As many as 13 workers from roadside cafes along Siman–Jetis Street
Health checks were conducted on 29 individuals working in several cafes in the area
more than a dozen of these establishments were forcibly shut down by local residents and a joint task force on Monday
The closure was directly carried out by the Demangan Village Consultative Body, together with dozens of residents
supported by the Civil Service Police Unit of Ponorogo
residents put up various warning posters and stickers
explicitly banning operations of the establishments suspected of facilitating prostitution
a member of the Demangan Village Consultative Body
said these cafes had been subject to prior enforcement actions
the owners persistently reopened their businesses
a health screening of 29 workers found that 13 had tested positive for HIV
13 out of 29 workers were confirmed HIV positive," he said
These cafes were found to be covertly operating prostitution services under the guise of coffee stalls or street food vendors
"Since it has been clearly proven that they are being used for prostitution
we decided to seal them off," he added
This led to residents and authorities taking firm action
The closure aims to protect the public from the spread of infectious diseases and address the growing concern over illegal businesses violating social norms
Head of Regional Regulation Enforcement at the Ponorogo Civil Service Police Unit
stressed that the shutdown of these cafes should serve as a warning to other illegal businesses in the region
Scientific and Cultural Organization (UNESCO) has officially recognized the kebaya as an element of cultural heritage
placing it on the Representative List of the Intangible Cultural Heritage of Humanity
The decision was announced on Wednesday during the 19th session of the Intergovernmental Committee on Intangible Cultural Heritage (ICH) in Asunción
Culture Minister Fadli Zon said the kebaya was a joint submission by Brunei Darussalam
“This joint submission effort reflects the spirit of cooperation and unity among Southeast Asian countries in preserving shared cultural heritage,” Fadli said
the kebaya is more than just an item of traditional attire
as it symbolizes the cultural identity of Southeast Asia
The kebaya has been showcased in contemporary designs at various beauty pageants and cultural appreciation events
With its newly recognized status as an element of world cultural heritage
the kebaya is expected to inspire greater public awareness of preserving intangible cultural heritage
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“We hope the recognition of the kebaya by UNESCO can raise global awareness of the importance of preserving intangible cultural heritage
as it is not just a cultural symbol but also a unifying element that transcends ethnic
religious and national boundaries,” said Fadli
According to UNESCO's official website
the Representative List of the Intangible Cultural Heritage of Humanity includes elements of intangible cultural heritage that highlight diversity
The list also aims to raise awareness of the significance of the elements
the traditional art of Reog Ponorogo from East Java was also designated on the list in the category “In Need of Urgent Safeguarding”
“The recognition not only highlights the importance of Reog art but also emphasizes the commitment to conserve Indonesian cultural identity for the next generation,” the Indonesian delegation chairman
who is also the ambassador to Paris and representative to UNESCO
Reog Ponorogo is a performing art from Ponorogo regency
solidarity and dedication and has been part of the identity of the Ponorogo people for centuries
Reog is also a symbol of communal cooperation
which is reflected in its creative process
from making the masks to collaboration among artists
Other Indonesian cultural heritage items that have been previously recognized by UNESCO are wayang
gamelan traditional ensemble and the tradition of drinking jamu (traditional herbal beverages)
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Dian Yuliastuti
TEMPO.CO, Jakarta - UNESCO has officially inscribed Reog Ponorogo performing art as part of the Intangible Cultural Heritage (ICH) list
This marks Indonesia’s 14th cultural heritage entry on UNESCO’s list under the category of “In Need of Urgent Safeguarding.”
The inscription was announced during the 19th session of the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage in Paraguay on Tuesday
Indonesian Minister of Culture Fadli Zon said Reog Ponorogo’s designation as an intangible cultural heritage is a significant moment in the effort to preserve traditional cultural art rooted in local values and the spirit of mutual cooperation.
The minister reckoned that Reog Ponorogo’s inscription as the representative of Indonesian cultural heritage that combines courage
and the beauty of local traditions on UNESCO's ICH list is a source of pride
it serves as a reminder of the collective responsibility to preserve and pass it on to future generations," said Fadli
UNESCO explained that Reog Ponorogo Performing Art is a centuries-old theatrical dance that is traditionally performed on various occasions
and horse-mounted warriors to narrate the story of the Bantarangin Kingdom and its king
a large mask resembling a tiger’s head with a peacock perched on top
it is a source of pride and an embodiment of cultural values
performances are dwindling due to an increasing preference for modern music shows
which are considered more practical and less expensive
Communities and the government have made various efforts to safeguard the practice
including by transmitting it through formal
the safeguarding process has not progressed as expected
as it is increasingly difficult to find Reog masters
a performing art originating from Ponorogo Regency
and dedication that have been the identity of the people of Ponorogo for centuries.
from mask-making to collaboration between artists
Minister Fadli Zon highlights the challenges of preserving traditional art in the modern age
He emphasizes that this inscription is an international recognition of Indonesia's cultural wealth as well as a call to preserve it amidst the challenges of globalization and modernization
"Reog Ponorogo must not be allowed to disappear and its ecosystem must be revitalized," he said
He also reaffirms his commitment to preserve the art of Reog Ponorogo as part of the Cultural Advancement Law mandate.
Fadli Zon also invites the younger generation to continue to learn
and preserve Reog Ponorogo so that the noble values it embodies remain alive and can be passed on to the next generation
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Jakarta. Reog Ponorogo has been officially inscribed as an Intangible Cultural Heritage (ICH) by UNESCO during the 19th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage
The decision follows a proposal submitted by the Indonesian government through the Cultural Affairs Ministry to include Reog Ponorogo in UNESCO's ICH list
This recognition marks Indonesia's 14th cultural heritage entry on UNESCO's prestigious roster
Minister Fadli Zon said he was proud of the achievement
describing it as a milestone in the preservation of Indonesia's cultural arts
"Reog Ponorogo is not just a performance but a reflection of the identity
and resilience of the people of Ponorogo," Fadli said
He described the art form as a representation of courage
and mutual cooperation—values deeply embedded in local culture for centuries
"The inclusion of Reog Ponorogo as a representation of Indonesia’s cultural wealth on UNESCO’s ICH list is a source of pride and a reminder for us to preserve and pass it on to future generations," he said in an official statement
Originating from Ponorogo Regency in East Java
Reog Ponorogo is a traditional performance art that blends dance
from mask-making to the collaboration between artists
Fadli said the government is dedicated to advancing national culture within a global context while ensuring the freedom to preserve and develop cultural values
Paragraph 1 of the Indonesian Constitution
The UNESCO recognition is regarded as an important for Indonesia to boost efforts in preserving traditional cultures rooted in local values and the spirit of togetherness
the government and local communities have undertaken various initiatives
and integration into formal and non-formal education
"This moment strengthens our commitment to preserving traditional arts and culture as a shared heritage," Fadli said
and it is our duty to ensure this art form continues to thrive and inspire future generations."
The Indonesian government also reaffirmed its commitment to empowering the arts community and protecting cultural expressions across the nation
PONOROGO,PGI.OR.ID-Aksi penolakan pembangunan rumah ibadah yang menimpa Gereja Bethany di Jalan Thamrin
pada Rabu malam (9/6) direspons cepat oleh Persekutuan Gereja-Gereja di Indonesia (PGI)
penolakan didasari karena tidak adanya izin dari lingkungan yang mayoritas Muslim
Sedangkan Kapolsek Kota Ponorogo AKP Kusbiantoro mengatakan bahwa langkah dari pihak Kepolisian yang pertama mengamankan agar tidak terjadi tindakan anarkis agar kerukunan tetap terjaga dan kondusif
PGI telah merespons baik melalui PGIW Jawa Timur dengan menghubungi pemerintah daerah setempat
Menurut Sekretaris Eksekutif Bidang Keadilan dan Perdamaian (KP) PGI Pdt
hasil sementara kasus ini akan dikawal dengan baik
dan telah direncanakan langkah-langkah solutif
yang tidak menimbulkan kegaduhan atau memperburuk keadaan
Dia pun berharap agar semua pihak dapat menahan diri dan menghindari provokasi yang hanya akan menggangu solidaritas sesama warga bangsa
Simon Filantropa yang dihubungi via wa menjelaskan
pihaknya akan terus mengkonfirmasi data yang akurat terkait kasus ini
“Ketika membangun nggak ngomong apalagi lapor PGIW
ketika bermasalah teriak minta tolong pada PGIW
Info dan cerita jadi bias nggak karuan,” tegasnya
Namun ia menyampaikan proses penyelesaian sedang berlangsung
media PGI untuk menyampaikan sikap dan informasi resmi PGI
serta menjadi media gereja dan mitra PGI dalam berkontribusi bagi pergumulan bangsa dan negara
Jakarta. Indonesia is set to register three traditional cultural elements as UNESCO intangible cultural heritage this December
The cultural elements — Reog Ponorogo
and Kolintang from North Sulawesi — will represent Indonesia's heritage on the global stage
and Kolintang from North Sulawesi as our latest UNESCO nominations," Fadli announced during his first working meeting with the House of Representatives’ Commission X at the parliamentary complex in Senayan
is characterized by a large lion mask decorated with peacock feathers
Reog Ponorogo is often performed at weddings
has become a cultural emblem of Indonesian femininity and resilience
a percussion instrument from North Sulawesi
is typically played in ensembles as both a rhythmic and melodic instrument
The government is focused on amplifying international recognition of Indonesia’s cultural heritage
"We are committed to expanding the number of Indonesian cultural elements registered with UNESCO," Fadli said
adding that this program emphasizes conservation
Indonesia has identified over 2,000 cultural elements
but only 13 have achieved UNESCO recognition
"We plan to intensify our efforts with UNESCO
yet only a fraction has been acknowledged internationally," he noted
The government also aims to preserve local traditions by engaging communities in cultural conservation efforts
"Our goal is to elevate Indonesian culture on the world stage while preserving arts
and local wisdom that are beginning to fade
Active community involvement is key to these preservation efforts," he concluded
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Cari English Reog Ponorogo Parade, Efforts to Preserve Nation's Culture TEKS › English›Reog Ponorogo Parade
Efforts to Preserve Nation's Culture The performance of Ponorogo's reog has now been adjusted to match current times
such as by updating a number of dance styles and music to be more modern
Audio Berita This article has been translated using AI. See Original
Please note that this article was automatically translated using Microsoft Azure AI, Open AI, and Google Translation AI. We cannot ensure that the entire content is translated accurately. If you spot any errors or inconsistencies, contact us at hotline@kompas.id
and we'll make every effort to address them
TEKS The following article was translated using both Microsoft Azure Open AI and Google Translation AI. The original article can be found in Pawai Reog Ponorogo, Upaya untuk Melestarikan Budaya Bangsa
Artists and members of the public participated in the Reog Ponorogo Cultural Parade on Merdeka Barat Street in Jakarta
KOMPAS - Hundreds of people and cultural artists participated in the Reog Ponorogo Cultural Parade organized by the Ministry of Coordinating Human Development and Culture
The parade is a government effort to introduce Reog art to the public amidst its proposed status as a non-material cultural heritage to the United Nations Educational
Scientific and Cultural Organization (UNESCO)
The cultural parade began from the National Library at around 08:30 on Sunday (27/8/2023)
heading towards the Human Development and Culture Coordinating Ministry (PMK) complex which is approximately 1.5 kilometers away
there are two stops to showcase the traditional dance performances of reog Ponorogo and Betawi
Hundreds of artists and members of the public participated in the Cultural Parade of Reog Ponorogo on Jalan Merdeka Selatan
Chairman of Sedulur Warok Ponorogo (SWP) Bekasi
stated that there were approximately 80 players and 350 escorts who participated in this cultural parade
They were appointed to represent the Reog Ponorogo parade
This is to support the proposal of Reog art as an Intangible Cultural Heritage of Humanity (WBTB) which is planned to be decided next year
Sucipto explained that if Reog Ponorogo is recognized as a UNESCO WBTB
it is expected to improve the economy of Reog art practitioners
The performance of Ponorogo's reog has now been adjusted to match current times
"With the ratification of Ponorogo's reog by UNESCO
the world's inhabitants will know what reog is
the economy for artists and craftsmen will increase," he said
Sucipto stated that there is still homework to be done to preserve the culture of reog for the younger generation
One of the ways he does this is by introducing reog to students through extracurricular activities
the performance of reog Ponorogo now also adjusts to the times
such as changing several dance styles and music to be more modern
Warok dancers performed in the Cultural Parade of Reog Ponorogo at the Ministry of Human Development and Culture Coordination
there are more variations in music and dance
the jathil dance was originally performed by men
The ganong attraction is also more interesting to watch
We make a lot of adjustments to excite or attract the attention of the younger generation," he explained
The preservation of Reog Ponorogo in its original location has been carried out by hundreds of communities
This was revealed by the Coordinating Minister for Human Development and Cultural Affairs
The enthusiasm of the people of Ponorogo to preserve the Reog culture has become a strong reason to make this art form a UNESCO Heritage
Read also: Support Reog Ponorogo proposal to UNESCO
Director General of Culture, Ministry of Education, Culture, Research and Technology Hilmar Farid explained, now the process of proposing to become WBTB is in the stage of sending files or dossier. Improvements based on the review from UNESCO will be sent in September 2023. The decision will be heard in 2024.
Surabaya, jurnal9.tv – Mujahadah Kubro digelar Pengurus Wilayah Nahdlatul Ulama (PWNU) Jawa Timur di Desa Tegalsari, Kecamatan Jetis, Kabupaten Ponorogo, Minggu malam, 19 Juni 2022, mulai pk 21.00 WIB.
Penyelenggaraan doa bersama warga NU dipusatkan di Kawasan Makam Ki Ageng Muhammad Besari, Tegalsari, Ponorogo. Diikuti puluhan ribu warga Nahdliyin dari seluruh daerah di Jawa Timur, doa akan dipimpin sebanyak 11 ulama pesantren sepuh.
Beberapa kiai yang dijadwalkan hadir antara lain Rais Aam PBNU KH Miftahul Akhyar, Rais Syuriah PWNU Jatim KH Anwar Mansur, Ketua PWNU Jatim KH Marzuki Mustamar, KH Agoes Ali Masyhuri (Gus Ali), Ketua MUI Jatim KH Mutawakkil Alallah, dan KH Abdul Matin Jawahir, KH Hadi Muhammad Mahfudz, KH Atho’illah Anwar Lirboyo, dan banyak ulama/kiai Jatim lainnya.
Kegiatan ini merupakan rangkaian Peringatan Satu Abad NU, yang berpuncak pada 27 Rajab 1444 H, tepatnya pada Februari 2023.
Ketua Panitia 1 Abad Harlah NU KH Abdussalam Shohib,menjelaskan bahwa Mujahadah Kubro ini adalah rangkaiaan pembuka dari rangkaian acara 1 Abad NU yang dilaksanakan oleh PWNU Jawa Timur.
“Nantinya PWNU Jawa Timur akan mengadakan banyak kegiatan yang juga melibatkan banyak massa. Sehinggga kita perlu untuk berdoa supaya acara-acara selanjutnya hingga acara puncak dilancarkan oleh Allah. Sehingga kita buka dengan mujahadah kader NU,” kata Gus Salam, panggilan akrab Wakil Ketua PWNU Jatim ini, dalam keterangan Minggu pagi 19 Juni 2022.
Gus Salam, yang Pengasuh Pondok Pesantren Mambaul Ma’arif Denanyar, menegaskan bahwa kegiatan ini bertujuan sebagai upaya batiniah bagi kalangan Nahdliyin agar negara dan dunia bisa bangkit lagi setelah dua tahun pandemi.
“Tentu setelah pandemi selesai, kondisi bangsa baik secara ekonomi atau yang lain masih banyak tantangan. Maka di samping ikhtiar batin, juga tidak kalah pentingnya usaha batiniah. Di momen ini kita juga mendoakan negara dan dunia untuk bisa bangkit lagi setelah dua tahun pandemi,” ujarnya.
Lebih jauh dijelaskan Gus Salam, prosesi Mujahadah Kubro murni ritual tanpa ada pidato sama sekali.
“Mujahadah kubro akan diisi dengan Ijazah Hizb Nawawi, Hizb Autad, Hizb Nashr, kemudian dilanjutkan dengan mujahadah dan istighotsah kubro. Jadi kami upayakan untuk tetap taqarrub kepada Allah Ta’ala,” tutur cucu Rais Aam PBNU (1971-1980) KH Bisri Syansuri Denanyar.
Pemilihan lokasi Mujahadah Kubro, menurut Gus Salam dilatarbelakangi oleh adanya kaitan sejarah yang kuat antara NU dan Ki Ageng Muhammad Besari.
“Seperti dari sudut pandang nasab yang masih tersambung dengan KH Hasyim Asy’ari. Yang kedua terkait sanad keilmuan, Tegalsari merupakan pesantren pertama di Jawa Timur. Ki Ageng Muhammad Besari juga dikenal dengan perjuanganya melawan Belanda. Jadi, nuansa perjuangan kami ambil dalam konteks kekinian,” tuturnya.
Oleh karena itu, tema yang diusung dalam Mujahadah Kubro adalah “NU Membangun Sanad Jamiyyah, Menyambung Sanad Keilmuan dan Perjuangan”.
Gus Salam menjelaskan, kegairahan warga NU dan kader-kader penggerak patut diapresiasi. Respons PCNU se-Jawa Timur dalam mengikuti acara ini pun luar biasa. Hal itu terbukti dari pendaftaran yang sudah mencapai 15.000 peserta.
“Target kami adalah 9999 kader NU. Tetapi sampai saat ini yang sudah daftar hampir 15.000 belum termasuk warga NU dari Ponorogo sebagai tuan rumah yang pasti akan turut serta memenuhi acara. Memang kami menganjurkan siapa saja yang merasa kader NU, dengan apa pun latar belakangnya silakan hadir di acara mujahadah,” kata Gus Salam.
Jadwal kegiatan Mujahada Kubro 9999 Kader NU Jatim akan dimulai pukul 22.00 dengan pembukaan. Dilajutkan Doa Iftitah surat Al-Fatihah dipimpin KH Adhim Kholili Bangkalan. Tak lupa para peserta menyanyikan Lagu Kebangsaan Indonesia Raya, Mars Subhanul Wathon dan Pembacaan Ayat Suci Al-Quran.
Sementara Istighotsah dipimpin KH Fahmi Amrulloh Hadzik dari Tebuireng, dilanjutkan ijazah kubro oleh Rais Syuriah PWNU Jatim, KH Anwar Manshur.
Mujahadah kubro akan dipimpin KH Abdul Matin Bejagung Tuban. Kemudian ditutup doa oleh para kiai sepuh.
Ketua PCNU Ponorogo KH. Fatchul Aziz mengatakan, pihaknya mendukung penuh penyelenggaraan Mujahadah Kubro. Acara ini pun dirangkaikan kegiatan Lembaga Bahtsul Masail (LBM) PWNU Jawa Timur setiap 6 bulan sekali.
Saat yang bersamaan, PWNU Jatim juga menginstruksikan kepada PCNU Ponorogo agar menggelar Mujahadah Kubro bagi kader-kader NU.
“Ponorogo dalam kegiatan ini hanya sebagai panitia lokal saja,” kata Fatchul Aziz.
Melalui kegiatan ini, menurut Fatchul Aziz, PCNU Ponorogo berharap mendapatkan keberkahan, utamanya dalam hal pengembangan dakwah Islam Aswaja.
“Kami berharap, para peserta Bahtsul Masail maupun Mujahadah Kubro bisa mengoptimalkan kegiatan ini sebagai sarana silaturrahim bagi kader, sekaligus ngecharge energi juang kepada Mbah Ageng Besari (KH. Mohammad Besari) dan Mbah Hasan (KH. Moh. Hasan Besari),” ujarnya.
Selain masyayikh dan ulama, kader NU dari berbagai penjuru kabupaten/kota di Jawa Timur juga akan ikut berdoa bersama di Tegalsari.
“Kami perkirakan, masa yang akan hadir lebih dari lima belas ribu kader,” papar Luthfi Hadi Aminuddin, Sekretaris PCNU Ponorogo.
Perkiraan jumlah massa yang akan hadir tersebut bukan tanpa perhitungan. Berdasarkan update laporan yang masuk ke sekretariat per Sabtu 18 Juni 2022 saja, sudah mencapai 15 ribu Nahdliyin. Sebanyak 45 PCNU se-Jawa Timur mengirimkan utusannya dalam jumlah beragama dan menggunakan berbagai kendaraan, baik mobil pribadi maupun bis.
Lebih jauh dijelaskan Luthfi, ada 2 rangkaian acara yang akan digelar, pertama Bahtsul Masail selama 2 hari yang akan diikuti pengurus LBM PCNU se-Jawa Timur dan utusan dari Pondok Pesantren.
“Untuk persiapan mujahadah ini lebih ekstra karena pesertanya bisa lebih dari lima belas ribu,” jelasnya.
Luthfi Hadi Aminudin juga menambahkan, perhelatan akbar ini harus bisa memberikan keberkahan bagi semuanya. Khususnya bagi warga sekitar yang diperkirakan bakal terdampak.
“Kita sudah koordinasi dengan tujuh Mbah Lurah di sekitar lokasi. Mulai dari penyediaan ojek, parkir dan kegiatan ekonomi lainnya.
“Untuk mensukeskan acara, PCNU Ponorogo menggerakkan seluruh lembaga dan banom di bawah naungan keluarga besar NU Ponorogo.
“Kami juga berkoordinasi dengan pemerintah daerah, Polres, Kodim dan Dinas Perhubungan, begitu juga dengan Ansor dan Banser untuk memandu kedatangan para tamu sampai ke lokasi mujahadah,” kata Sekretaris PCNU Ponorogo Luthfi Hadi Aminuddin. (*)
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شركة Bwer هي أحد الموردين الرئيسيين لموازين الشاحنات ذات الجسور في العراق، حيث تقدم مجموعة كاملة من الحلول لقياس حمولة المركبات بدقة
وتغطي خدماتها كل جانب من جوانب موازين الشاحنات، من تركيب وصيانة موازين الشاحنات إلى المعايرة والإصلاح
تقدم شركة Bwer موازين شاحنات تجارية وموازين شاحنات صناعية وأنظمة موازين جسور محورية، مصممة لتلبية متطلبات التطبيقات الثقيلة
تتضمن موازين الشاحنات الإلكترونية وموازين الشاحنات الرقمية من شركة Bwer تقنية متقدمة، مما يضمن قياسات دقيقة وموثوقة
تم تصميم موازين الشاحنات الثقيلة الخاصة بهم للبيئات الوعرة، مما يجعلها مناسبة للصناعات مثل الخدمات اللوجستية والزراعة والبناء
سواء كنت تبحث عن موازين شاحنات للبيع أو الإيجار أو التأجير، توفر شركة Bwer خيارات مرنة لتناسب احتياجاتك، بما في ذلك أجزاء موازين الشاحنات والملحقات والبرامج لتحسين الأداء
بصفتها شركة مصنعة موثوقة لموازين الشاحنات، تقدم شركة Bwer خدمات معايرة موازين الشاحنات المعتمدة، مما يضمن الامتثال لمعايير الصناعة
تشمل خدماتها فحص موازين الشاحنات والشهادات وخدمات الإصلاح، مما يدعم موثوقية أنظمة موازين الشاحنات الخاصة بك على المدى الطويل
بفضل فريق من الخبراء، تضمن شركة Bwer تركيب وصيانة موازين الشاحنات بسلاسة، مما يحافظ على سير عملياتك بسلاسة
لمزيد من المعلومات حول أسعار موازين الشاحنات، وتكاليف التركيب، أو لمعرفة المزيد عن مجموعة موازين الشاحنات ذات الجسور وغيرها من المنتجات، تفضل بزيارة موقع شركة Bwer على الإنترنت على bwerpipes.com
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This work resonates deeply with anyone who has ever paused to consider the mysteries of the human experience
Your words are not just well-chosen — they are chosen with a precision that makes them feel almost sacred
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but it is delivered in such a way that feels like a conversation with an old friend
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just south of the city of Ponorogo in East Java
the unique local dance known as Reog Ponorogo is enjoying a renaissance
The village’s long-running Reog troupe had disbanded sometime between 2000 and 2002 after funding for their group dried up
But this changed three years ago when the people of Bringin
were moved to dust off their masks and peacock feathers and resurrect the group
This eruption of newfound enthusiasm occurred within months of Reog making headlines across the archipelago as the most recent Indonesian cultural property to have been ‘stolen’ by Malaysia
While these cultural disputes are often framed in national terms
for the people of Ponorogo this was more than an affront to national pride – it was an attack on their very identity
Reog Ponorogo made headlines across Indonesia in November 2007 when it featured in a Malaysian tourism commercial as a part of the 2007 Malaysia Truly Asia campaign
In Malaysia the dance is referred to as Tari Barongan
but certain elements mark it as an unmistakeable descendant of Reog
most notably the use of the dhadak merak mask which most Malaysian groups import from Ponorogo craftsmen
The use of Reog in this commercial without acknowledgement of its origins was enough to cause an uproar in Ponorogo
But the Malaysians made things even worse by emblazoning the word ‘Malaysia’ on the mask in the place usually reserved for the words ‘Reog Ponorogo’
In the eyes of the people of Ponorogo this was blasphemy
Despite attempts by the Malaysian ambassador to explain that his country had never claimed that Reog was originally from Malaysia
mystic and warok (traditionally pederasts with an exalted status as powerful men and leaders)
saw the incident as a way to subtly claim Reog as their own
he reacted to the news of Malaysia’s treachery with a spontaneous 'jancuk!' (damn it!)
stating that he felt that 'this art from our ancestors was being claimed
In recent years Indonesia has accused Malaysia of several instances of cultural theft and appropriation
These spats are also mixed with other bilateral issues such as the mistreatment of Indonesian domestic workers in Malaysia and the regular border disputes between the two countries
the theft of Reog was something much more personal
weekly Reog performances represent Ponorogo at Taman Mini
the recreation park in Jakarta which displays miniature representations of the major cultures of the archipelago
It is promoted as Ponorogo's premier tourism drawcard
As the only art form – perhaps the only product – that can be described as uniquely Ponorogoan
it is the only way to express local identity
which performers hold by biting down on a concealed wooden bar
bumper stickers and in statue form throughout Ponorogo
In fact the correlation between dance and region is so strong that
in the words of Reog coach and elementary school curriculum coordinator Jarumi
The attitude in Ponorogo towards Reog reflects a wider trend in Indonesia
where art forms emerge from their traditional roles in local cultures and become a symbol for an ethnic group
This trend is strongly influenced by an understanding of culture based on its physical elements
which is promoted by sites such as Taman Mini or the representation of local cultures in school textbooks
is often graphically expressed as members of various ethnic groups
the diversity element reduced to fabrics and feathers
dance and architecture are a means of expressing a local identity and to understand one’s place in the great national project that is Indonesia
It would be negligent not to emphasise that Reog
has been practised in both Indonesia and Malaysia for at least several decades
Groups of Indonesian immigrants in Malaysia have established their own communities and in some cases have brought their traditions with them
This is certainly what happened in the case of Reog
why is Indonesia so sensitive to the use of Reog in a
Perhaps the answer lies in the fact that Malaysia can apparently put these arts to better use
While the people of Ponorogo are confronted by commercials featuring Reog from across the Strait of Malacca
they are all too aware that no local marketing exists to attract tourists to see Reog in Ponorogo
Many people perceive this as a kind of exploitation from their neighbour
a play on the Javanese-Indonesian word maling
As Head of the Faculty of Social and Political Sciences at Muhammadiyah University Ponorogo
sums up this view: ‘Malaysia knows that Indonesia has it all
The controversy surrounding the theft of Reog led not only to an outpouring of anti-Malaysia sentiment but also a backlash against local government
People expressed their frustration that officials have failed not only to protect Reog from the Malaysians but to useit to Ponorogo’s advantage
there is a strong push for the government to copyright Reog
Although it is unclear how this would be done
the movement clearly reflects a desire for the government to do more to protect and preserve the dance
Perhaps the only positive impact of the controversy has been that it has reignited interest in Reog amongst a new generation who are discovering exactly what it means to be from Ponorogo
but even prouder to be from Ponorogo,’ declares performer Paniran with enthusiasm
most people are reluctant to confess to a link between the controversy of 2007 and the revival of their Reog group
Many of the young people who have become dancers claim that they have always felt an undying love for Reog
and that the collapse of the group in the last decade was only for want of funding
However some older members of the community identified a link between the revived interest of the younger generation and the fallout from the advertisement
the people of Ponorogo are facing a predicament
they express pride to see Reog spreading and developing in other parts of the world
they have become somewhat over protective of it and are fiercely insistent that Ponorogo is always acknowledged as its birthplace
It is a conundrum that is still working itself out
as Ponorogo realises that the dance that they hold up proudly as a badge of identity may just have outgrown them
While Ponorogo may understand Reog first and foremost as a symbol
to the rest of the world it is a vibrant and dramatic performance art that has widespread appeal
It is difficult to see a resolution to the ongoing cultural conflict between Indonesia and Malaysia
Just last year another case reared its head in the form of the Pendet dance
which was erroneously included in a Malaysian tourism commercial made by a Singaporean advertising agency
It seems that Indonesia will continue to treat its regional arts as if they were static and their origins straightforward
something that can and should be inventoried and copyrighted as if the strong historical and cultural links between the two countries were somehow irrelevant
Malaysia does itself no favours by continuing to ignore the tensions around traditional art forms
which often fail to rate a mention in its own press
perhaps the best outcome will be greater reflection in Indonesia on the value of these diverse and unique art forms
particularly amongst a new generation of performers who will be their future custodians
Lisa Mapson (lisaclaremapson@gmail.com) is a graduate of the University of Melbourne
She completed her research in Ponorogo earlier this year while participating in the ACICIS (Australian Consortium for In-Country Indonesian Studies) East Java Field Studies Program
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Universitas Airlangga Official Website
UNAIR NEWS – Learning and working from the heart are probably the right words to describe Rizqi Nabila Ramadhani’s glorious journey and achievements. At the age of just 15 years and 8 months, Nabila was accepted at Faculty of Medicine (FK) Universitas Airlangga (UNAIR) from SNMPTN pathway in 2021
The student from Ponorogo only took 10 years to complete her elementary to high school studies
Nabila has been in the acceleration program since attending MTSN 2 Ponorogo as well as the fast study group (KBC) program at her alma mater at SMAN 1 Ponorogo
she only needs two years each to complete her middle and high school studies
Nabila said that she succeeded after a great struggle
Nabila has to take lessons in two tutoring institutions and private lessons at home.Some students may find the routine very strenuous
“When I entered the accelerated program
I want to be successful at a young age,” explained the student ranked number 1 at SMAN 1 Ponorogo
Nabila’s enthusiasm for learning was also encouraged by her hobby to read
Nabila has always spent her time reading textbooks and motivation books
Her hobby was inherited from her father who also likes reading motivational books
one of the figures who also played a big role in Nabila’s achievement at SNMPTN was her mother who is a teacher
but actively asks about the progress of my studies
“added the student keen on Napoleon Hill and Merry Riana’s works
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Editor's note: This is part of an occasional series of profiles of local restaurant chefs
When customers jam the sushi bar at House of Kobe
he must maintain calm and be conversational with customers
is the longest-serving sushi chef at House of Kobe
the Japanese dining institution on the Dual Highway in Hagerstown
Ponorogo is renown as the birthplace of a traditional Indonesian entertainment
the Reog Ponorogo — a dance drama with an elaborate lion-and-peacock costume — and a classic Indonesian food
a grilled marinated chicken dish served in peanut sauce
Sabit sat down with The Herald-Mail to talk about making sushi and moving to America
The website says the House of Kobe introduced sushi to Hagerstown 30 years ago
I start working here in November 2000 — about 12 years
Help me with the difference between sushi and sashimi
Then there's the roll wrapped in rice and seaweed
when someone says "Make something for me," you ask "What kind of things do you like?"
We can make sushi and sashimi and some roll
What is the most popular sushi people order
Why do you put ginger and wasabi on a plate of sushi
It's very difficult to make just right when we make sushi
because we don't know how much they like it
sometimes just for presentation — the pink color or green
Most of them are Korean and Philippine and some American
Did you learn to speak Japanese before you came here
I had the job and I had to apply to my boss
What did you do before you came to America
So everyone was interested to come to the United States
rice and vegetables and sometime chicken or tofu and soup
That help me for cooking rice or preparing something like fish
What do you have to do to get ready before customers come in
And we have to prepare vegetables and fish
What makes sushi rice different from rice for other dishes
Do the different sushi chefs here have different styles
But (another sushi chef) worked in California
because California has so many kinds of sushi there and here a little bit different
Usually she likes to go to the mall or Chuck E
because it's good to see Indonesian friends
they are doing this and it's much faster than what we do." Not really how to cook
I'm guessing customers want you to make their favorite sushi the same way every time
and usually customer already know our menu
they ask "What specials do you have today?" So we make something not on our menu
you must want to try to make something new
Do you ever come up with new kinds of sushi
because when I go to other restaurants in Hagerstown checking their sushi
Mostly our customers are regular customers
Call 301-797-6979, go to www.thehouseofkobe.com or email info@thehouseofkobe.com