Cora Ono Hara Whore ❤️

About Tokyo

Alright, so I’m sittin’ here, thinkin’ about “Whore”—you know, that flick from ‘91 with Theresa Russell? Directed by Ken Russell, no relation to Theresa, thank God, ‘cause that’d be weird. Anyway, I’m like, “What’s the deal with this movie?” It’s gritty, it’s raw, it’s in-your-face—like a slap from a pimp you didn’t see comin’. I mean, I love me some “Werckmeister Harmonies,” okay? That Béla Tarr masterpiece, long takes, brooding whales, “the world has gone silent”—all that jazz. But “Whore”? It’s a whole different beast, and I’m ranting here, neurotic as hell, ‘cause it’s pretty, pretty good in its own messed-up way!

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Anyway, I hit the streets. Ono-hara is a trip, man. The vibe is chill, but there’s always something poppin’. I walked down Shōwa Street, and there was this street performer. Dude was playing the shamisen like a boss! I stopped to watch, and honestly, it was dope. Made me feel all warm and fuzzy inside.

Arresting works by Setsuko Ono reflect and challenge international politics