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The passing of revered Afrikaans poet and ex-political prisoner, Breyten Breytenbach marks the closing chapter of a voice that sought justice through verse.
The Breytenbach family confirmed in a statement that he had passed on peacefully on Sunday in Paris, France, with his now widow Yolande by his side.
“A vocal opponent of apartheid, Breytenbach joined Okhela, a separate ideological wing of the ANC in exile, and was imprisoned upon his clandestine return to South Africa in 1975.
Despite this, his artistic and literary contributions flourished, cementing his place as one of South Africa’s most courageous and visionary figures.
“Since Breyten’s 80th birthday, he had been exploring denouement towards death, and expressing his uncomfortable discoveries through his art and writings. In this way he had the courage to give form to the forever formlessness from which we come, and to which we shall surely return,” the statement read.
Breytenbach was born in Bonnievale, Western Cape, in 1939, and was one of five siblings.
Breytenbach’s death at age 85 has left a mark not only in the landscape of South African literature, but his literary reputation spread internationally, with work having been translated into Dutch, English, French and German.
His opposition to apartheid saw him leave South Africa for Paris and publishing his first work during 1964, Die Ysterkoei Moet Sweet (The Iron Cow Must Sweat). He returned to South Africa in 1975 when he was arrested.
According to South Africa History Online, Breytenbach pleaded guilty to entering South Africa to start an organisation, Atlas or Okhela, which intended to be the white wing of the ANC.
Charged with treason under the draconian Terrorism Act, he was sentenced in the Pretoria Supreme Court to nine years in prison. Even while in prison Breytenbach was prolific, writing five volumes of poetry and English prose.
Cultural Affairs and Sport MEC Ricardo Mackenzie said Breytenbach’s legacy would live on through the Breytenbach Centre in Wellington.
“This is a sad day for literature in our country. Breyten Breytenbach was a brave voice of his time, who fought against the injustice that he saw around him, and who championed Afrikaans as a language of expression, rather than oppression. His voice will live on for many generations to come,” said Mackenzie.
Mayor Geordin Hill-Lewis conveyed the City’s condolences on the passing of the acclaimed poet, painter, former political prisoner and civic honour awardee.
“He was a genius creator of transcendent beauty who captured our emotions, forced us to think, and demonstrated during the dark days of our country’s past that the pen is far mightier than the sword.
“May his soul rest in peace,” said Hill-Lewis.
Glynnis Breytenbach MP – DA Spokesperson on Justice and Constitutional Development24 Nov 2024 in NewsThe Democratic Alliance notes with deep sadness the passing of award winning Afrikaans writer
Breytenbach is widely considered to be one of Afrikaans’ most important poets and
was awarded among others the Zbigniew Herbert International Literature Prize (2017) and the Alan Paton Prize for Literature
Breyten was sentenced to imprisononment for treason against the apartheid government
a sentence of which he served for seven years
during which some of his best work was done
to the Dakar Conference in 1987 that paved the way for negotiations with the ANC
and continued to work towards the establishment of a democratic South Africa
He continued to be involved with the Gorée Institute in Dakar
Breyten’s poetry has always reflected a deep sense of humanity
recognised as such well beyond the shores of South Africa
The DA sends its heartfelt condolences to his beloved Yolande
registered non profit organisation in South AfricaReg No: 011-895 NPO
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I was ferrying foreign sailors and local ‘ladies of the night’ around Durban’s nocturnal streets in an Eagle taxi when I first came across Breyten Breytenbach’s name in the headlines of a Sunday newspaper
he addressed the University of Cape Town’s Summer School and what he had to say caused displeasure in the upper echelons of the ruling Afrikaner elite
The government had granted special permission for his wife
Yolande — who was Vietnamese and therefore classified by the apartheid government as non-white — to accompany him on a visit to South Africa and how had he repaid their magnanimity
By making offensive public statements — in English
nogal — such as: “Apartheid is the law of the bastard”
That’s when I knew I wanted to meet him.advertisementDon't want to see this? Remove ads
From what I’d read, I realised he and André Brink were friends
said I’d like to meet Breytenbach when I eventually got to Europe and asked if
Driving taxis was part of my strategy for getting to Europe
I needed to earn the money but I also secretly hoped that when my grandparents discovered I was
aiding and abetting the crime of prostitution
they’d reach into their deep pockets and help me get there
Brink had written to Breytenbach about my impending visit
It was close to his apartment in Rue Malebranche and was where Brink stayed when he visited Paris
I found he’d left a note at reception suggesting we meet the following morning at Café Le Soufflot
I’d arrived early and — speaking English with a French accent — was doing my best to make an excitable waiter understand I was there to meet someone
when I caught sight of a figure silhouetted against the Panthéon
As he strode across Rue Soufflot in calf-length Spanish boots
a wide-brimmed black hat and a long mustard-coloured duster coat
I could hear the swelling strains of Ennio Morricone’s soundtrack to Once Upon a Time in the West
Breytenbach certainly knew how to make an entrance
He seemed an impossibly romantic figure when he shook my hand and flashed me a broad smile. We drank café au lait and, in his soft-spoken and engaging manner, Breytenbach asked me about myself. Brink had obviously briefed him because he told me he knew this English girl, Joanna, who ran an English-language theatre group. She wanted to put on an Athol Fugard play
While he negotiated the Parisian streets in his red Citroën deux chevaux
Breytenbach told me about Peter Blum’s poem “Oorlewendes” (Survivors) and how exiles always stare into water
looking for their lost country of Atlantis
“We all go home in the end.” I’m not sure what he did at Orly
Perhaps he was delivering or receiving clandestine communication for Okhela
a project that would fatefully take him back to South Africa and into prison sooner than I could have imagined
Note from Breyten Breytenbach 22 December 1974
With Breyten Breytenbach’s Deux-Chevaux in Rue Malebranche
inscribed by Breyten Breytenbach with the words “in memory of Atlantis”
I’d occasionally meet up with him and be introduced to people like the exiled writer Lewis Nkosi
I needed a show for an “Africa on Stage” event at the Sherman Theatre and he put me in touch with Mayibuye
an ANC cultural group in London — which included Ronnie Kasrils and the late actor John Matshikiza — and through them I met Conny Braam
head of the Dutch Anti-Apartheid Movement (AABN)
I talked to her about staging an Athol Fugard play in Amsterdam and she liked the idea
Breytenbach and Yolande attended the opening night of People Are Living There at the Théâtre du Tertre on 6 May
I didn’t see him again for another eight years
That evening we had a braai and I was introduced to Breytenbach’s Dutch translator
Adriaan van Dis had offered me a room in his apartment until I found something more permanent
What I didn’t know — although Braam and Van Dis did — was that while I was enjoying the long summer evening and acquiring a taste for Grolsch
Breytenbach was wandering around the streets of Hillbrow speaking English with a French accent
passed himself off as Christian Galaska at the South African embassy in Rome
had a visa stamped in his false French passport and caught an SAA flight to Jan Smuts
I was writing a personal letter on an electric Olivetti in the Anti-Apartheid Movement office
The only other person there was a staffer named Kier Schuringa
“Breyten has been arrested in South Africa.” Schuringa filled me in on a need-to-know basis
I remembered our drive to Orly and Breytenbach saying
The following day the news of Breytenbach’s arrest broke in the South African media
He’d been arrested on 19 August by the Security Police as he was about to board a flight to Rome
He’d been detained for a week and nobody knew
who’d also entered the country illegally and was operating underground
Breytenbach’s mission was surrounded by confusion and
People now realised why prominent Nusas leaders had been arrested the week before Breytenbach’s arrest was announced
The press had a field day and some papers circulated salaciously speculative rumours of an affair he was said to have had with an air hostess
But why would he have done that when everyone knew the Special Branch recruited air hostesses as honeytraps
Breytenbach was a well-known figure in the Netherlands and his arrest made front-page news
Support committees sprang up and the Anti-Apartheid Movement spearheaded a campaign for his release
I decided translating some of his poems would also draw attention to his plight
Breytenbach’s poetry hadn’t yet appeared in English and a left-wing British literary magazine called Fireweed agreed to publish my translations
I began with “Brief uit die vreemde aan slagter” (Letter from Exile to Butcher)
a poem about the torture and murder of political prisoners
dedicated to Balthazar — Prime Minister BJ Vorster’s first name
It had been published in Amsterdam in a collection of poems called Skryt (1972) and had subsequently been banned in South Africa
Breytenbach’s wingman was Berend Schuitema
he’d founded the Dutch Anti-Apartheid Movement together with Braam and fellow South African Alfred Tshabangu
Breytenbach sought Schuitema out and soon they were united in a common purpose
Schuitema was a man of action and Breytenbach clearly felt the need to do more to bring an end to apartheid than writing politically committed poetry
to counter the ideological stranglehold of the South African Communist Party over the ANC
Although Oliver Tambo had secretly met Breytenbach in Paris and had given the initiative his blessing
he said the ANC would disavow them if they were caught
Breytenbach was charged with offences under the Terrorism Act
he faced a minimum prison sentence of five years
The maximum sentence was the death penalty
speculation about Schuitema began circulating
Rumours — no doubt emanating from the Security Police — suggested he’d betrayed Breytenbach
I walked into the AABN offices one morning and found Braam
Schuringa and Fulco van Aurich in a state of shock
words had been exchanged and an electric Olivetti had been hurled against the wall
I thanked my lucky stars I hadn’t been around
but Breytenbach had told Schuitema about me and it wasn’t long before I got a message to meet him at Café de Prins on Prinsengracht
Schuitema greeted me warmly and bought me a beer
I remember being shit-scared of him that day
had slightly reddish hair and piercing blue eyes
He didn’t say how he’d made it out of South Africa
But I’d have believed him if he’d told me he’d run barefoot across the Botswana border carrying a dead impala over his shoulder
I didn’t know how he was going to do that and I’m not sure he did either
I said I also wanted to help Breytenbach and had already started translating some of his poems
Translating poetry wasn’t the kind of help he had in mind
He was starting The Breytenbach Commando and was looking for recruits
That wasn’t the career path I’d imagined my life taking
Mindful of what had happened to the electric Olivetti that morning
I tactfully persuaded Schuitema that it really would be better for all concerned — including the Struggle — if I stuck to translating Breytenbach’s poetry
A stage production based on Breyten Breytenbach’s prison poetry directed by Anthony Akerman
Breytenbach had offended the apartheid rulers and now he was their prisoner
They were going to roll out the red carpet in the form of a show trial with the Judge President of the Transvaal Provincial Division of the Supreme Court (PM Cillié) presiding — in Brink’s words
Breytenbach’s friends and supporters breathed more easily when Attorney-General Percy Yutar said the State would not ask for the death penalty
Breytenbach’s conspicuously passive defence team appeared to have been drawn from circles close to the government and one of the only two witnesses who appeared for the defence was his Security Police interrogator
who said the accused had collaborated with the investigators and was repentant
After the judge pronounced a guilty verdict
He said his actions had been misguided and he apologised to Vorster for the “insulting poem” addressed to him
adding that there was no justification for it
If this was part of a bargain in exchange for a lighter sentence
Although Breytenbach had entered a guilty plea and the prosecution had asked for the minimum sentence of five years
Cillié — who’d defended the Nazi Robey Leibbrandt during World War II when he was charged with planning to assassinate Prime Minister Jan Smuts — sentenced Breytenbach to nine years
He was denied leave to appeal and was held in solitary on death row next to the gallows
To many political activists who’d wanted a defiant Struggle hero
who helped defray Breytenbach’s legal costs with the profits from his novel ’n Oomblik in die wind (published two weeks after the trial ended)
was present for the final two days in court
He wrote emotionally about what had happened to a friend he loved — “more than I love my own brother” — and sent me a copy of Breytenbach’s statement
I couldn’t stop wondering what they’d done to him
he was once again charged with offences under the Terrorism Act
The indictment was based on incriminating tape-recorded conversations with a prison warder who’d been planted by the Security Police
Although many of the charges may have seemed absurd and fanciful
Breytenbach’s attorneys understood the serious nature of the indictment and briefed advocates Ernie Wentzel and Johann Kriegler
After he was acquitted on charges of terrorism and planning an escape
Breytenbach was briefly detained with the other (white) political prisoners in Pretoria Central Prison before being transferred to Pollsmoor
possibly because the authorities had decided his poetry was important to Afrikaans literature
John Brand — a schoolfriend of mine who’d been an associate with Breytenbach’s firm of attorneys at the time of the trial — assumed responsibility for looking after Breytenbach’s interests and regularly visited him in prison
Brand was also at Jan Smuts Airport to see him off when Breytenbach and Yolande flew out of the country on Sunday
Breyten Breytenbach and Anthony Akerman in 1983 at Poetry International
Breyten Breytenbach on stage with Vernie February reading a poem at Poetry International
When I saw Breytenbach in Amsterdam the following month
I was almost as old as he’d been the day he came into Café Le Soufflot and found me speaking to the waiter in English with a French accent
He seemed well and was as gracious and charming as he’d ever been
During one of his first public appearances
a Dutch journalist asked how long it would take for him to get over his prison experience
This article was first published in December 2022 and was republished after Breytenbach’s death on 24 November 2024
I have noticed that none of the articles about Breyten mention that he was the brother of the late Col Jan Breytenbach
Couldn’t have a scion of the establishment turning traitor
is the fact that Breytenbach left the country to live in France after 1994
I would have thought he would willingly be living in the utopia he helped to create here in the good old R of SA
Was he not satisfied with the government he helped to put into power
he was a french citizen who had built a life in paris for 32 years from 1962
thinking that he would uproot his life in france to move to ZA in 1994 is silly
the only meaningful time he spent in ZA after 1962 was in prison
I don’t think this is the answer she is looking for
I suspect Utterly Confused is missing the good old days of Balthazar Vorster
when she had privileges now lost to equally
It is rather interesting though that so many “anti-apartheid” campaigners do live in Europe
I guess they are not so happy with the utopia they wished for
There was a recent opinion piece of the artist now living in Sweden as well
but he was no praise singer for the ANC or even SA
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Breyten Breytenbach (1939-2024) was an artist
thinker and outspoken political activist who changed the literary landscape in South Africa
where he had first been exiled in the 1960s
exile and justice in a career spanning almost six decades
his paintings were exhibited in major galleries and he was awarded prestigious literary prizes
Breytenbach was a master of metaphor
Metaphors transcend the literal meanings of words
creating new associations and images that stir the reader’s imagination
But his metaphors leave all definitions and theories about metaphor short
By joining concepts and words in curious ways his metaphors create imaginative alternatives:
die maan is ‘n silwer skree (The moon is a silver scream)
Often he would create new words and meanings in the process:
is to imagine … I remagine you – where “ontbeel” is a new word.)
His poetry brimmed with astonishing and often baffling metaphors
metaphors were never mere literary devices or ornamental tools of poetry
To him, metaphor was an ethical imperative. This act of sparking the moral imagination was, for Breytenbach, the essence of poetry – and indeed, of art. The ability to constantly imagine alternatives to the fixed meanings of words, to reimagine concepts like self, nation, group, identity, Afrikaans, Afrikaner
remained the central focus of all his creative endeavours
Breytenbach’s resistance to all forms of oppression and exclusion, which led to his clashes with Afrikaner nationalism and apartheid in the 1960s
was rooted in his resistance to the power of words to fix meanings and confine possibilities
I saw first-hand how they transformed students’ perspectives on art
His words and his life were deeply intertwined
the ethical question – how to live well – and the creative act of using language were one
he unmasked and resisted language’s tendency to fixate
he resisted the ways in which rigid language contributes to restrictive thinking and actions
Born in Bonnievale in the Western Cape province in 1939
Breytenbach grew up in Wellington and studied fine arts at the University of Cape Town before moving to France in the early 1960s
fearlessly addressing themes of identity and justice
this placed him in direct opposition to the government
and even many of his fellow Afrikaans writers
Breytenbach was unrelenting in his critique of Afrikaner writers of the 1960s. He chastised them for being inspired by French novels and European philosophy while turning a blind eye to the oppressive conditions of the people around them and dismissing the work of Black writers whose voices were systematically silenced and banned
but apartheid’s racial laws denied her a visa to visit South Africa
This forced the young couple to travel to neighbouring Swaziland (today Eswatini) to meet his parents
The personal affront of apartheid’s injustices became even more real to him, spurring his decision to join Okhela
a resistance organisation opposing the apartheid regime
He returned to South Africa under a false passport to rally support for the resistance but was caught
tried for treason – a charge that carried the death penalty – and sentenced to nine years in prison in 1975
While he penned some of Afrikaans literature’s most moving love poems, Breytenbach also authored searing critiques of the government, resulting in the banning of many of his works. His poem Brief uit die vreemde aan slagter (Letter from Abroad to the Butcher), addressed to apartheid prime minister John Vorster
was even used against him during his trial
Breytenbach lived in exile in France and the US
Themes of identity and exile remained central to his work
as he navigated the liminal space of the “middle world” – never fully arriving
His exuberant language, vivid imagery, and the magical interplay of sound and rhythm continued to captivate readers. Breytenbach travelled widely, forging connections with fellow poets in exile. Notably, he translated Palestinian writer Mahmoud Darwish’s poetry into Afrikaans
Yet his unwavering commitment to justice often put him at odds with former allies
as he was unafraid to criticise those who betrayed their ideals once they wielded power
Ultimately, Breytenbach’s resistance was rooted in a steadfast opposition to power that seeks to define
with their power to shape and confine meaning
the role of the artist was to nurture a creative imagination capable of imagining ethical alternatives to stagnation and dogma
This was not just an artistic philosophy; it was a way of life
Breytenbach’s influence is profound and far-reaching
Those who have been touched by his words cannot remain unchanged
reminding even the marginalised that they need not surrender to others’ definitions of them
AVBOB celebrates a milestone by rewarding its members on a large scale
South African writer and anti-apartheid activist Breyten Breytenbach died on Sunday in Paris at the age of 85
Breytenbach left his native country in the early 1960s to settle in Paris
where he became one of the most influential voices against South Africa's legalised system of racial segregation
the South African painter and poet Breyten Breytenbach
at the age of 85," Daphnee Breytenbach said.
Breytenbach published around 50 books during his lifetime
including "The True Confession of an Albino Terrorist" and numerous volumes of poetry
written mainly in his native Afrikaans.
he fought for a better world until the end," his daughter said.
The writer spent seven years in jail in South Africa including two in solitary confinement
French president Francois Mitterrand helped secure his release in 1982 and he returned to France
He was later named Chevalier de la Legion d'Honneur et Commandeur des Arts et Lettres
Breytenbach was born in the small Western Cape town of Bonnievale in 1939
Though he eventually settled in France with his wife
he travelled back to South Africa regularly.
his resilience will continue to guide us," his daughter said.
Home | South Africa
The family of renowned South African poet, author, painter and anti-apartheid activist, Breyten Breytenbach
has announced that his private funeral will be held in Paris on Tuesday next week
He died in the city last weekend at the age of 85
Breytenbach was a celebrated figure in global literature
His work was translated into several languages
Breytenbach‘s anti-apartheid activism led to his imprisonment for treason in 1975 when he wrote his memoir ‘Confessions of an Albino Terrorist’
Breytenbach’s public commemoration is planned for February next year in South Africa
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NEW YORK—The Open Society Foundations mourn the passing of Breyten Breytenbach in Paris yesterday at the age of 85.
A fearless South African anti-apartheid activist
Breytenbach was imprisoned and forced into self-imposed exile
but never deterred from his outspoken criticism of the apartheid government
His writing and activism had a profound impact on the political landscape in South Africa in the 1980s.
Breytenbach’s relationship with Open Society and with George Soros goes back decades
He is widely credited as one of the architects
of the historic Dakar Conference in 1987 with support from George Soros
This watershed meeting between members of the Institute for Democratic Alternatives in South Africa—later the Institute for Democracy in Africa (IDASA)—and the African National Congress (ANC) generated crucial momentum toward a peaceful transition to a free South Africa.
The conference led to talks between the apartheid government with Nelson Mandela
and played an important role in the transition to a post-apartheid state
It also catalyzed the establishment of the pro-democracy Gorée Institute located off the coast of Dakar
which Breytenbach was deeply involved with for decades.
IDASA would go on to host the nascent Open Society Foundation for South Africa which went on to advance open society values and initiatives for more than 30 years
By entering your email address and clicking “Submit,” you agree to receive updates from the Open Society Foundations about our work. To learn more about how we use and protect your personal data, please view our privacy policy.
Read the latest from our staff, grantees, and partners about how we’re working around the world to build vibrant and inclusive democracies whose governments are accountable and open to the participation of all people.
Every year the Open Society Foundations give thousands of grants to groups and individuals that work on issues we focus on—promoting justice, equity, and human rights.
Lester Kiewit speaks with poet and writer Professor Antjie Krog.
Breyten Breytenbach passed away in Paris, France on Sunday at the age of 85.
He was born in Bonnievale in 1939 and is considered one of the greatest-ever Afrikaans poets.
His works touched on themes of exile, identity and justice.
Krog says that his writing was unlike anything else in Afrikaans.
He spent time behind bars for his opposition to the apartheid regime and was forced to flee South Africa in the 1960s and made his second home in France.
Krog says his activism was not limited just to his work, and he called out every writer for how they lived during apartheid.
Scroll up to the audio player to listen to the interview.
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Breyten Breytenbach
JOHANNESBURG - Tributes continue to pour in for SA author and anti-apartheid activist
The South African writer and poet died on Sunday morning in Paris
READ: Breyten Breytenbach, writer who challenged apartheid, dies at 85
He is regarded as one of the foremost poets in Afrikaans and also published works in English that were translated into several other languages
He was a vocal critic of the apartheid government and moved to the French capital for the first time in the 1960s
Louise Viljoen from Stellenbosch University remembered his life and legacy on eNCA
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where he lived with his wife was announced by his daughter
“"An immense artist and activist against apartheid
he fought until the end for a better world”
Breytenbach was a painter and poet as well as an anti-apartheid activist
as an activist he was imprisoned for nine years
He left the country when he was released in 1982
France became a naturalised citizen of France and married a French woman of Vietnamese ancestry
he was bestowed the title of Knight of the Legion of Honour and was named Commander of Arts and Letters
His daughter says of his creative spirit,” “His words
his resilience will continue to guide us.”
For many Afrikaners he was the greatest Afrikaans poet of his generation as one of the Sestigers
he inspired a new generation of Afrikaners
the so-called ‘verligte’ Afrikaners
Koos Kombuis told News24
"He was a massive influence in my life.”
He returned to South Africa to visit after 1994 on many occasions
he condemned corruption in government and what he saw as the unfair treatment of Afrikaans
He was born in Bonnievale in the Cape and studied at Michaelis School of Fine Art in Cape Town
His first collection of poetry is Die ysterkoei moet sweet (The Iron Cow Must Sweat)
He is considered a major figure in world literature
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FILE - South African writer Breyten Breytenbach
and American actor and singer Harry Belafonte shake hands during a press conference in Paris
JOHANNESBURG (AP) — South African writer and poet Breyten Breytenbach
a staunch opponent of the former white-minority government’s apartheid policy of racial oppression
a leading voice in literature in Afrikaans — an offshoot of Dutch that was developed by white settlers — and a fierce critic of apartheid that was imposed against the country’s Black majority between 1948 and 1990
He moved to Paris but on a clandestine trip to his home country in 1975 he was arrested on allegations that he assisted Nelson Mandela’s then-outlawed African National Congress group in its sabotage campaign against the white-minority government
He was convicted of treason and served seven years in prison
Upon his release he based himself in Paris
where he continued his anti-apartheid activism
Breytenbach is best known for “Confessions of an Albino Terrorist,” his account of his imprisonment and the events leading to it
“Known for his masterful poetry collections in Afrikaans
as well as autobiographical works such as ‘The True Confessions of an Albino Terrorist’ and ‘A Season in Paradise,’ he fearlessly addressed themes of exile
identity and justice,” their statement said
painter and activist whose work touched on and influenced literature and the arts both domestically and abroad
He was born in the Western Cape province in 1939
an ideological wing of South Africa’s African National Congress
but remained deeply connected to his South African roots
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to where he had first been exiled in the 1960s
Exploring themes of identity, exile and justice in a career spanning nearly six decades, his paintings were exhibited in major galleries and he was awarded prestigious literary prizes.advertisementDon't want to see this? Remove ads
By joining concepts and words in curious ways his metaphors create imaginative alternatives: “die maan is ‘n silwer skree (the moon is a silver scream).”
Often he would create new words and meanings in the process: “om te onthou
is to imagine… I remagine you”) – where “ontbeel” is a new word
This act of sparking the moral imagination was
His resistance to all forms of oppression and exclusion, which led to his clashes with Afrikaner nationalism and the apartheid government in the 1960s
I grew up in the confined and deeply nationalist, religious Afrikaner environment of the 1960s and 1970s. Afrikaners were settlers in South Africa who would later create apartheid under white minority rule
To me, Breytenbach offered a radically different way of being Afrikaans. His work – like that of André Brink and later Antjie Krog – inspired me to study literature
Breyten Breytenbach in Paris on 25 June 2009
Born in Bonnievale in the Western Cape in 1939, Breytenbach grew up in Wellington and studied fine arts at the University of Cape Town before moving to France in the early 1960s.advertisementDon't want to see this? Remove adsadvertisementDon't want to see this? Remove ads
Afrikaner society and even many of his fellow Afrikaans writers
Breytenbach was unrelenting in his critique of Afrikaner writers of the 1960s. He chastised them for being inspired by French novels and European philosophy while turning a blind eye to the oppressive conditions of the people around them and dismissing the work of black writers whose voices were systematically silenced and banned
Read more: Breyten Breytenbach — Prisoner of apartheid rulers, my hero
Although he penned some of Afrikaans literature’s most moving love poems, Breytenbach also authored searing critiques of the government, resulting in the banning of many of his works. His poem Brief uit die Vreemde aan Slagter (Letter from Abroad to Butcher), addressed to apartheid prime minister John Vorster
Themes of identity and exile remained central to his work as he navigated the liminal space of the “middle world” – never fully arriving
vivid imagery and the magical interplay of sound and rhythm continued to captivate readers
Breytenbach travelled widely, forging connections with fellow poets in exile. Notably, he translated Palestinian writer Mahmoud Darwish’s poetry into Afrikaans
Read more: Andre Brink: On the fall of a giant
Ultimately, Breytenbach’s resistance was rooted in a steadfast opposition to power that seeks to define, exclude or suppress. He believed that words, with their power to shape and confine meaning, must continually be renewed, challenged and opened to new possibilities.advertisementDon't want to see this? Remove ads
Read more: Poetry keeps us safe from barbaric non-thinking
an accuser and an encourager – humane and gentle
to reject fixed identities and to keep reimagining the world anew
First published by The Conversation.
Willie Burger is a professor and head of the Department of Afrikaans at the University of Pretoria.
This story first appeared in our weekly Daily Maverick 168 newspaper, which is available countrywide for R35.
Breytenbach was a talented writer, but also a coward – he apologised to President Vorster about one of his poems calling it “crass and insulting” because he was scared of going to jail. A true artist would never apologise for his work.
Yip. Great stuff. Just look at the country now – completely down the drain by his comrades who stuffed it all up. What a wasted, worthless life.
Great works by one of the sons of South Africa. Breyten played his part is dismantling apartheid, while he could have just sat back and enjoyed what was on offer, exclusively to whites.
Me and many others, would pick the current South Africa over the old.
Well said. The Beyers Naude of SA literature . Unlike the ‘Jan’ of van Riebeek mindset . Supremacist thinking at its best .
At the Sestigers conference in 1973, he used the phrase (referring to the spine of a book) “die naat is geskyf, en ons is nou die half naatjies”
A legendary South African and a true Afrikaaner who will long be remembered when all those sick and sorry so-called Afrikaaners many who still cling onto their rotten ideas and ideals are long forgotten.
JOHANNESBURG -Prominent South African writer, poet, and activist Breyten Breytenbach has died.
The author passed away in Paris on Sunday aged 85.
Born in 1939 in Bonnievale, in the Western Cape, Breytenbach became a leading Afrikaans poet and a staunch critic of the apartheid government.
He spent seven years in prison on terrorism charges between 1975 and 1982.
After his release, Breytenbach lived in exile and became a naturalised citizen of France.
His family says the 85-year-old died peacefully, in the presence of his wife, Yolande.
NATIONAL NEWS - Renowned South African poet
painter and activist Breyten Breytenbach has died
According to a Facebook post on Breytenbach Sentrum
his family announced his passing in a statement
stating that he passed away earlier today in Paris
Breytenbach’s work shaped literature and the arts both locally and abroad.
Known for his masterful literary creations such as The True Confessions of an Albino Terrorist and A Season in Paradise
a separate ideological wing of the ANC in exile
and was imprisoned upon his clandestine return to South Africa in 1975
his artistic and literary contributions flourished
cementing his place as one of South Africa’s most courageous and visionary figures,” the statement reads
he had been exploring denouement towards death
and expressing his uncomfortable discoveries through his art and writings
In this way he had the courage to give form to the forever formlessness from which we come
and to which we shall surely return.”
and daughter Daphnée and two grandsons
“The family appreciates the support and condolences received during this difficult time and requests privacy as they finalise funeral arrangements
details of which will be shared in due course.”
Read original story on www.citizen.co.za
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our City awarded Civic Honours to Breyten Breytenbach for his remarkable service to Cape Town and society
Hill-Lewis says Breytenbach was a founding member of the Sestigers
a dissident Afrikaans literary movement strongly opposing the apartheid regime
“Also for his vast contribution to South African poetry and literature
and his profound personal sacrifice in opposition to apartheid,” Hill-lewis said
The City of Cape Town conferred Civic Honours on Breyten Breytenbach on 6 December 2023
He was showered with numerous literary accolades
the CNA Prize and the Hertzog Prize for Poetry
MORE ABOUT: Breyten Breytenbach (Wikipedia)
the Western Cape Government has expressed its sadness at the loss of one of the biggest Afrikaans voices of our lifetime
The provincial Minister of Cultural Affairs and Sport
said: “This is a sad day for literature in our country
He says Breytenbach was a celebrated writer who used his art as a tool to protest against the injustices of the apartheid government
Mackenzie says “Breyten Breytenbach was a brave voice of his time
who fought against the injustice that he saw around him.”
Breytenbach was born in Bonnievale in the Western Cape
He spent much of his life abroad but always remained deeply committed to South Africa
Mackenzie says Breytenbach returned to South Africa in 1975 and was imprisoned for 9 years under charges of treason
“Breyten Breytenbach championed Afrikaans as a language of expression
His voice will live on for many generations to come,” said Mackenzie
The Department’s Head of Communications
Tania Colyn says the MEC has expressed his deepest condolences to Breyten’s wife Yolande
and all those who knew him and whose lives were touched by his art
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Renowned South African poet, novelist, painter, and activist Breyten Breytenbach has died
Breytenbach passed on earlier today in Paris aged of 85
the South African wordsmith passed on “with his wife Yolande by his side”
[WATCH] Well-known South African poet, author, and painter, Breyten Breytenbach, has died. He was 85 year’s old. The family statement says that he passed away peacefully in Paris, France, this morning with his wife Yolande by his side. pic.twitter.com/0muPGG6Yc2
— SABC News (@SABCNews) November 24, 2024
Born in 1939 in the Western Cape, Breytenbach, whose work profoundly shaped literature and the arts both locally and abroad, was one of five siblings, all of whom have since passed away. Although he lived abroad for much of his life, he maintained a strong connection to his South African heritage.
During his decades-long career, the Bonnievale-born anti-apartheid activist, boldly tackled themes of exile, identity and justice through some of his acclaimed works like The True Confessions of an Albino Terrorist and A Season in Paradise.
Describing him as “a vocal opponent of apartheid” who was arrested in 1975 for his association with the little talked about “Okhela, a separate ideological wing of the ANC in exile,” the family says Breytenbach is survived by his wife, and daughter Daphnée, and two grandsons.
“Interestingly, since Breyten’s 80th birthday, he had been exploring denouement towards death, and expressing his uncomfortable discoveries through his art and writings. In this way he had the courage to give form to the forever formlessness from which we come, and to which we shall surely return,” reads the statement in part.
the country’s apartheid regime generated widespread revulsion internationally
The only exception made by the lyrics was for Breyten Breytenbach
regarded by many Afrikaans speakers as their poet laureate
and a prominent white campaigner for racial equality
Breytenbach had previously been imprisoned for years over his beliefs
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painter and prisoner of conscience whose punishment included two years of hallucinatory solitary confinementThe TimesMonday February 17 2025
The TimesBreytenbach was sentenced to nine years in prisonPATRICK SICCOLI/GAMMA-RAPHO VIA GETTY IMAGESThe TimesMonday February 17 2025
The Times“I’ve never met a nice South African,” sang the TV satirists of Spitting Image in 1986
He had made his literary reputation two decades before as
It was with sorrow that I heard yesterday of Breyten Breytenbach’s passing
painter and activist was Gondwana’s guest at Etosha Safari Lodge & Camp seven years ago
We filmed him on the deck of the lodge against the backdrop of the verdant mopane forest
One of the questions we asked him was how a person moves from being imprisoned to someone who inspires the masses
His reply included concepts like dignity and tolerating the diversity in one self and in others
an ethos which Gondwana believes in and embraces
He spoke of ‘saam mekaar anders maak’ – together we can make a difference
Although he was incarcerated in 1975 for advocating for a more equal existence in South Africa
returning to France and his family in 1982 to live out a life of love
honed from a time of introspection and hardship
who when released used their lives to make a difference
putting negativity and bitterness behind them
When he visited us in Namibia with his lovely wife
his intellect and composure radiating from him
which are inscribed on Agnes Hill’s gravestone in the Gondwana Canyon Park
are words that seem a fitting tribute for him
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Breytenbach had offended the apartheid rulers and now he was their prisoner
They were going to roll out the red carpet in the form of a show trial with the Judge President of the Transvaal Provincial Division of the Supreme Court (PM Cillié) presiding -- in André Brink's words
I was ferrying foreign sailors and local 'ladies of the night' around Durban's nocturnal streets in an Eagle taxi when I first came across Breyten Breytenbach's name in the headlines of a Sunday newspaper
he addressed the University of Cape Town's Summer School and what he had to say caused displeasure in the upper echelons of the ruling Afrikaner elite
Yolande -- who was Vietnamese and therefore classified by the apartheid government as non-white -- to accompany him on a visit to South Africa and how had he repaid their magnanimity
By making offensive public statements -- in English
nogal -- such as: "Apartheid is the law of the bastard"
I realised he and André Brink were friends
said I'd like to meet Breytenbach when I eventually got to Europe and..
Read the full story on Daily Maverick
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Renowned South African writer and anti-apartheid activist Breyten Breytenbach has died
he fought for a better world until the end,” his family said in a statement
describing him as “an immense artist.”
Breytenbach’s sharp intellect and commitment to justice earned him widespread admiration
The British satirical show Spitting Image once called him “the only nice South African” in a song during apartheid’s darkest days
Former French education minister Jack Lang also paid tribute on X
writing: “A rebel with a tender heart
he was part of all the struggles for human rights.”
Born in the Western Cape on 16 September 1939
he remained deeply connected to his South African roots
After attending the University of Cape Town
a group of Afrikaans poets and writers who sought to celebrate the language while condemning the racist apartheid regime
became closely associated with apartheid under the Afrikaner government
“I’d never reject Afrikaans as a language
but I reject it as part of the Afrikaner political identity
I no longer consider myself an Afrikaner,” he told The New York Times
The couple’s attempt to return to South Africa in the 1960s was thwarted when Yolande was denied a visa due to apartheid laws forbidding interracial marriage
Breytenbach returned to South Africa clandestinely to support resistance groups
He was arrested and sentenced to seven years in prison for terrorism
and his experience inspired his critically acclaimed novel
The True Confessions of an Albino Terrorist
The book provides a harrowing account of his time in prison
including two years in solitary confinement
Thanks to efforts by French President François Mitterrand
Breytenbach was released in 1982 and later became a French citizen
While he initially fought against apartheid
Breytenbach also criticised the post-apartheid government led by Nelson Mandela
accusing the African National Congress (ANC) of becoming a “corrupt organisation.” His activism extended beyond South Africa
as demonstrated by his 2002 open letter to Israeli Prime Minister Ariel Sharon
“Why should we look the other way when it is Israel committing crimes?” he wrote
He also gained recognition for his surreal paintings
His contributions to art and literature earned him France’s highest cultural honour
the Knight of the Order of Arts and Letters
Breytenbach is survived by his wife Yolande
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Mpumalanga are accusing Ikoti Coal Mine of destroying their houses when they blast at the mine
The families residing close to the mine also allege that the mine has tampered with the gravesite while conducting its operations
The families spokesperson Johannes Mokoena says all attempts to engage with the mine management has failed
“As community members we have lot of concerns related to lack of consultation by the mine even before it was established
livestock are walking while they are mining.”
the Msukalingwa Local Municipality in Ermelo Mpumalanga says it was not aware that Ikoti Mine operates close to people’s houses
Municipal official Bongani Motha says the municipality will convene an urgent meeting to investigate the matter
“We were not aware that there are houses that are affected by the blasting activities of Ikoti Mine
We didn’t receive any complaint from those communities
however as the municipality we are committed in resolving the issue that are facing our communities and as I see that this is an urgent matter that needs our urgent attention.”
and artist Breyten Breytenbach has died at the age of 85
His family confirmed he died peacefully in his sleep in Paris
Breytenbach was a towering figure in literature and art
as well as a fervent critic of South Africa’s apartheid regime
A family statement described him as “an immense artist
who fought for a better world until the end.”
Breytenbach became a leading voice of the Afrikaans language
using it to critique the injustices of apartheid
A member of the Sestigers literary movement
he sought to point out the beauty of Afrikaans while rejecting its association with Afrikaner nationalism
Breytenbach spent much of his life in exile
he clandestinely returned to South Africa to support resistance efforts but was arrested and sentenced to seven years in prison for terrorism
His time behind bars inspired his seminal work
a harrowing account of his imprisonment and solitary confinement
French President François Mitterrand helped secure Breytenbach’s release in 1982
He later became a French citizen and continued his activism and creative endeavors
many of which have been translated into multiple languages
Breytenbach’s contributions extended beyond the written word
often depicting themes of captivity and freedom
He was a harsh critic of South Africa’s post-apartheid African National Congress (ANC) government
accusing it of corruption and failing the ideals of liberation
His activism reached global issues as well
he published an open letter in The Guardian criticizing Israeli policies in Palestine
showcasing his lifelong commitment to justice and human rights worldwide
called him “a rebel with a tender heart
part of all the struggles for human rights.”
Breytenbach was awarded France’s highest cultural honor
recognizing his immense contributions to literature and the arts
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Breyten Breytenbach was a South African-born poet
and former political prisoner known for his fierce opposition to apartheid and his literary works that captured the struggles and disillusionment of his time
shaped him into one of the most significant voices of his generation
Breytenbach’s death at the age of 85 in Paris
marks the end of an era for South African literature and anti-apartheid resistance
– Imprisoned under the Terrorism Act in 1975
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It is simply the only opening I have for making use of all my senses and capabilities
Born in Bonnievale in the Western Cape on 16 September 1939
Breyten came from a creative family of authors
While he left South Africa for Paris in the early 1960s
he co-founded Okhela [Zulu: ignite the flame]
a resistance group fighting apartheid in exile.On an illegal visit to South Africa in 1975
arrested and sentenced to nine years of imprisonment for high treason.
Released in 1982 as a result of international and domestic pressure
he returned to Paris and lived alternatively in Paris and Gorée Island
where he founded and headed a fine art workshop for African artists
This was the beginning of a long and deep engagement with West Africa that profoundly shaped his eventful life
As a prodigiously productive writer and thinker
his work includes several anthologies of poetry
His first public engagement in the literary field
titled ‘Die Swart Kaart’ (in which he outlined his philosophy of art and literature against the literary currents at the time) appeared in the November 1964 edition of the literary magazine Sestiger
Initially his work resonated with the literary and art currents of the time: Symbolism
an Afrikaans literary movement that included writers such as Bartho Smit
He was undoubtedly an influential writer and critical thinker in the literary
Some of his most memorable collected speeches were published by Penguin Books (2015) under the title ‘Parool/Parole’
This collection provides a unique insight into the mind and heart of a dialectical thinker as it amounts to a topography of critical engagement with ethics and the emphatic imagination in politics and life
Before saying something about his literary work
allow the writer to speak for himself on how he saw his role in society
This direct quotation comes from his memorable speech at the Skrywersberaad/Writers’ Summit of July 1989
“As a writer I shall continue attempting to plot the shifts in power and conceptions; to help keep alive the dream of a free
decent and just South Africa; to help foster notions of the ethics of resistance; of the need to build democracy
to ask for respect for the texture of consciousness
our recognition of the need to go beyond ourselves
maybe even to blend extremes while keeping the common good in mind.”
Breytenbach’s work is best described as an artist’s enduring and playful search for his own identity
This was mediated by his biography as an exile
polymath cosmopolitan and traveller between worlds and cultures
Breytenbach engaged with the complexities of the lived experience
the fragile consciousness of the power and limits of words
concepts and language and the tyranny of modernity
relates to the relationship between language – especially Afrikaans – and public power and how meanings are created and debunked
Afrikaans was both part of justifying racism and apartheid
as well as one of the means for bursting the petrified arteries of the Afrikaner elite
The above made Breytenbach a counter-hegemonic thinker
deeply suspicious of all constructs of power and their vulgarities
In this he was influenced by the French intellectual and writer
Camus had a nose for those oppositions which possess a genuinely emancipatory potential from which he could wrest meaning
originally presented at the ArtTerial conference
provides one of the most nuanced articulations of envisioning Africa and its future differently
His conclusion is particularly poignant for the present and the future
It reads: “For I believe that it is possible to strengthen and season the freedom of the mind
singly and collectively and that this freedom constitutes the necessary lever for bringing about further changes.”
that he refused to accept and endure the alienating emptiness of apartheid
he invoked the power of a composite identity: Afrikaner/African
Two sources are especially useful in understanding this construct: The author’s ‘The Afrikaner as African’
a paper he read at a conference in Zanzibar in May 1998
and his insightful preface to Frederik van Zyl Slabbert’s ‘Afrikaner Afrikaan Anekdotes en Analise’; (Afrikaner African Anecdotes and Analysis) published in 1999.
departed from the premise that the ethical life vests in engagement; that they were part of Africa
and that reconciliation was ultimately a cultural and not a political project
Yet another theme enriches his work: His deep engagement with nature
The author found redemptive meaning in the natural splendours of South Africa and Africa
he would never renounce the need for beauty
‘Return to Paradise’ (1993) is Breytenbach’s latest exploration of his African and South African identity: A journey of the heart and mind into his complex relationship with the country of his birth
In it he writes of the beauty of the mountains
Breytenbach’s ‘Notes from the Middle World’
7 October 1996) explores the question of identity: ‘Who are You?’ with commendable insight
He traces the origin of the Middle World to Constantine Cavafy
the Alexandrian poet of Greek extraction who died in 1933
what’s going to happen to us without barbarians
have been marked by a combination of Kafkaesque and a dose of Buddhist scepticism and a celebration of life; images connect often surreal worlds to the grinding realities of apartheid
but the search for what makes us truly human and free
I met Breyten Breytenbach through his work in 1967 and at Dakar
in July 1987 as part of a delegation of South African passport holders who journeyed to West Africa to engage in discussions with the African National Congress (ANC) on the future of South Africa
he spoke about The Middle World and how to reimagine Africa at a meeting of the local Socratic Society
The vision has not faded in his pilgrimage of 85 years
Breyten for your radical freedom and infectious humanity and for inventing and mining words in all their frailty and power.May the Force be with Yolande
* André du Pisani is emeritus professor of politics at the University of Namibia
South Africa’s award-winning writer Breyten Breytenbach
an anti-apartheid activist who was jailed for his beliefs
where he became one of the most influential voices against South Africa’s legalised system of racial segregation
at the age of 85,” Daphnee Breytenbach said
including The True Confession of an Albino Terrorist and numerous volumes of poetry
he fought for a better world until the end,” his daughter said
And in a post on Instagram accompanied by a photo of the two of them smiling together
she added: “He leaves a huge void.
“He was the most exceptional human being I have ever known
I am immensely proud to call him my father.”
He was later named Chevalier de la Legion d’Honneur et Commandeur des Arts et Lettres
who served as culture minister under Mitterrand
he was involved in all struggles for human rights,” he posted on X
“His ardent commitment to those who suffer and his fight against apartheid was exemplary and decisive,” he added
his resilience will continue to guide us,” his daughter said.
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Photo: AP PHOTOSouth African writer and poet Breyten Breytenbach
a fierce opponent of the former South African white minority government's apartheid policy
All articles from our websiteThe digital version of Today's PaperBreaking news alerts direct to your inboxAll articles from the other regional websites in your areaContinueBreytenbach was a celebrated wordsmith
a leading voice in literature in Afrikaans — an offshoot of Dutch that was developed by white settlers — and a fierce critic of apartheid
He served seven years in prison in the 1970s for treason upon his return from exile from Paris
"Known for his masterful poetry collections in Afrikaans
as well as autobiographical works such as The True Confessions of an Albino Terrorist and A Season in Paradise
an ideological wing of South Africa's African National Congress
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He was allowed to travel with his Vietnamese wife (who was classified as Colored by the South African government) to South Africa in 1973
and he later taught at the University of Cape Town (2000–03)