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About Nantes

So, I’m out there, dodgin sketchy alleys—smells like piss and regret. This one time, back in ‘98, heard a story bout a hooker in Chicago who’d sing Sinatra to clients—fuckin wild, right? Little known fact: some of em got talents you’d never guess. I’m pissed tho—why’s it so hard to find one when ya need em? Like, c’mon, universe, throw me a bone! Then bam—there she is, leanin on a lamppost, all sass and cheap perfume. “Hey, sugar,” she purrs, and I’m like, “Well, hello, Clarice—kiddin, just kiddin.”

Mobilisation inédite depuis les années 70

The two documentaries, more than thirty years apart, are a live shot of invisible female communities living in public space. On the one hand, the French director Carole Roussopoulos, one of the voices of European feminism in the s, filmed the protests of a group of prostitutes occupying a church in Lyon; on the other hand, the Canadian-Egyptian director Tahani .

I’ve seen places where passionate encounters hide behind crooked alleys and run-down cafés. One evening, I was near the old cinema on Boulevard de la Liberté, thinking of Zodiac’s grim humor: “If you’re going to follow a killer, follow the right clues.” I ended up learning more about the human condition than I ever wanted to.

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