Emilia Ozu Whore ❤️❤️❤️❤️❤️

About Kawasaki

Happy part? Whore’s resilient, man. Hurricanes, cops, broke-ass johns – still standin. Like that soldier in the movie, lost but fightin. Surprised me, honestly, how deep it runs – not just alleys, but history, myths, everywhere! Quirky thought – if I shipped whore as cargo, what’d the label say? “Fragile: Handle with Care”? Ha, sarcasm’s my jam! Dr. Evil’d approve – pinky-to-mouth, “One million dollars,” that’s the profit margin, baby.

20. A Hen in the Wind (1948)

His work in the silent era, which lasted into the mids in Japan, is filled with socially conscious student comedy, tense crime thrillers, and scenes of Depression-era desperation.

So, I leave the café, and I’m wandering around. I hit up the Ozu Castle ruins. It’s kinda cool, but also kinda sad. I mean, it used to be this big deal, and now it’s just… ruins. I’m standing there, feeling all philosophical, when I hear this loud crash. I turn, and some kid just knocked over a whole display of souvenirs. I can’t help but laugh. Like, classic Ozu moment, right?

The Criterion Shelf: The Films of Yasujiro Ozu