultivation
a place where people could claim their own dignity and freedom.”
Greenhouse highlights the histories overlooked by dominant Portuguese perspectives
bringing to light Afro-diasporic experiences and challenging notions of identity and nation while addressing the constructed binaries between nature and culture
There are multiple rhythms happening in the Creole garden … plants flourish at different times and
working side by side in collaborative ways
“I understand it as a Black practice … also as a counter-plantation technique which
it used exploited labour and didn’t allow for that multiplicity of voices
the Creole garden] is a practice of tenderness of caring
of listening to the different plants flourishing.”
The sense of an ecosystem created with the guiding principles of mutuality and symbiosis is reflected in the ways the three artists contribute to the artwork
each bringing their own unique practices into the space
the garden will function as a “transdisciplinary living archive”
all feeding into a wider understanding of everything the Creole garden stands for
“This invites another kind of world-making,” adds Gala
“and also invites people to participate in that act
The Venice Biennale itself is of course an established ecosystem
and the very presence of a Creole garden as a “fugitive practice” is
at least a challenge to Venice’s history of wealth built on global trade and of the systemic prejudice and elitism of the Western art world
“This is a pavilion – it’s not in the Arsenale or the Giardini – but even even so
[palazzos] share a lot of things with the Venice Biennale pavilions in the way that they were created as Western monuments of grandiosity which celebrated monoculture in all ways that we can think about,” says Gala
the pavilions are based on the idea of a single origin in terms of nation and what we are thinking about with the creation of the garden is a completely different world.”
The artists plan to invite local communities to engage and spend time in the garden
refugees and migrant communities to create another kind of dialogue – one that is not top-down
but a more horizontal and base-level conversation,” interdisciplinary historian Vaz Borges says
“And it’s through the invitations and our research of other populations in Venice [whom] we can invite to the pavilion to be in conversation with the collective
That’s our goal for the society that we live in and we hope to reproduce this in the garden – our vision of another future; another future that is not just concerned with the human being but with everything and the whole ecosystem we live in.”
Greenhouse by Mónica de Miranda
Sónia Vaz Borges and Vânia Gala is on show at the Venice Biennale until 24 November 2024
The Official Portuguese Representation at the 60th International Art Exhibition – La Biennale di Venezia is commissioned by the Directorate-General for the Arts (DGARTES)
Slides of interiors at Robin Hood Gardens circa 1970
Exterior view of the facade of Robin Hood Gardens
Photograph of Robin Hood Gardens completed 1972
See all the latest from Venice Architecture Biennale here
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journalist and editor covering architecture
with particular interest in sustainability
After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London
she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine
She is author of The Sustainable City (2022
a book about sustainable architecture in London
a map of 20th-century architecture in Cambridge
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Venice's "Royal Gardens," built in 1806
are just a short walk from teh popular Saint Mark’s Square © Manuel Lagos Cid / Getty
Everyone knows that water is what makes Venice unique
It’s all part of its mythos and charm – the Serenessima floats in the middle of the Lagoon
with only a strip of land connecting it to the mainland
mixed with the stunning buildings left behind by more than a millennium of history
might make it hard to think of Venice as a city with green spaces to enjoy
Venice has no shortage of city parks where you can stop your walking tour and relax surrounded by trees
These gardens located not too far away from Piazzale Roma and from Venice’s main train station
can boast their fair share of history since they were ordered by the Papadopoli earls in 1834
Their shape has definitely changed with the World War Two bombings and the expansion of the city
but they can still offer a huge variety of trees for anyone who wants to take a break from palaces and bridges and enjoy some unrushed quiet – or some climbing and swinging around
since it also features a play area for kids
Every Italian city that has ever been the seat of a dukedom or princedom or kingdom has Royal Gardens
The Serenissima’s Giardini Reali are located right in its most popular area
Napoleon was the one who ordered them into being
it was the Austrians who picked up the project and brought it to completion – making the gardens a delightful area for the court to enjoy
the gardens have returned to their chic and polished splendor
ready to be enjoyed – just like the coffee house originally planned by Napoleon
where you can stop for a quick espresso (and maybe a couple of Instagram photos)
Pretty close to the Santa Lucia train station
Parco Savorgnan is beautifully encapsulated in the historic buildings of the Cannaregio neighborhood
since the first plans for the park were laid down around the 17th century
It was a very common type of green space when it was first created
and it has only gotten richer through the centuries – with statues
fountains and careful Romantic landscaping
It could be a great stop on your way to and from the city center from the railway station
a chance to rest your feet as you sit down among trees that have seen the history of the Serenissima unfold
Napoleon’s name pops up in the history of these gardens as well
since their construction was ordered at the same time as that of the Giardini Reali
the area was given to the foundation that organized the Biennale exhibition – and the international art exhibition became inextricably tied to the gardens
As you stroll around the gardens today you can see thirty pavilions owned by different countries around the world – when the Biennale is on
that’s where the works of art are displayed
But even when it’s not a Biennale year you can still see the pavilions and explore their sometimes centuries-old history – like that of the Belgium pavilion
which was the first one to be built in the gardens at the beginning of the 20th century
this huge park is located on the island of the same name and just a bridge away from the Biennale area
the Pineta is the perfect spot to reach when one wants to spend some downtime under the pine trees
staring out at the sea and at some breathtaking landscapes of the city
the Pineta di Sant’Elena is also equipped with a playground for children
It’s true that what most people think of when they imagine Venice is only the part of the city that’s floating on the Lagoon
but the mainland is only a bridge away and very much a part of the greater Venice area
So if you’re intrigued by a location outside of the usual city centre routes
you could take the day off and head to Parco San Giuliano in Mestre
the last city on the mainland before the bridge to Venice
A huge 74-hectare (183-acre) green space meant first and foremost as a flora and fauna preservation area
the Parco San Giuliano is also well-equipped for outdoor activities like skating
If you want to organise a day out with family and friends
then this is definitely a place you should keep in mind
You might also like:Venice's best beaches: sunbathing on La SerenissimaVenice's most unmissable experiences: sail away with usHow to get around Venice: from gondolas to vaporettos
2019Save this storySaveSave this storySave1 / 8ChevronChevronPhoto: Courtesy of Hamish BowlesA detail of a ceiling fresco in the Palazzo Grimani
painted by Camilla MontovanoThe high tide had recently flooded the city’s streets and plazas
but by the time I landed in Venice the sky was a bright forget-me-not blue and the sun was all ablaze
I settled in to the deliciously old-fashioned Gritti and romped down a seafood pasta on the Grand Canal-side terrace (with views to the splendor of Santa Maria della Salute on the opposite bank) to fortify myself for a return trip to the Peggy Guggenheim Collection
the collection of the fabled dealer and collector is showcased in her Venetian residence
the exquisite one-story Palazzo belonged to the fantastic Marchesa Casati
a spendthrift eccentric who romanced Gabriele D’Annunzio
the fearless Peggy was an insatiable collector and a visionary dealer who was the first to showcase the work of Jackson Pollock and his wife Lee Krasner—and who championed the leading figures in the Dada (Max Ernst was her second husband)
That evening, I hied to the poetic Palazzo Gradenigo for dinner chez Toto Bergamo Rossi, director of Venetian Heritage, the organization that has done so much to preserve the treasures of Venice and its former empire. The author of Venice: The Art of Living knows the storied city and its stories like no one else (his work has also taken him to Croatia, where he has another magical home
The multiple smells for this latest Hermès fragrance were created in Nagel’s laboratory at Pantin, where the legendary Hermès workshops are based and where she chose to work because she felt that here “the heart of Hermès beats.”
“I love the texture of perfumes,” Nagel told me over tea at the Gritti. “Perhaps that’s why I am at Hermès, because fabric and texture is at the heart of the house.” When she was working on a men’s fragrance for another brand, she said, she would come to Hermès and, eyes closed, run her hands along the men’s suits. “It was so sensuous,” she says, “but now perhaps when they see me they remember me as that crazy lady who would stroke the clothes!”
“In Hermès, each time I create a perfume I create a story,” says Nagel, mindful of an injunction from Hermès’ chief executive officer Axel Dumas that “Without audacity there is no creation.” “I put in this perfume all the life of this garden,” she says.
On the occasion of the XXVII Venice Seminar organized by the Italian Embassy in London
the new project of Venice Gardens Foundation
management and opening to the public of the Garden Compendium - the Kitchen Garden
the Greenhouse and the Apiary - of the Convent of the Palladian Church of the Most Holy Redeemer was presented
A major City Project of international significance that gives these spaces a significant reference role
shared with the Order of Friars Minor Capuchin and the Holy See.Built by the Serenissima and Pope Gregory XIII as a symbol of gratitude and rebirth following the plague of 1575-1577
which stretches for about a hectare from the Giudecca Canal to the Lagoon
is significantly marked by the “acqua granda” of November 2019
submerged and devastated the city of Venice
In order to prevent the traces of such an important landscape
cultural and religious testimony from being lost
in 2021 the Monumental Compendium was entrusted to Venice Gardens Foundation by the Provincial Curia of the Capuchin Friars Minor
with the authorization of the Holy See and the Soprintendenza Archeologia Belle Arti e Paesaggio
in order to allow the recovery of the site and its subsequent reopening
scheduled for 2024 when the work is completed
Venice Gardens Foundation has been promoting its commitment since 2014 in the restoration and conservation of parks
gardens and properties of historical and cultural interest
implementing projects aimed at the protection of botanical and artistic heritage
In keeping with the spirit of high patronage
Venice Gardens Foundation now undertakes a new challenge
namely the rebirth of the Compendium of the Redeemer
leads back to the important tradition of convent gardens and orchards
their richness and capacity for experimentation
but at the same time looks to the future with conscious and responsible commitment
“It is an honor for Venice Gardens Foundation to be able to help pass on an Asset of such high historical
symbolic and spiritual value through its restoration and preservation over time,” said Adele Re Rebaudengo
“A project made possible thanks both to the affinities between the Capuchin charism and the Foundation’s mission and to the fruitful discussion with the Friars of the Convent
A journey that has involved many professionals
institutions and generous patrons who enthusiastically participate in this project of ours
sharing its vision and principles: the value of restoration
respect and protection of nature in harmonious accord
but also looking to the future with responsible commitment
self-sufficiency and the recognition of the founding role that these places play in a social and community context through their opening that will take place in respect of the spirit of the place.”
Key principles of the project are sustainability and self-sufficiency
The botanical restorationhas been entrusted to Paolo Pejrone
an internationally renowned gardener and landscape architect
a student of Russell Page and Roberto Burle Marx
of the restoration of the Orto di Santa Croce in Gerusalemme in Rome and
of the Giardini Reali di Venezia in San Marco
The architectural restoration project is by Alessandra Raso
an architect engaged in restorations of important historic-artistic complexes and projects for cultural institutions
including the Venice Biennale and the Milan Triennale
The botanical restoration has received European Union NextGenerationEU funding of 2 million euros (PNRR Ministry of Culture Restoration and enhancement of historic parks and gardens) and sees more than 2,500 trees and plants planned to be planted in architect Pejrone’s project
Visitors will be able to walk among the olive trees
the water lily pool (a tribute to the fascination with the Orient that has always animated the Serenissima)
handed down in Venetian gardens and covered with grape plants
in the garden of pittosporum and roses overlooking the Lagoon
in the ancient meditation chapel and in the library next to the refreshment room
Great attention will be paid to bee welfare
with the presence of beehives and the conduct of honey extraction activities on site
All the places restored by the Foundation are then directly cared for and preserved by the Foundation with its gardeners through specific programs
a synthesis of ancient knowledge and new techniques
On the roster of the International Private Committees for the Preservation of Venice and registered in the Ministry’s National Register of Research
Venice Gardens Foundation is also engaged in the development and application of studies aimed at innovation and sustainable and responsible management of landscape assets and related training paths
The Foundation also collaborates with researchers and artists in the creation of works closely related to the essence and life of gardens and supports
through a system of international cooperation
the publication and transmission of texts related to garden culture
Created by the Serenissima and Pope Gregory XIII as a symbol of gratitude and rebirth following the plague of 1575-1577
is significantly scarred by the “acqua granda” of November 2019
The Venice Royal Gardens restoration and conservation project has been awarded the European Cultural Heritage Prize / Europa Nostra Award 2023
an award established by the European Commission in 2002 with the aim of celebrating and promoting the multiple values that natural and cultural heritage has for society
the economy and the environment in Europe.The complex restoration work of the Giardini Reali
promoted and carried out by Venice Gardens Foundation under the direction of President Adele Re Rebaudengo and supported by Generali as main partner
has made it possible to bring the Gardens back to life
which reopened to the public on December 17
the Gardens were in a serious state of neglect
and the intervention made it possible not only to restore their architectural link to St
Mark’s Square and the Marciana area in general represent a symbolic place known all over the world
Assicurazioni Generali supported as the sole partner the restoration of the Giardini Reali wanted by the Venice Gardens Foundation because this project gave back to the city and to those who visit it an oasis of beauty and reflection immersed in greenery,” said Simone Bemporad
director of Communications and Institutional Affairs at Assicurazioni Generali and vice president of The Human Safety Net foundation
“But it has also done so because there is a common thread that leads from water
where the Procuratie Vecchie-home to The Human Safety Net and unmistakable backdrop to the square-open the door to a journey that affects us all: expressing one’s full potential.”
The complex intervention supported by Generali in theMarciana area has also enabled a complex botanical restoration and enhancement of the Giardini Reali
What concerned the gardens was a conservative intervention in terms of design and architecture
deliberately respectful of the historical evolution that has connoted the site and consistent with the historic nineteenth-century design
but also innovative and experimental from a botanical point of view
thanks to the work of landscape architect Paolo Pejrone
The Royal Gardens are now cared for and preserved with specific programs
a synthesis of ancient knowledge and new techniques aimed at sustainable and responsible management without the use of synthetic chemicals
with great attention to the conservation of natural resources
recycling and enhancement of existing physical elements
Taking up the designs of architects Carlo Aymonino and Gabriella Barbini
the architectural restoration and rehabilitation of the Greenhouse was carried out by architect Alberto Torsello
cultural and research activities promoted and supported by Venice Gardens Foundation
It is also home to the Archivio delle Radici installation
a xylotheque of different woods from the countries in which The Human Safety Net operates
The restoration also involved the historic drawbridge
which anciently connected the Giardini Reali to the Procuratie Nuove and St
of restoring the promenade from the lagoon through the gardens to the Correr Museum reopening the renewed dialogue with St
A Ruin in Reverse raises questions about the future of social housing in London and marks the loss of genuine free space
Property is a ladder to be climbed; a home is to be bought and sold; public space is a device for commercial consumption and expenditure
In light of this, the Victoria and Albert Museum (V&A) in London has acquired a section of the architecturally renowned estate
The fragment is currently being shown at the 2018 Venice Architecture Biennale at the Pavilion of Applied Arts in the Arsenale
which was shot in and around Robin Hood Gardens
Serving as a prelude to the section outside
the film is projected onto a massive 42-by-14-foot screen inside a dark
the room’s dilapidated brick columns get in away and viewers must stand so close they need to turn their head to take it all in
Less overwhelming is the piece of Robin Hood Gardens itself
Propped up by timber board and scaffolding engineered by Arup
only meager elements of the facade are on show
though you can walk up the original stairs complete with an original handrail
Viewers’ eyes scan across rhythmic patterns of concrete facade details then delve through window curtains to see messy rooms
much like the invisible force of gentrification
Suh makes the latter very apparent with a time-lapse shot that
uses an open window to frame demolition teams tearing down a different part of Robin Hood Gardens
The audience here comes to the realization that many who still live in the remaining block are seeing their neighbors homes torn down
with the traumatic knowledge that theirs is next
“The film touches many emotional elements,” Suh tells Metropolis
“I became more and more aware of the energy that has been accumulated in the space
There was a danger of this exhibition fetishizing Britain’s working class, with the V&A letting the creative elite descend on Venice to see how the poor people of East London once lived. To see suits sipping prosecco on the section’s balcony did seem slightly perverse. These questions will reappear if and when the V&A exhibits the fragment
information on Robin Hood Gardens’ history and Suh’s film mitigate some classist voyeurism
Suh was concerned with creating a piece that “complements the physical building,” while Olivia Horsfall Turner
who organized the exhibition with fellow V&A curator Christopher Turner
wanted A Ruin in Reverse to raise questions about what social housing means today
“So many council housing estates from the ’60s and ’70s that are slated for demolition and redevelopment,” she says
What role does properly affordable housing have in that city?”
You might also like, “‘Freespace’ Shows That Architects Must Retool Their Relationship to Power—and to the Biennale.”
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Head needed for Rome's central archaeological area
Italy – The new illy Caffè opens today in Venice
inside the historic Giardini Reali near San Marco
The Royal Gardens were commissioned by Napoleon Bonaparte in the early nineteenth century
and are now once again open to the city after a major restoration project
The illy Caffè is located inside the historical Coffee Pavilion
a neoclassical construction designed by the architect Lorenzo Santi between 1816 and 1817 and used for the Cafehaus in the park during the Habsburg period
The project to restore this remarkable historical location has taken several years
and has been promoted and undertaken by the Venice Gardens Foundation in collaboration with Assicurazioni Generali
illycaffè is delighted to participate in the project
and returning the pavilion to its original function is an ideal role for the company
The redevelopment of the circular space inside the greenhouse was entrusted to the Locatelli Partners studio
who have reinterpreted the typical stylistic features of historic greenhouses
emphasizing the elegance of the luminous space
flooded with light from the tall windows all around
The new illy Caffè covers an area of 250 square meters
Guests are welcomed in the centre at a large circular counter with brass details
are also carried over into the tables and the spectacular 4-circle chandelier constructed with blown glass rings
a celebration of the Venetian tradition of glass-making
the illy Caffè offers a rich and varied range of products
Start the day with the aroma of the unique illy blend and delicious confectionery
or relax with a selection of aperitifs and cocktails in the evening
Inside the store there is also an area for the sale of products and accessories from the world of illy: from the illy Arabica Selection range
to Iperespresso machines and the iconic illy Art Collection cups
The new illy Caffè is sure to become a favourite meeting point for everyone who loves taste and beauty
in one of the most beloved historical sites in Venice
illy Caffè – Giardini Reali – Venice will be open to the public from December 17th. The Caffè is open every day from 8:00 am to 8:00 pm.
© Copyright 2025 | Editoriale Comunicaffè P.IVA 05752870963 | tel. +39 335 5967702
Sara Schall, 15, was last seen in Venice Gardens Sunday.
Sara Schall, 15, was last seen at her grandmother’s house in Venice Gardens at 9 p.m. Sunday, Jan. 12.
Sara Schall, 15, left her phone at her grandmother’s house when she was last seen Sunday in Venice.
Sara Schall, 15, may be in North Port or Bradenton, her mother said.
VENICE — A North Port mother whose teen daughter disappeared from a Venice home is hoping the public can help find her.
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If you are visiting the Venice Biennale this summer, take a break from the heat with a visit to these three stunning garden cafés.
Hidden in fascinating architectural settings, these hidden green oases are perfect for a quick coffee, light snack or a Venetian aperitivo before hitting the pavilions again.
The Serra dei Giardini coffee house is located just a stone’s throw from the pavilions of the Giardini della Biennale, one of the art exhibition’s two main locations.
The café is housed in an elegant, spacious glasshouse, which was built in 1894 for the city’s first International Art Exhibition. After a major restoration by the town council of Venice, this iron and glass structure was converted into a light-filled space for a coffee and snack bar.
View this post on InstagramA post shared by Serra dei Giardini (@serra_dei_giardini)
The coffee shop is known for its fruity smoothies and homemade cakes. It is also a good place to try Venice’s version of spritz made with Select, an aromatic bitter that can be used instead of Aperol.
The walls of the café are filled with unusual, ornate plants and just next door there is a flower shop which is a delight to wander around.
A colour explosion at the Biennale’s design café
The Central Pavilion of the Biennale, located in the Giardini della Biennale, houses its own spectacular art café. Its interior was designed by Tobias Rehberger, winner of the Leone d’Oro for the best artist at the 2009 edition of the Biennale.
The walls are covered with dramatic black and white geometric designs with brightly coloured tables set out for customers to sit at.
The style was inspired by an art form that appeared during the First World War called razzle dazzle or dazzle camouflage where geometric forms in contrasting colours create vibrant optical patterns.
Those wishing to visit the café need to have a ticket for the Biennale.
An elegant coffee house near St Mark’s Square
Just around the corner from St Mark’s Square lie the historic Royal Gardens. The park was commissioned by Napoleon Bonaparte in the early 19th century and has recently reopened after a major restoration project.
View this post on InstagramA post shared by Rina Ciampolillo - Fotografa Professionista (@luce_eee)
Within the verdant setting is the Coffee Pavilion
The domed structure is made from Istrian stone and started life as a Cafehaus during the Habsburg’s rule in 1816 and 1817
It has now been restored and returned to its original function as a coffee house
The cool interior of the 19th-century structure is perfect for sweltering summer days
The adjoining greenhouse opens out onto the gardens where customers can also enjoy their coffee at shaded tables
VENICE — Rob Merlino moved to the Venice area three years ago and became a fixture at the Venice Municipal Fishing Pier
When the city was considering changes to pier rules that would have banned shark fishing
that activity pushed him into the public spotlight
as he became head of an advisory group on the issue
As the city and Sarasota County wrangled over parks maintenance
his interest in youth sports pushed him a little further
Recently he’s jumped feet first into activism
as he plans to start a drive to get a fertilizer ban on the statewide ballot for 2020
is the end game; there needs to be a statewide law
Pennsylvania and Maryland got together to do a few years back,” Merlino said
during a recent interview at what is arguably his favorite spot in the city — the Venice fishing pier
“They got together because the watershed was dying
they made it a law — you can pass a resolution
The multi-state pact to clean up the the Chesapeake Bay
started in 1983 as a one-page pledge to address the bay’s pollution problems that was signed by — among others — the governors of Maryland
the first goals for pollution reduction were set
governors for Delaware and New York joined
West Virginia’s governor signed the agreement
Environmental Protection Agency set maximum pollution loads of nutrients and sediment that could enter the bay and its tributary rivers
Merlino hopes to start with a grassroots movement to get a restriction on fertilizer
as well as the use of glyphosate herbicides
on a statewide ballot through a petition drive
Venice Vice Mayor Bob Daniels made that proposal at a press conference earlier this month
the City Council only went as far as passing a resolution to "encourage nonuse" of fertilizers year-round
said that in a perfect world he would help get the ball rolling on such an initiative
then let others see it through by gathering signatures and crafting ballot language
“Then somebody else takes up with the feds
who actually lives outside the city limits in Venice Gardens
had planned to spend several consecutive meetings at the Venice City Council
asking for the board to take steps toward a ban
He was grateful that Daniels took up the cause
an eighth-grader at Student Leadership Academy in Venice
Their eldest four children were all in college or beyond
and Merlino could handle his internet marketing anywhere
“I got a 6¼ percent raise when I moved to Florida,” Merlino said
since Florida doesn’t have a personal income tax
They chose Venice Gardens because of the schools in Sarasota County and the proximity to his parents
snowbirds who winter at a home in the Venice Golf and Country Club
a town with a current population of almost 33,000 and a town-meeting style of government
that politics is the second favorite spectator sport in Massachusetts
if you were for or against (something) you needed to show up with numbers,” Merlino said
“Venice is similar — it’s not the same form of government
but the same thing applies; if you want something changed
“It’s that background in engaging with local government that makes me the way I am down here,” he added
“Because what I see down here is a lot of people like to mope and complain about things
Merlino and his family have been visiting Sarasota County for 17 years
He’s been either an entrepreneur or commission salesperson his whole life
He started a web page to advertise a hot dog truck
and that led to his national blog hotdogstories.com
which chronicled his tour of hotdog stands
when people click through to buy a item they read about on his blog
It works both for the current season and when people watch reruns and then visit the blog
entertain and sell whatever they’re selling,” Merlino said
The internet marketing allows Merlino to lead a laid-back lifestyle
with lots of time fishing at the pier — until red tide wiped out the sea life
so I have a lot of time on my hands all summer,” he said
He’s attended a variety of clean water rallies and symposiums — including the Venice City Council’s special meeting on red tide — and has been very active on everything from the local Facebook pages to the more regional page
now dubbed “THE REAL South Florida Clean Water Movement.”
he organized a small protest at Venice City Hall to raise awareness of clean water and red tide concerns
Daniels started his push for more stringent fertilizer and herbicide regulations in Venice
He made a point of seeding published reports about that effort into the clean water movement Facebook page
That prompted Naples residents to start pushing for similar action
is to garner support for a statewide ballot initiative
Ideally Merlino wants to fade out of the limelight
While some have pushed him to run for elected office
and that’s what I would rather do,” Merlino said
Words: Rachel Read
Set behind St Mark’s Square and surrounded by water
the Royal Gardens were built in the 19th century during the Napoleonic occupation of the city
Work on the €5m project is scheduled to begin later this month and is due to be completed in July 2018. The renovation is being funded jointly by Italy’s cultural ministry and Italian insurance group
Part of the redevelopment will focus restoring the Garden’s statues and fountains
Also being refurbished is the Neo-Classical Coffee House situated in the South West of the Royal Gardens
https://theartnewspaper.com/news/conservation/venice-s-19th-century-giardini-reali-set-to-bloom-with-5m-makeover/
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Venice Williams has extra motivation for tending her Northwest side yard
“I cultivate this space for the enjoyment of the community ...
“For some people it defies the myth of what an inner city corner house garden should look like
and most people don’t associate abundance with inner city life
They don’t associate an abundance of anything healthy and good with the inner city."
Williams, who has been executive director of Alice’s Garden Urban Farm
21st St., since 2004 and a Lutheran minister in Milwaukee for 32 years
said neighbors also call her yard "the pharmacy" because of the many medicinal herbs she grows
and consider it a place where conversations can happen
“Some older people call it the neighborhood pharmacy because of all my herbs
“People come by and ask for cuttings all the time
I fully recognize that my garden is a prompt to engage my community,” she said
Neighbors also love her gardens for their scents and colors
“It’s always overflowing with inviting scents
It’s aromatherapy without the bottle
but I cultivate for scent. When people walk past our front yard
it smells so good!’ If they brush up against the plants
and when the wind blows and you are coming past our home
you are smelling the lemon balm and sage
“Our garden is vibrant with color in early summer with daylilies
yellow lemon balm and sun cups,” she said
“Every single person in my family gardens
I was blessed to grow up with grandparents
and everybody in my family continues to cultivate food and flowers today
farming and cultivating foods is about reclaiming
celebrating and honoring the skill set that led to our ancestors’ enslavement
People often talk about that period of slavery and that it was just about free labor
It was also about our skill set and our ability to grow food
It was because of our powerful relationship with the soil and seeds
The wealth of this nation was built because of our ability to cultivate food
“The most powerful thing you can do is feed yourself and control what you consume
Our home gardens are about reaffirming our ancestral story and celebrating what’s in our DNA,” she said
While her gardens are overflowing with lush plantings today
that wasn’t the case when she bought her two-story corner home in 2000
and there were two trees that were dying,” she said
She began removing large portions of grass and started adding plants
there were some peonies and raspberry bushes and I took them both out
“I started with a couple bushes and then I added some echinacea and rue sage
but people also plant it at their front doors for protection
One of my favorite plants is in the backyard; it's banana mint
The whole neighborhood would just laugh at me
‘You aren’t going to have any grass left in front!’ and I would say
‘That’s the goal.’ ”
and today it’s a lush space filled with unique plants, sitting areas
You won’t see things in my garden growing in rows because nature doesn’t cultivate itself in rows
If you are looking for this perfect immaculate geometrical garden
The couple have seven adult children together
He was retired and worked as the 4H and youth development agent at UW Extension in Milwaukee
Williams said he came out of retirement to become production farm manager and beekeeper at Alice’s Garden
“You can make anything beautiful and meaningful. The city can be and is beautiful
you just have to choose what you are going to focus on
If you decide to focus on beauty and potential — whatever that might be — then your efforts become part of an inner city solution instead of a problem or an eyesore.”
RELATED: Greenery thrives in a 5.5-acre lakefront haven created by a Bayside woman
She recently talked about her gardens and her love of herbs
Question: Do you also grow herbs and produce at Alice’s Garden
A: I use them when I cook. I also make hot tea and ice tea. I drink my tea all day. I also have a skin care line I sell through Alice’s Garden
I use the herbs from my gardens and from my garden beds at Alice’s Gardens
and I smudge with them in my gardens and in the neighborhood
Q: Do you teach people how to use herbs
A: I do consults at home and in my neighborhood all the time
At Alice’s Garden I’ve had an herbal program for the past nine years
and it’s one of my favorite times of the week
Q: Any advice for those who want to plant herbs
Don’t let the herbs you grow be the side chicks in your life
Q: Any tips for those who want to create a permaculture garden
We are always trying to create a false sense of order
Q: Is there a plant your neighbors are most interested in
The neighbors ask for the Egyptian walking onions the most
They’ve taken over some of the front garden
I put them in soups and stews and use them with fried potatoes and lovage. People like to pick them for their potatoes and soups
because it’s a reminder for me of how precious water should be and continues to be in my life
After a rain they would pour the water out of the plants' natural cups
I harvest water from my cup plants after a rain
But I haven’t had any opportunities to do that this season
A: I typically do vegetables between my flowers
but I didn’t do it as much this year because the growing season came so fast
Because of the heat and the abundance of perennials in my yard
the perennials took off so fast they didn’t leave room for vegetables
so I wasn’t able to tuck them in between the flowers the way I normally do
I do have some peppers in between my flowers and the herbs
broccoli and Swiss chard to eat and for vibrant colors in the garden
A: My favorite tomato of all time is a green zebra tomato
I like it because it’s so meaty and delicious
Q: Do you have any raised beds for vegetables
My husband also has a bed near the garage off the alley
Q: Who did you garden with most when you were young
A: I gardened with my grandmother but not my mother
I understood my mother's gardening was her time away from us
But I also like to buy plants because I try to be intentional about supporting local nurseries
I buy my tomatoes and peppers at area nurseries. But there are some things I don’t grow
so I can support the farmers at the farmers markets — primarily at the Fondy Farmers Market.
Q: Did you replace the trees you took down
A: I didn’t plant any new large trees because I wanted full sun in the yard
and we transplanted it from the home of Bruce and Gloria Wright. They are good friends that I call my Milwaukee parents
The space near that tree is my favorite space in the front yard
I have two chairs and a table under the tree
where I invite people into the yard for conversation
Q: How much time do you spend gardening
Sometimes I’ll be working in the front and my son will be working in the back and we meet in between
There’s never enough time to do what I want to do
Q: Do you use chemicals when you garden
Come April there are so many dandelions in my yard that I put out a call and 20
30 people come here and harvest the dandelion greens
I give them recipes for dandelion wine and dandelion sweet bread
Q: Are there stories connected to the bottle tree and the metal tubs in your backyard
A: The bottle tree is an African tradition
It catches evil spirits and they stay trapped in the bottles
The tubs are a family tradition for me but also a Southern tradition
In the morning the baby would have a bath in one of the tubs and in the afternoon we could put ice in them for cold drinks
You will see sunflowers that will bloom later and autumn mums
It’s a Japanese variety I grow for the leaf
You put out the ears of corn to commemorate the children in your household
A: There aren’t a lot of perennial yards in our neighborhood; but there are a lot of yards with annuals plantings
Q: Do you have many ornamental plants
but the oregano and lemon balm are choking it out
after receiving approval from local authorities
the development is set to move ahead with a large part of the building becoming publicly accessible for the first time in 500 years
as with many of chipperfield’s restorations
the project is not defined by a single concept or architectural gesture
but through a series of calculated interventions that address the complexity of the work
a large part of the building will become publicly accessible for the first time in 500 years image courtesy of david chipperfield architects | video courtesy of generali
the ambitious project is being backed by generali
one of the world’s largest insurance companies
the intervention is part of generali’s larger plan for the marciana area
which also includes the revitalization of the site’s royal gardens
which develop along the entire north side of piazza san marco
were designed by the architect bartolomeo bon and later by jacopo sansovino in the first half of the 16th century
a series of calculated interventions address the complexity of the work image courtesy of david chipperfield architects
generally speaking, the restoration will reunify the interior spaces of the procuratie vecchie and introduce clarity into the building. the interventions to be carried out by david chipperfield architects milan include the restoration of the first and second floors
the reorganization of accessibility and usability of the building through the inclusion of new staircases
and the renewed central entrance on the third floor with access to the raised courtyards
the restoration work will involve original venetian materials and workmanship image courtesy of david chipperfield architects
the restoration will reunify the interior spaces of the procuratie vecchie image courtesy of david chipperfield architects
the human safety net is an initiative that combines the potential of the social sector with the one of generali
it establishes partnerships and invests in social enterprises and NGOs in europe
the foundation has built up three programs — for families
for refugees startups and for newborns — that can have a long-term impact on the lives of the most vulnerable people and enable them to their talents
the human safety net is now active in 19 countries with a net of over 25 partners
an accessible rooftop will offer views across the city image courtesy of david chipperfield architects
‘working on this remarkable building with a client so committed to venice continues to be a great privilege,’ says david chipperfield
‘over the last two years we have come to better understand and respect the complexities of the building hidden behind its grand public façade
in adapting the building to accommodate a more public program for the human safety net
we have sought to balance the infrastructural requirements with restoration and refurbishment of the historic fabric
we are driven by the ambition to both re-unify the architectural work
as well as the identity of the building as a place of work
meeting and discussion for the city.’
the building dates back to the 16th century image courtesy of martino lombezzi / contrasto
‘the restoration and renovation of the procuratie vecchie will bring back to its original splendor one of the most beautiful places in venice
known throughout the world,’ adds the chairman of generali
‘a place closely linked to the history of generali
which shares the st mark’s lion as a symbol
and which for the first time in 500 years will be open to the public through our the human safety net initiative
the building’s first and second floors will be completely restored image courtesy of martino lombezzi / contrasto
‘the project we are announcing today is part of the broader vision for the restoration of the entire marciana area which we have promoted with pride and passion
and will foster new development opportunities for the city,’ continues gabriele galateri di genola and philippe donnet
‘a special thanks goes to all the authorities with whom we have had discussions in recent months
in particular the superintendency and the municipality of venice
for having supported the launch of this project.’
local artisans will be employed throughout the project image courtesy of DCUBE
the procuratie vecchie develop along the entire north side of piazza san marco image courtesy of martino lombezzi / contrasto
After a complex restoration project that began in December 2014
the Royal Gardens of Venice have been reopened to the public
returning to the city of the lagoon a place that has always been loved by Venetians.The restoration work was promoted and carried out by Venice Gardens Foundation: to counter the progressive decay of the Gardens
the State Property Agency and the city of Venice granted the Monumental Compendium of the Royal Gardens to the Foundation for the purpose of its restoration and conservation
The design and restoration thus took place from 2015 to 2019: the Foundation used Paolo Pejrone for the restoration of the garden and Alberto Torsello for the architectural restoration and restoration of the greenhouse
both architects who took up the designs of architects Carlo Aymonino and Gabriella Barbini
which will care for their conservation and growth for the duration of the concession with special professional figures and specific maintenance programs
the Royal Gardens have regained their value and botanical complexity
according to the historic 19th-century design
Programs for the sustainable management and protection of landscape assets and their fauna are also planned
with training courses; collaborations with IUAV University and LIPU are also planned
cultural and research activities will take place in the greenhouse wing called The Human Garden
The restoration was supported by Assicurazioni Generali
and the Gardens’ first flowering will be celebrated in spring 2020
The Giardini Reali cover an area of about 5,000 square meters surrounded by water
the National Archaeological Museum and the Biblioteca Marciana
They were built as part of the Napoleonic reform project of theMarciana Area
following the decision sanctioned in 1807 to allocate the Procuratie Nuove as the site of the Crown Palace; in December 1920 the Gardens
included among the assets transferred by the Crown to the State Property
were assigned to the City of Venice and opened to the public
Image: Aerial photo of the Royal Gardens in Venice
This vibrant and beautifully designed townhouse in California can be yours
Actress Jen Landon is selling her California townhouse for $1.75 million. The architectural home sits in one of the most coveted pockets of Venice. It's a treasure trove of home decor ideas
Jen's former residence was built in 2009 to be stylish and eco-friendly. The listing, held by Katie Crain and John Podhor at Compass
describes the home as 'a true work of art,' and it's true
The private house is set back from the street by bamboo hedges offering a tranquil energy despite the home's prime location
a sprawling deck offers 350-degree views of the California landscape
Jen Landon clearly knew what she was doing with this house design
The Yellowstone actress's bathrooms are refreshingly modern
The primary bathroom is en-suite to the primary bedroom with chic green tiles
The guest bathroom has its own rain shower enclosed in contemporary glass walls.
Similarly, Jen's open-concept kitchen and dining room idea proves that connecting these two spaces is always a practical design choice
and large windows make the room feel massive
The Yellowstone star proves here that she isn't one to overlook the details
endowing Jen's former home with a warm and welcoming feel despite the cool color palette
Design expertise in your inbox – from inspiring decorating ideas and beautiful celebrity homes to practical gardening advice and shopping round-ups
If you are a lover of California casual style
Jen Landon's former home just might be for you
Sophie has an MSc from the Oxford University Department of Anthropology and a BA in Creative Writing and Sociology from Sarah Lawrence College
Edwin Heathcote
selects her favourite stories in this weekly newsletter
“Buildings,” wrote Alison and Peter Smithson in 1967
“should be thought of from the beginning as fragments; as containing within themselves a capacity to act with other buildings.” The architects didn’t know quite how prophetic that line would sound half a century later
It was announced earlier this month that the Victoria and Albert Museum had acquired a fragment of the Smithsons’ biggest built project
the 3.7-acre Robin Hood Gardens housing estate in Blackwall
which is being demolished and replaced by Blackwall Reach
“Fragment” might not be the right word for three storeys of reinforced concrete and walkway
but this maisonette is an intriguing addition to the collection of a museum which also displays the 16th-century timber façade of a house in Bishopsgate and casts of cathedral fronts in its ground-floor galleries
The story of this curious acquisition began with Liza Fior of architects MUF
as the conclusion of a year-long residency thinking about plans for the V&A’s east London outpost in the Queen Elizabeth Olympic Park
Fior suggested that “acquiring” a piece of this doomed estate might be a way to address the particular issues of east London and its ongoing regeneration
to anchor the new institution within a physical
and that conversation is likely to be loud
it is necessary to dig a little into the roots of Robin Hood Gardens just as its rusted rebars are being exposed and its concrete crushed
Designed in the late 1960s and completed in 1972
the estate straddled the eras of modernist utopianism and public and political cynicism
It was a reaction to the tower blocks which had already begun to show signs of failure and it represented a search for what the Smithsons saw as a new way of living in the city
The architects were trying to achieve a sense of community at a scale commensurate with this industrial piece of city situated by the docks
They had studied the sociology of working-class communities
worked with photographer Nigel Henderson on capturing the way life was lived in the streets and imbibed Family and Kinship in East London
Michael Young and Peter Willmott’s 1957 social study
They were the architectural equivalent of the Kitchen Sink playwrights and directors
The Smithsons conceived these elevated decks as stages for the theatre of everyday life
all without being bothered by the traffic thundering by below
notably in Sheffield’s Park Hill (1957-61) but the Smithsons were
Britain’s most internationally influential architects
They were the leaders of a generation of modernists who had rejected the simplistic
tabula rasa approach of the previous generation and instead embraced the complexity of social relations and the character of a specific place
In 1970 the avant garde author BS Johnson made a fascinating film about Robin Hood Gardens (easily found on YouTube) in which the Smithsons talked about their hopes
appearing in a silver space-top with a shiny pink tie and speaking in an odd drawl that sounds like the approximation of English by a super-intelligent alien who heard it spoken once over the wireless
says: “Society at the moment asks architects to build these new homes for them
It may be that we should only be asked to repair the roofs and add the odd bathroom to the old industrial houses and just leave people where they are to smash it up in complete abandon and happiness so that nobody has to worry about it any more
We may be asking people to live in a way that is stupid
The architects were well aware of the heroic failures as well as the heroic successes of modern housing
They were designing for an uncertain world
“The realities of our working life were going to be traffic
wearing a floral shirt and silver-sequinned tie
adds: “One of the men on site said that this
was too good for the people who were going to live in it.” Yet
as architects they feel compelled to provide the best possible conditions
“to build for successive occupying generations
society has to make a framework so that the makers can get ahead of the destroyers.”
But should such an important architectural landmark be demolished
if its 214 apartments are being replaced by 1,575 new homes
of which 698 will (allegedly) be “affordable”
Walking around the still-inhabited half of the estate
you do not get the sense of a failed project
the lively community spaces envisaged by their architects
graffiti-spattered labyrinths of urban myth
albeit a part that has been radically transformed
Heavy industry has given way to the property industry as this area is repackaged
Hotels in Hong Kong and Shanghai are hosting events and marketing the new development as “nothing but excellence”
The reality of Robin Hood Gardens never quite lived up to the vision
yet its importance was recognised in a petition to have it listed (organised by Building Design Magazine in 2008 and signed by Dame Zaha Hadid and Lord Richard Rogers
The V&A engages with the world through objects and this acquisition of a piece of modernist city architecture has already sparked controversy
which shares a borough with the blackened hulk of Grenfell Tower
intends to rebuild the section as a room set
Can that interior become a provocative place rather than just a reminder
Its acquisition was announced on the same day as the news that fewer social housing units had been built this year than in any year since the second world war
Robin Hood Gardens is a pivotal architectural landmark which surely justifies this acquisition by the world’s first design museum
yet the principle it represents — decent housing for ordinary people — remains unrealised
This is simultaneously a brilliant and a problematic and political acquisition
The Smithsons were preoccupied with the condition of the existing and the ordinary
They termed this notion “As Found” and used it as the basis for what in effect became both British Pop Art and Brutalism
a three-storey slice of the sad remains of a socially engaged modernism
Patrick's Day tornado that struck Venice in 1985 destroyed some 50 houses
resulting in two deaths and the closing of a Publix store for nearly a year
which took the brunt of the storm that hit in the middle of the night
PHOTO FROM VENICE MUSEUM AND ARCHIVES The other side of this lake in Venice Gardens was untouched by the March 17
resulting in the destruction of some 50 homes and two deaths
It sounded as if a train were rumbling through Venice in the predawn hours of St
The monastic garden at San Giorgio Maggiore
showing Longstaffe Gowan's revival of the use of straw between beds of flowers and vegetables
In her account of her travels in Italy in 1784
the Anglo-Welsh traveller Hester Piozzi describes a visit to the Benedictine monastery of San Giorgio Maggiore
in order to see a famous painting there: Paolo Veronese's Marriage at Cana (now in the Louvre)
the picture was kept in a refectory belonging to friars… and no woman could be admitted.' Her 'few entreaties for admission' are 'completely disregarded by the good old monk
while the gentlemen visited the convent without molestation.' Things soon get even worse: 'At my return to Venice I met little comfort
for I might put on men's clothes and see it whenever I pleased
though perhaps all of them would know me.'
In contrast to Piozzi's melancholy experience
the monastery has recently been opening up to visitors parts of the grounds that have previously been off limits
The Abbazia di San Giorgio Maggiore - Benedicti Claustra Onlus - has collaborated with the Caravane Earth Foundation to host a project that forms part of the Venice Architecture Biennale (more technically
the Seventeenth International Architectural Exhibition)
which began on 22 May and ends on 21 November
Caravane Earth - a group concerned with architecture and sustainable living - approached the British landscape architect Todd Longstaffe-Gowan to design a garden for the biennale in which to set a 'majlis'
It was agreed that the monastery of San Giorgio was an ideal site: not only is there a spacious garden there
but it is architecturally distinguished - the church was designed by Andrea Palladio - and is sited on an island easily reached by vaporetto
The monastery - established in 982 AD - is known to have had extensive gardens
which were documented in topographical views during the sixteenth and seventeenth centuries
Longstaffe-Gowan sought to evoke (rather than simply to recreate) an early monastic garden; he drew on the traditions of horticulture in the Veneto
strongly aware of the role of Venice as the centre of the European trade in spices and exotic plants
The garden contains not only flowers but also a range of vegetables and medicinal
culinary and aromatic herbs that are specific to the region
as well as non-native species introduced during the Middle Ages and the Renaissance; the plants selected include Cuban oregano (Plectranthus amboinicus)
and a range of Venetian artichokes and summer cabbages
The final choice was guided by Isabella dalla Ragione
a specialist well known in Italy for her work to preserve biodiversity and safeguard traditional knowledge
A visually striking element is Longstaffe-Gowan's use of the local custom of strewing straw in deep trenches between raised beds - long used as a means of suppressing weeds and retaining moisture
given this close concern with the history of the Veneto
the garden is more exuberant than is now usual in Venice
where the choice of plants is usually limited and the layout lacking in variety
Its imaginative and inventive qualities have excited some interest and comment among Venetians
British landscape gardeners are used to designing instant gardens for events such as the Chelsea Flower Show
This monastic plot is rather different: it was conceived as a living
and there a possibility that it will continue to be enjoyed and cared for beyond the time of the Biennale
Longstaffe-Gowan regularly discussed his aesthetic and horticultural strategies with the monks
in informal chats over the meals that they invited him to share with them
and they are mulling over the idea of continuing to tend it as a permanent space - for their own enjoyment
He boldly expresses the hope that their talent for lively commensality and gastronomic finesse might bolster their delight in growing plants long savoured by local gardeners and gourmets
within a space of contemplation and reflection
Chloe Chard's most recent book is Tristes Plaisirs: A Critical Reader of the Romantic Grand Tour (2014)
She has also written Pleasure and Guilt on the Grand Tour - Manchester University Press (1999) Todd Longstaffe-Gowan's English Garden Eccentrics: Three Hundred Years of Extraordinary Groves
Mountains and Menageries will be published in April 2022 by the Paul Mellon Centre for Studies in British Art
San Giorgio Maggiore - https://buffaloah.com/a/virtual/italy/venice/giorgio/int.html
Tags: Benedictine, Venice, Chloe Chard, Todd Longstaffe-Gowan, San Giorgio Maggiore
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This coastal hangout boasts an art studio that was home to the celebrated sculptor
Lenny Kravitz and Lisa Bonet's former home – one of Venice Beach’s most artistic properties – entered the market for nearly $7.8 million.
The vibrant two-story studio and former home of the singer-songwriter is a rainbow-filled shrine to ‘80s design – complete with a large artist’s studio
and remnants of their original design remain visible today.
moved into the property with his former wife
who is best known for her work with the comedian Bill Cosby on The Cosby Show
before listing the home at the turn of the millennium.
The home is currently owned by another artistic couple
who are following in the footsteps of Guy and are using the property as a beachside atelier
Built in 1949, this 5,424-square-foot home oozes mid-century Californian style throughout its four bedrooms and three bathrooms. The kitchen was renovated in 2014 when the owners blessed the marble-topped space with contemporary features
The entire area is drenched in golden west-coastal sunshine through its large window panes and doors, which offer a flow between the indoor/outdoor living spaces. There is also a large deck from the office loft
where homeowners can unwind amongst the ocean breeze after a day in the studio
The property’s exterior is equally as colorful
as towering palm trees shade the other organic jewels that grow in the landscaped garden
you can indulge in Venice Beaches’ globally renowned dining scene after a day of shopping in some of the most renowned boutiques in the country.
The 2021 listing was held by Anastasia Bowen.
Lenny and Lisa were divorced seven years previously
and Lisa remarried the actor Jason Momoa in 2017
and has interviewed the likes of Drew Barrymore
She lives in a London apartment with her antique typewriter and an eclectic espresso cup collection
and dreams of a Kelly Wearstler-designed home
Designers draped the former beach house in Alaskan yellow cedar to create a contemporary masterpiece – we take a tour
the couple known for co-starring in HBO’s True Blood
are selling their SoCal home for $8 million
located close to the Venice Beach Boardwalk
in 2009 for $2.2 million* and spent the seven years that followed transforming the abode into an exciting example of modern architecture
Alongside celebrated architect David Hertz
the couple wrapped the distinct boxy structure entirely in Alaskan yellow cedar
juxtaposing the concrete floors and harsh steel pillars and railings
Complete with a light-filled open-plan living space, a Zen garden, a swimming pool, and a rooftop deck (overlooking the Pacific), the property is a stand-out listing in California (and one of the world's best homes currently on the market)
Inside, the home exhibits an airy open-plan living space across its third floor (to maximize access to light and access to the ocean views and breeze)
The space opens out to a grassy terrace area that's surrounded by tall trees for added privacy.
The living area flows into the chef-style kitchen
and steel accents that pay homage to the raw
industrial feel that runs throughout the home.
In a break from convention, the five bedrooms sit on the floor beneath the living and dining area
These spaces all exhibit the same bohemian-style aesthetic and eco-friendly design quirks
Other notable features include a Zen garden
and a partially covered swimming pool where swimmers can enjoy the wooden architectural assets in all their glory.
According to property data acquired by *Robb Report
Anna and Stephen first tried to sell their home for $14 million in 2020; however
the home has been on and off the market at lower prices
David Kramer and Ruby Fay of Hilton & Hyland currently hold the listing
Inspired by Anna Paquin and Stephen Moyer's home
We can recreate a similar space with these bohemian picks below