the falling snowflake and the ski resort… if New Zealand has the most helicopters per capita
Japan has to be up there when it comes to ski resorts – with more than 500 liberally scattered across the country
These resorts are the product of frenzied ski development in the ’80s and ’90s and while many have since fallen by the wayside and many more have captured the minds of the general skiing public (read: Niseko & Hakuba)
more than a few remain off the beaten track for those willing to find them
Shizukuishi ski resort is one
Historically known for hosting the FIS Alpine World Ski Championships in the early 90’s
nowadays the Shizukuishi Men’s downhill course offers an impressive 4.5km of consistent vertical
whilst the women’s Super-G trail has since been converted into a Cat Skiing zone – and a very affordable one at that
A single run will cost you a mere ¥4000 ($40AUD) – even less if you’re doing multiple runs
While the cat skiing only operates on Saturday’s
Sunday’s and National Holidays and the skiing is confined to the piste
if you’re lucky and Saturday is a powder day (a fairly regular occurrence in Japan) you’ll have over 700m of open pow filled vertical laid out before you
Shizukuishi is one of few Japanese resorts that offer sunrise cat tours
with a 9km round trip to the summit of Kotakakurayama – and the option to ski back down
11 trails (or courses) are spread over just 65ha so it’s fair to say Shizukuishi isn’t the largest resort out there. More advanced skiers and boarders will find enough terrain to entertain themselves for two to three days. However, another five of Japan’s similarly lesser-known resorts are not far away in Appi Kogen (approx
While we could well rate Shizukuishi as one of the best resorts in the area for tree skiing
it’s not strictly allowed – so don’t do it…
There is no ski village or many other accommodation options to speak of at Shizukuishi aside from the Prince Hotel
Undeniably the biggest attraction here is the Takakura Onsen
a natural hotspring serviced by the hotel that has deservedly been recognised as an onsen heritage site
Shizukuishi Ski Resort is located in the northern Honshu prefecture of Iwate
Most international travelers will arrive at either Narita International Airport or Haneda International Airport in Tokyo
Travelling to Iwate from Tokyo is as easy as any other Japanese resort and can be done so by either boarding the Akita Shinkansen (bullet train) or the Tohoku Shinkansen
The Akita Shinkansen stops at Shizukuishi Station and takes around 2 hours 35 minutes
A short 20 minute taxi ride will then take you to the resort
the Tohoku Shinkansen stops at Morioka Station and takes around 2 hours 11 minutes to reach
It takes another 40 minutes by taxi to reach the resort
or hop on one of the many buses organised by the folk at Shizukuishi Prince Hotel from there
Shizukuishi offers stunning views such as that across the valley and up to Mount Iwate
For those looking to truly rest their legs
the ‘Asabiraki’ sake factory is understandably a first point of call for many
whilst kids will be entertained by the ninja themed ‘play field’ that’s best summed up in the admittedly hilarious video below…
See the video below for how long time friend of Mountainwatch Luke Kneller and others spent a day at Shizukuishi on assignment for Mountainwatch Travel
If you are looking for a different Japan destination for the 2024-2025 season head to Mountainwatch Travel and check the latest Shizukuishi packages.
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Iwate — People are becoming more excited about the prospect of seeing a 100-year-old cherry blossom tree in Shizukuishi
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The tree sparsely bloomed last year due to damage from birds eating the flower buds
Since no damage had been confirmed as of Tuesday
which is said to be more than 100 years old
The Edohigashi cherry blossom tree at Koiwai Farm is one of the prefecture’s leading spring tourist attractions
only 20%-30% of the flowers bloomed last year compared to an average year
as Eurasian bullfinches ate the buds from around January
said it uses bird repellents and sound sensors
as birds damage the flowers every few years
The blossoms will be at their peak around late April
“We cannot let our guard down regarding possible damage from birds until the peak time arrives,” said a Koiwai Farm official
Cherry blossoms have begun to bloom in Ichinoseki
The municipal government confirmed flowers blooming on a designated observation cherry blossom tree in front of the city hall’s main building
The city said its cherry blossom trees reached their peak one day later than last year and three days earlier compared to an average year
Our weekly ePaper presents the most noteworthy recent topics in an exciting
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representing a new chapter in the 60-year history of the brand
seiko CEO shinji hattori commented: ‘the studio provides the ideal environment for our craftsmen and women to bring grand seiko’s mechanical watches to life and for the next generation of watchmakers to be trained and their skills developed
it embodies grand seiko’s philosophy
and is clear evidence to the world of our dedication to the art of mechanical watchmaking.’
all images courtesy of seiko watch corporation
the kengo kuma-designed studio shizukuishi not only gives the grand seiko watchmakers an enhanced working environment
but also opens up potential for future production
kengo kuma continues: ‘grand seiko’s view of the importance of nature is reflected in every corner of its design and construction
I greatly enjoyed the challenge of making the clean room
where watches of the highest precision are assembled
to balance natural materials with the room’s high-technology technical requirements was a new and intriguing task.’
kengo kuma incorporates an open exhibition space
visitors can immerse themselves in the history of grand seiko as well as explore the manufacturing characteristics of grand seiko’s mechanical watches
events will be held at which visitors can try their hand at assembling a mechanical watch themselves in a dedicated space known as the studio seminar room
the heart of the studio is the clean room where the watches are assembled
studio shizukuishi also includes a second floor lounge which overlooks mount iwate
the inspiration for many aspects of grand seiko’s designs
the lounge contains an exhibition that explains the world of grand seiko and will also showcase the brand’s first ‘concept creation,’ a watch movement which will reveal the full extent of the ingenuity and skill of every one of grand seiko’s specialists
the abundant use of wood fits with grand seiko’s philosophy of ‘the nature of time’
a lounge on the second floor looks out at mount iwate
the hi-beat 36000 80 hours is the first new creation made at the new studio
the watch’s dial inspired by the rich green landscape that surrounds the studio
project title: grand seiko studio shizukuishi
architecture: kengo kuma
client: seiko watch corporation
photography: courtesy of seiko watch corporation
AXOR presents three bathroom concepts that are not merely places of function
but destinations in themselves — sanctuaries of style
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Shizukuishi Weather (Next 3 days): The snow forecast for Shizukuishi is: Heavy rain (total 29.0mm)
Shizukuishi Weather (Days 4-6): Heavy rain (total 36.0mm)
Rain and snow or hail reported from Morioka at 241 metres elevation 8 kms ENE of Morioka Highland Ski Resort from Morioka Highland
Several North American ski areas that are still open plan to celebrate the unofficial Star Wars Day tomorrow
The above table gives the weather forecast for Shizukuishi at the specific elevation of 851 m. Our sophisticated weather models allow us to provide snow forecasts for the top, middle and bottom ski stations of Shizukuishi. To access the weather forecasts for the other elevations, use the tab navigation above the table. For a wider view of the weather, check out the Weather Map of Japan
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a small town tucked away in the Tokyo metropolitan area
is home to the law practice of a man named Sora
but he also has a secret: The white dog he looks after is actually a wolf
who can only return to human form when the two are alone
The brothers found themselves on this strange path many years ago
I was expecting this to be a BL or perhaps a bromance fantasy light novel
While it could be the latter if you squint (and want to see it that way)
what this is is a story about the nature of being human and the dangers of becoming trapped in the way you see “right” and “wrong” as a total binary
stagnating into an idea of justice that may not be fully possible
a young man of the Emishi people (an ancient indigenous group in Northern Japan)
who travels to Heian Kyo to avenge his master Aterui
whose death he blames on Sakanoue no Tamuramaro
(Those last two are real historical figures
and the history is well grounded in the novel.) He
and Tamuramaro all become immortal after meeting with the bodhisattva Miroku
for reasons Sora doesn't entirely understand
The story mostly takes place in the modern day
with brief flashbacks to both the Heian and Showa eras
and its true point doesn't sink in until the novel's close – but once it's been said
we can see how it had been letting us know what it was discussing all along
It's a little bit oblique and some of the modern lawyer sections drag
The main driver of the action is Sora himself as he tries to sort through his emotions
He's been alive for 1200 years by the time the Reiwa era comes around
living with his brother Fuuka and occasionally bumping into Tamuramaro
Sora isn't sure what Miroku wanted from him – the bodhisattva simply told him that he wasn't ready for the Pure Land yet and “cursed” Fuuka to be in the form of a dog in the presence of other people
Sora is ready for life to start again for him
and Shizukuishi is the first place he's lived that he's felt he could truly stay and grow old in
assuming that “aging” is something that he could do
His greatest wish is that Fuuka be human again
but as he thinks back over time and talks with Tamuramaro
he begins to question whether or not Fuuka ever really was
it does a very credible job of guiding both readers and Sora along the path
The most important relationship isn't quite what it appears
and Miroku is careful not to give away any answers whenever they show up
which makes the internalized narrative work
and sometimes that's every bit as worthwhile as a quick
I think the best word for it is “worthwhile.”
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From the mechanical watchmaking center of Studio Shizukuishi to the Seiko Museum back in Ginza
we finish our tour of Grand Seiko in Japan
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In late September, we published Part 1 of our tour inside Grand Seiko
A lot has changed since we last visited the Japanese manufacturer
but likely no change has been more dramatic and impactful than the inauguration of the brand's new home of mechanical watchmaking – Studio Shizukuishi – on July 20
If you read the first story expecting to see inside Shizukushi
Part of what seems to have captivated fans regarding the new space is not just the mechanical watchmaking
that selling point for the brand has hit new heights with the new "Kodo" Constant Force Escapement (which is actually assembled in Ginza) and 9SA4 manual-wind high beat movement
But there's something so captivating about the way the Studio Shizukuishi connects so cleanly with the environment that inspires so much of Grand Seiko's recent work
Much of this is thanks to famed Japanese architect Kengo Kuma who designed the space for Grand Seiko
we'll also get a brief look inside the Seiko Museum back in Ginza
which is much easier to visit if you're on a short trip to Tokyo and well worth your time
this will give you a sense of what makes Grand Seiko so special in the modern landscape of watchmaking
Grand Seiko is incredibly proud of their company's heritage and every place we've visited thus far has a little taste of that history to educate visitors
Studio Shizukuishi is open to the public on Thursdays and Fridays
but to get there you'll either make the six-hour drive or two-and-a-half hour train ride to Morioka station in Iwate Prefecture and then take around a 20-30 minute cab ride to the studio
If you somehow were able to get to Tokyo and make your way to Morioka but missed the Seiko museum in Ginza
you get a curated taste of the mechanical side here
A deconstructed display of a 9S27 movement
Another display of a movement and the parts
I mentioned in my past story that Grand Seiko watchmakers can
earn "Meister" certification for both their skill and ability to pass that on to future generations of watchmakers
Here are a few of the local Meisters on display
Down this hallway is the direction you'd go to see the mechanical assembly that Studio Shizukuishi has become known for
but before that I want to take you outside
I was incredibly excited to get back outside
The photo of the studio that I posted above was taken by diligently standing on a spot painted on the blacktop
where the picture is perfectly framed for cell phone (or other) photography
It shows how much thought went into the experience at Studio Shizukuishi
The exterior and interior walls are lined with local red pine with the traditional Japanese yamato-bari technique
forests cover 70% of the country's land – and yes
that includes the white birch forests that have been a major inspiration for Grand Seiko
The north-facing windows overlook the 6,686-foot Mount Iwate
Grand Seiko has emphasized harmony with nature in more than just architecture
A large majority of the land they own for their facilities outside Morioka has been committed to retaining its natural state
Asian black bears are a legitimate concern when wandering outside in Morioka
and the team at the studio carried bells (like you'd see on Santa's reindeer) and bear spray
they said there had been at least one confrontation with a bear
The white birch forests that surround Studio Shizukuishi
A view back toward the studio from the walking path
One common thing you'll see around the studio are these small insect hotels that help maintain the biodiversity of fauna that Grand Seiko has committed to helping sustain
we got to the nuts and bolts – or rather plates and screws – of mechanical watchmaking
You can start to see most of the parts that go into these watches
One of the things we often take for granted are the screws that are necessary to hold parts together
If you think you understand how small these screws are
you'll notice the vertical wood paneling that connects the inside to the nature just out the windows
There are also massive windows allowing light in for the watchmakers
you get a good view of all the different jobs that go into the construction
No parts manufacturing took place on site that I saw
Watch movement assembly is done in the first two rows as you walk down the hallway
Fourth row is more hairspring work and movement assembly
See below which you can identify which of the following is taking place
To give a sense of how fine of work all the watchmakers are expected to do
That's a 5mm piece of paper that all watchmakers are responsible to turn into a tiny paper crane
Now you can see movements being assembled and case
The Grand Seiko SBGH283 Studio Shizukuishi Exclusive, which can only be purchased on tour at the studio workshop. I went hands-on with this and two other Japanese exclusives in a recent story
we got a deep walkthrough of the new 9SA4 manually-wound High-Beat movement that is up for a GPHG award in the new SLGW003
The man behind that movement (and who did the education) is Yuya Tanaka
Tanaka spent a lot of time looking at vintage manually-wound watches so he could get the winding click just right which is a massive part of the success of the watches the movement powers
Tanaka pointing out the "wagtail" that helps regulate the click of the wind for the mainspring
That design was inspired by a bird common to the area around Studio Shizukuishi
Here's another look at the finishing and stripes done on the bridge
Because the watches aren't made in Geneva calling them "Geneva Stripes" wouldn't make much sense
they're called ."Shizukuishi River Finish."
I promised that I wasn't going to share the meals on the trip or anything superfluous
Grand Seiko did a great job of giving us some exposure to the cultural landscape that inspires Grand Seiko
they took us on afternoon trips around Morioka near the studio
One thing I mentioned in Part 1 is that Grand Seiko did a good job of putting the work they do in the larger framework of Japanese culture
Most of that broader cultural experience came on Day 3
and I'll get to the substantive parts in a minute
But wanko soba will haunt my dreams for a while
Wanko soba (wanko is a regional word for a wooden bowl) is a style of Japanese soba noodles originally from Iwate Prefecture
where we sat at a table with a large bowl with a lid
and a group of waitresses came to the table dumping small cups of noodles in our bowl
The goal was either to enjoy lunch or eat as much soba as possible
We all took bets on how much we could eat and
after hearing there was a special certificate for finishing 100 bowls
The empty cups were stacked 15 high and the noodles kept coming and coming until you placed the lid back on your bowl
I hit 100 bowls (and a few beers) in a bit over 28 minutes
One of the Grand Seiko team members bested me by a handful of bowls
They went much slower and could keep things moving at a better pace
But I returned with a certificate and a little wooden medallion to remember that pride and regret
starting with the Morioka Hachimangu Shrine
a Shinto shrine that was originally established in 1062
then was rebuilt in 1593 by the Nanbu clan to be the protective shrine for Morioka Castle
The shrine burned down and was rebuilt in 1884
with the main structure dating only to 2006
But it was a good place for my exposure to the practices of the Shinto religion and the cultural Shinto practices of many Japanese
After doing the appropriate ritual washing of hands
an historic home and also great place for influencers (or just normal folks
I'm not sure who was who) to take some beautiful photos of the gardens and what these historic homes would have looked like
But there was actually a Grand Seiko connection we discovered inside
as his residence around 1885 (the Meiji Period)
People now can visit for tours of the garden and matcha
If you're looking for a nice place to relax and escape the heat
While part of the pond was dried up from the unseasonable September weather
it was still a nice break from the concrete jungle I'm used to in New York
Grand Seiko is known for drawing inspiration from nature and the surrounding world, so as we walked through the house, someone from the brand pointed out we were seeing inspiration in action. These lacquered floors reflected the moving maple leaves that inspired the SBGJ273 GMT with red dial
we made our way back to the big city of Tokyo
I spent an extra week in Tokyo after the tour and I think it's hard to describe
there was no sense of where Tokyo ends and anything else begins
After the morning travel, we arrived in Ginza for a tour of the Seiko Museum
The museum has recently started going through renovations which started with the Grand Seiko's floors
If you've ever been to the Grand Seiko boutique in New York
you'll see that the design language will feel quite familiar
Starting off with a few Grand Seiko firsts
One of the more interesting documents on display was the Grand Seiko wordmark and design framework
There's something so elegant about the process of developing a logo like this
Grand Seiko has rightfully raked in a number of awards over the years and two of those are on display
While the case shape and bracelet here are something I've never seen before
Here are some of the calibers powering the watches shown above
any chance to see a variety of pocket watches
including some of the early ones imported to Japan before Seiko
Early machinery that allowed Seiko to start making their own parts
American railroad watches did make their way over to Japan as well
which is no surprise with how rapidly Japan expanded their rail system
This display of the parts of the Seiko Laurel was fascinating
burned so intensely that it created this melted metal mass of pocket watches.
though I certainly didn't completely understand how it worked or how you'd tell time with it
but before the standardization of time with the rest of the world
Japan had their own time system with varying lengths of the day over the course of the year
As we move further along in the museum we started to see a number of more creative and wild clocks and watches from Seiko's history
If this looks a lot like an American railroad pocket watch
that's because it's Seiko's answer to the American offering
Here's another fascinating solution to a very real-world problem: a tactile pocket watch for blind users
Maybe my favorite watch that I saw on the trip: a Seikosha military officer's wrist watch from World War I
I've spent a lot of time trying to find a similar example but just can't seem to dig one up
A really interesting display from a Seiko Chronos
Here's a curious puzzle: why does the watch on the left show the time backward
If you're sick of carrying a phone to do all your computing
you can go back to the 1980's for the Seiko Wrist Computer System
I wanted to leave with you with the original Grand Seiko 44GS
we got to see not only the new reissues (below) but the two men behind those and so many more pieces
Junichi Kamata (Grand Seiko Design Director) and Mr
But if you want to see what else they have coming
you'll just have to wait a little bit longer
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Take a trip into a fascinating centuries-old craft which is being kept alive by a team of eager locals
Seated at an old-fashioned Japanese loom at the Agricultural Training Center in the small town of Shizukuishi in Iwate Prefecture
it’s abundantly clear that I’m out of my depth
I’ve come to try out a very unusual type of weaving that’s only practiced in this area
It’s known as kikko-ori or tortoiseshell weaving
The name is due to the hexagonal pattern which resembles the shell of a tortoise
This intricate style is used to produce fabric from locally-grown hemp plants
I’m surrounded by several local women deftly weaving at their own looms
Yet despite my best efforts and the encouragement of my instructor
I can’t seem to coordinate my hands and feet in the right way at the right time
I eventually retire after producing a few paltry
“It’s hard and takes a long time to learn,” Uwano says kindly
we sometimes host groups of children on school trips who come to try weaving
They usually pick it up much more quickly than adults.”
Uwano is a member of the Shizukuishi Asa-no-Kai (Shizukuishi Hemp Society)
This is an organization consisting of eight members that practices kikko-ori
It also holds workshops and demonstrations for visitors and locals alike
After 17 years as the president of the group
she’s still an enthusiastic practitioner of the craft
Kikko-ori is thought to have started around 400 years ago
Though even in Shizukuishi it was only practiced by a limited number of families
This was due to the high level of skill involved
a family with members producing kikko-ori learned the technique
In most areas of Japan this style of loom was replaced by easier-to-use floor looms
With a back-strap loom the threads of the warp
which run lengthwise in the finished fabric
are strapped directly to the weaver’s body
This means the operator can control the tension while weaving the weft
over the warp to create a tightly-woven fabric
so both physical strength and skill are required,” Uwano points out
Even after my very limited time at the loom
Kikko-ori probably reached the peak of its popularity between the late 1800s and early 1900s
It then began to decline with the introduction of easier techniques for producing cloth and more opportunities for women to work outside the home
this distinctive tradition was in danger of fading away altogether
That was before a local woman named Mitsue Kato resolved to re-introduce it in 1968
who’d practiced kikko-ori in her youth
Kato then teamed up with others to preserve the traditional techniques both for weaving and cultivating hemp for the yarn
The Kikko-ori Study Group was set up in 1985
It was renamed the Shizukuishi Asa-no-Kai in 1988
The craft was given special status as an important historical technique in 2005
“I was born and raised here but I knew nothing about it until I received a gift made from kikko-ori
so I decided to try learning it,” says Uwano
and I wanted to help preserve kikko-ori and pass it on to the next generation.”
The weaving itself is only one part of the process
Members of Shizukuishi Asa-no-Kai also grow
prepare and dye the hemp used for the yarn
they produce handmade kikko-ori items such as bookmarks
Visitors can see an example of a traditional ase-hajiki
along with other historical artifacts related to kikko-ori
at the Shizukuishi History and Folklore Museum
“The weave of the fabric meant air could easily pass through
making it ideal for agricultural workers out in the fields,” explains Hidenori Okamura
At one time kikko-ori cloth was so highly prized that it was gifted to members of the Nambu family
who ruled the Northeastern part of Japan from the Kamakura period (1185-1333) up until the Meiji Restoration of 1868
time and effort that goes into producing kikko-ori
it’s easy to imagine that even nobility would have been delighted to receive items made through this beautiful and unusual technique
Visitors who would like to watch a demonstration of kikko-ori or try their hand at weaving with members of the Shizukuishi Asa-no-Kai
should contact the Tourism and Produce Center in Shizukuishi Station to make reservations in advance
Those who need language support should make their own arrangements for translators
The Tourism and Produce Center also carry a wide variety of gift items made from kikko-ori
The Shizukuishi History and Folklore Museum is open daily except Thursdays
With advance notice it may be possible to arrange for an English-speaking docent
Along with items about the history and culture of the area
the museum features a very well-preserved example of a magariya or bent house
This is a traditional L-shaped farmhouse which includes a stable for horses attached to the main living area
The magariya here is thought to be over 100 years old
Another pastime with an equine connection in Shizukuishi is traditional horseback archery
Horses were once essential for rural life here
but today Yu-Yu Farm is the only facility in Shizukuishi providing horse riding and trekking services
It’s thought that yabusame originated in the 6th century as a good-luck ritual for warriors but later developed into a more spiritual discipline
The farm’s owner draws on his experience in yabusame competitions to help visitors try hitting targets with a 2.2-meter-long bow while seated on one of his beautiful and patient horses
See here for more information in English about tourism in Shizukuishi
Photos courtesy of Shizukuishi Town Tourism
This article was published in Tokyo Weekender’s special issue
Flip through the issue by clicking on the image below
Professional Watches
Grand Seiko opened a new studio dedicated to the production of its mechanical timepieces on July 20th
2020 in a ceremony that took place simultaneously at the Wako building in Tokyo and at the studio in Shizukuishi
All of the mechanical watch assembly and adjustments for Grand Seiko mechanical timepieces will take place in Shizukuishi going forward
the Chairman and CEO of Seiko Watch Corporation
was joined by the studio’s distinguished architect
was in attendance along with the studio’s directors
the facility features a clean room made from wood
floor-to-ceiling windows offering natural light and views of the surrounding landscape
and enough room for potential future expansion
There’s also an exhibition space where visitors can learn about Grand Seiko’s history as well as the manufacturing techniques used to create the company’s timepieces
events will be held at which visitors can try their hand at assembling a mechanical watch themselves in a dedicated space known as the Studio Seminar Room
A lounge on the second floor looks out at Mt
the mountain that inspires many aspects of Grand Seiko’s designs
The lounge contains an exhibition that explains the world of Grand Seiko and will also showcase the brand’s first “concept creation,” a watch movement
the movement will reveal the full extent of the ingenuity and skill of every one of Grand Seiko’s specialists
Details of this “concept creation” will be released at a later date
a limited-edition Grand Seiko Hi-Beat watch made exclusively for
will be presented in the lounge and will be available for purchase
The Grand Seiko Studio Shizukuishi belongs to Morioka Seiko Instruments Inc.
a wholly-owned subsidiary of Seiko Watch Corporation
Morioka Seiko Instrument is committed to sustainable manufacturing and co-existence with nature
Learn more at Grand Seiko
Jason is a writer and photographer who founded Professional Watches to share his passion for watches
WATCHPRO USA
Grand Seiko has introduced a new addition to its Evolution 9 Collection
showcasing the grandeur of Japan’s Mount Iwate with a dial inspired by the mountain’s rugged beauty
Crafted at the Grand Seiko Studio Shizukuishi in northern Japan
this mechanical timepiece captures the spirit of the surrounding landscape
known for its natural beauty and cultural significance
The watch’s textured dial takes inspiration from the ridges of the mountain
The light-blue hue is said to mirror the purity of the air and water of the surroundings
while the radial pattern evokes the view from above
With a design language that has its roots in the 1967 44GS model
this new Evolution 9 watch features Zaratsu polishing
which offers a distortion-free mirror finish
complemented by delicate hairline finishes
the model is not only resistant to corrosion but also boasts a brighter
whiter finish compared to typical stainless steel
a high-beat movement that offers 80 hours of power reserve
thanks to its efficient Dual Impulse Escapement and twin barrels
The movement’s finishing draws inspiration from the rippling waves of the nearby Shizukuishi River
further connecting the watch to its Japanese origins
This limited-edition timepiece is available in May 2025 with only 1,200 models created
$10,500, grand-seiko.com
The ‘Hi-Beat Birch Forest’ watch recalls the white birch tree forests near Grand Seiko's studio in Shizukuishi
This article originally featured in the June 2021 issue of Wallpaper* (W*266), available for free download
seikoboutique.co.uk
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Hannah Silver is the Art
Watches & Jewellery Editor of Wallpaper*
she has overseen offbeat design trends and in-depth profiles
and written extensively across the worlds of culture and luxury. She enjoys meeting artists and designers
viewing exhibitions and conducting interviews on her frequent travels.
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Following its success with the SLGH005 White Birch from 2021 which won the Men’s category at the Grand Prix D’Horlogerie De Genève, Japanese luxury watchmaker Grand Seiko is now introducing the SLGH011 Green Birch
the new timepiece celebrates the nature-filled region of Shizukuishi
with its beautifully textured deep green dial conjuring images of the lush greenery and white stalks of a birch forest in the Japanese summer
The three-dimensional backdrop is then adorned with diamond-cut hour markers with Grand Seiko’s signature mirror finish polishing as well as the iconic
sharply-defined sword hands for an even more elegant aesthetic
Powering the timepiece itself is the Hi-Beat 36000 caliber 9SA5
carrying 47 jewels and a power reserve of 80 hours
The automatic movement is accurate up to +5 to -3 seconds per day
giving you the exceptional performance watch fans have come to expect of the brand
Stating that Grand Seiko is Japanese is like saying that the Eiffel Tower belongs to Paris
It seems so obvious at first that you might forget that France’s most famous monument wasn’t meant to become a permanent fixture
the Japaneseness of the brand isn’t just about the location
It’s not about making watches in Japan; it’s about making watches the Japanese way
something the brand calls Dou (道) or The Way
I had the opportunity to spend a week in Japan and my goal was
besides visiting several key locations for the brand
to understand what makes Grand Seiko unique
When I received an invitation from Grand Seiko in the late summer to finally visit Japan and the brand’s manufactures and other important locations (I say finally because this trip was initially planned for spring 2020…)
I couldn’t hide a certain excitement
a country that I looked at with the eyes of a Westerner
a tendency that could easily lead to disappointment
a unique experience and might well be why Grand Seiko named this trip the “Grand Seiko Media Experience”
If I had to summarize the entire week in one word
You can see contrasts in all areas of daily life in Japan
The contrast between modernity – an omnipresent overdose of technology – and yet a deep respect for tradition
The contrast between a strong pop culture and underground scene and a profound appreciation for rules and order
This ambivalence is perfectly exemplified when you exit Meiji-jingū
one of Tokyo’s most famous and traditional Shinto shrines
and immediately find yourself deep into Shibuya
one of Tokyo’s most popular nightlife areas
its own way of looking at every aspect of life
It might be the long isolation of the country
from the initial input behind the creation of a watch to the design process and
is also a world of unique and fascinating contrasts
Our journey into the world of Grand Seiko starts in Ginza
It is an impressive place – highly recommendable – with a collection of over 10,000 timing instruments showing the evolution of watchmaking in Japan and the birth and growth of Seiko and Grand Seiko over the years
or should I say the House of Precision that is Seikosha – seikō (precision)
sha (house) – you first have to remember that
Japan didn’t use the same timing system as Western countries
Japanese timekeeping was built around divisions between sunrise and sunset – six divisions between sunrise and sunset
six more divisions between sunset and sunrise – but with varying seasons
clocks measuring traditional Japanese time
With the restoration and the move to the solar calendar in 1873
the need for new watchmaking expertise grew
Everything was about to change with the arrival of Kintaro Hattori. Just 21 years old in 1881
Hattori opened his workshop in the district of Ginza
which would be named Seikosha – later to become Seiko
in 1913 the first wristwatch of the brand left the factory and in 1924
just three years after the foundation of Seikosha
Seikosha had cornered 60% of the domestic market
But things were not as easy as they seemed
Even though the country was undergoing rapid growth and industrialization
Machinery eventually began to replace manpower at Seikosha
Hattori returned with powerful steam engines and state-of-the-art machine tools
Expertise and production capacities had to be sourced from Europe and America
And this is something you can appreciate by looking at the early watches of the brand
heavily influenced by the West – the same can be said for Japan as a whole
had to face immense pressure from Westerners in order to adapt to the rest of the world
The Great Earthquake of 1923 also had a huge impact on Japan and destroyed Seiko’s company building in Ginza
which sits atop the Wako building and is the emblem of the district
which led to a long conversation with one of the curators… I discovered a small wristwatch from the late 1930s
with a case resembling that of a Calatrava and a sector dial that would have been perfect with the name Longines or Patek printed instead of Seikosha Precision (I must also admit I pushed the idea of a re-edition to the Seiko team)
What I want to highlight here is the contrast between what has always felt like a deeply Japanese brand and a production that was still heavily influenced by external factors
It wasn’t until after WWII that one can appreciate the change in design and spirit
the Cronos or the Gyro-Marvel paved the way for the creation of Grand Seiko in 1960
The first watch to bear this name was still relatively conventional design-wise
Everything changed in 1967 with the celebrated 44GS and the creation of the Grand Seiko Style
Grand Seiko started to infuse its watches with pure Japaneseness
something that covered every aspect of the watch
precision and legibility to its unique way of playing with the light
Dou (道) or The Way became an obsession that can be felt across the board
from the manufacturing to the final product on the wrist
But things were not initially easy for Grand Seiko
Grand Seiko was (almost) uniquely available in its domestic market
a great-grandson of Seiko founder Kintaro Hattori
decided to open Grand Seiko to the rest of the world
Aware of the need for Grand Seiko to stand apart from its more accessible and functional brother Seiko
Grand Seiko became a stand-alone brand and
has gained impressive visibility and popularity
Grand Seiko watches have never felt as unique
as Japanese as they’ve ever been before
The first experience with the manufacturing of a Grand Seiko watch was clearly not what I expected; as I mentioned
I began my journey with many preconceptions
Inside the Wako building is the Atelier Ginza… Not a place where you’d expect to see watchmakers at work
one of two locations for ultra-high-end watchmaking
This place was created specifically for the final assembly and finishing of the Grand Seiko Kodo Tourbillon
under the lead of a Swiss-trained rock-star watchmaker named Takuma Kawauchiya (a musician turned watchmaker
obsessed with the beating sound of a movement)
And this place couldn’t be more different from the rest of the experience
which combines traditional Japanese watchmaking and techniques with postures and processes from the West
my next encounter drastically changed this initial perception
Heading west in the mountains next to Nagano is a very important place for Seiko and Grand Seiko
the initial view is that of an industrial plant
a large white building that could have easily been producing pharmaceutical products or chemicals
this isn’t entirely wrong… Compared to the Atelier Ginza
an overwhelming sensation of ambivalence… This place is where all quartz and Spring Drive movements (9F and 9R
It is also where the watches around these movements are almost entirely produced
and it is home to the Shinshu Watch Studio
It is at the intersection of traditional craftsmanship and pioneering technology
dedicated to the manufacturing of parts – all sorts of parts
from movement blanks to raw cases and electronic components
Highly industrialized locations were not part of the visit
when I said that there was a connection with chemicals
it wasn’t so far-fetched and can be seen when you hold a MASSIVE quartz crystal grown in-house by Seiko
among many other aspects of this manufacture
shows the dedication of the group to be as independent as possible
Or is it the result of the long isolation that forced Seiko to act this way
told me that the absence of external suppliers resulted in this strategy of vertical integration
Moving further into the Seiko Epson Shiojiri Plant
things change drastically from what the exterior of the building insinuates
This is where the distinction between Seiko and Grand Seiko truly crystalizes
cases are finished by hand using the Zaratsu and hairline finishing techniques that I have not seen anywhere in Switzerland (and I have seen more manufacturers than I care to admit!)
with a tangible dedication from the women and men working on these watches
It’s still a rather oil-filled place
Employees entrusted with this task can use only their eyes and the feeling in their fingertips to sense the exact angle and pressure required
will the famous distortion-free mirror-polished surfaces appear
Grand Seiko is rightfully proud of its dials
and these are also crafted in this studio (at least
using textures that reflect the “Nature of Time” philosophy of the brand
The Japanese attention to detail becomes clear when you see how the markers of these watches are done
a technique that I’ve never seen before
There are no CNC machines or computer-controlled diamond-cutting tools here; instead
the markers are cut and polished by hand using a rotating drum – I’m still wondering exactly how it works
but I’ll leave this as part of the mystery
adjusting and control take place in a series of ateliers that are surprisingly different from Swiss or German manufactures
Japanese watchmakers work using a microscope
but one that has its importance in the overall philosophy of Grand Seiko
The Shinshu Watch Studio is also home to the Micro Artist Studio
where high-end Grand Seiko and Credor watches are built
The contrast with the rest of the plant is once again striking
Philippe Dufour has a caring eye on things
mastered by highly skilled watchmakers who have been trained internally at the Takumi Studio
you’re not a master watchmaker; you’re becoming a Takumi (匠)
something that has long been recognized by the government and that is cherished by Grand Seiko
you can be selected by the Japanese government as a Contemporary Master Craftsman and awarded the Yellow Ribbon Medal given to individuals who have become public role models through their dedication to their work
when compared to the technology deployed in a Spring Drive movement
is what best represents to me the concept of Japaneseness
the clash of cultures that results in an object where perfection is constantly sought
The second half of this experience leads us to the north of Honshu
in a quiet forest in Iwate Prefecture near Mt
one of the country’s most famous yet shy mountains
We’re far from Tokyo and its bright lights
The main building that composes the Grand Seiko Studio Shizukuishi is yet another shock
strongly contrasting with what was behind us
There’s a tangible serenity in this place
a connection with nature that was key in its conception and that has been around since its opening in 2020
this contrast between what remains an industrial activity and this place exudes the same feelings as the perception most of us have of mechanical versus Spring Drive or Quartz watches
Despite many of them having a hi-beat movement
mechanical watches run at a much slower beat than quartz-controlled watches
traditional watchmaking versus innovation and technological mastery
The rush to always do better is inevitable; the idea to constantly improve is inherent to Grand Seiko
The moment arrives when you strap a watch around your wrist
the Grand Seiko Studio Shizukuishi behind you
maple trees that have turned red with the Autumn on your right
a small garden designed according to Japanese traditions on your left and Mt
you understand what Japaneseness at Grand Seiko means
For more details… I would normally invite you to check www.grand-seiko.com
I won’t be able to transcribe everything that I’ve seen and felt during this experience
@Rob – it’s a taupe nubuck strap, which we sell in our webshop. You’ll find it here (make sure to take 19/16mm) https://shop.monochrome-watches.com/collections/nubuck-watch-straps/products/monochrome-nubuck-watch-strap-taupe
@Yachtmaster2021 – it is one of the possible improvements I mentioned to them… let’s hope the team at GS considers it
As a former Japanese resident and longtime admirer of Seiko watches
I thoroughly enjoyed your observations and insights of a brand that has through generations of hard work
dedication to tradition and innovation achieved its definition — success
How ironic that a photo of a worker shows a smart watch on a wrist
Not enough wrists to go around for Seiko timepieces
I have owned a rose gold Eichi II for four years and it will remain the crown of my collections forever
Iwate — An annual illumination event is held at Koiwai Farm Makiba Garden in Shizukuishi
called “Koiwai Winter Lights Night of the Galactic Farm 2024,” began on Nov
About 600,000 LED lights create a spectacular atmosphere in the garden
The lights create the shape of a steam locomotive named “Galactic Railways SL,” which is popular at the event
The lights also form a “Tunnel of Light,” measuring about 40 meters long
Many tourists enjoyed watching the vibrant illumination and took photos of each other
a company employee who visited from Morioka
“The colorful decorative lights are so beautiful
The Grand Seiko Studio Shizukuishi takes the natural world as its inspiration
grand-seiko.com
Grand Seiko celebrates its 60th anniversary with the release of this 39mm
platinum Elegance model with a hand-engraved dial decorated with symbols related to the legend of Shizukuishi
features a green machine-engraved dial that evokes the radiant green white birch trees located near the studio where the watch is made
Both models are fitted with manual-winding movements and
located in the Prefecture of Iwate is not only a state-of-the-art manufacture but is also home to 90 expert craftsmen and women who are responsible for the decorative features and polishing of the watches and are capable of executing fine adjustments to infinitesimal tolerances
Shizukuishi is renowned for its spectacular mountain scenery with the snow-capped Mount Iwate in the background
an old man living in the region started to hear strange sounds emanating from underneath an old cedar tree
villagers followed the sound to its source and were led to a deep
The sound was produced by drops of water “shizuku” dripping from the ceiling
The sound of the water hitting the rocks is known as “ishi” in Japanese and since then the area became known as Shizukuishi
The decoration of the dial and the hands of this Elegance model are inspired by this curious legend; the razor-sharp hands feature a water droplet motif and each hour marker bears the pattern of water splashing against a rock
Master engraver Kiyoshi Terui and his small team have engraved all the decorative features by hand
The dial is made of 18k white gold and the task of hand-engraving is rendered more challenging given the slightly curved surfaces the artisans have to work with
especially on the outer minutes/seconds track
The 39mm platinum case has a height of 11.8mm and features the spectacular mirror-polished
distortion-free finish we associate with GS watches
The reverse side of the sealed caseback protecting the manual-winding movement has an 18k yellow gold Grand Seiko lion
The platinum Grand Seiko 60th Anniversary Limited Edition SBGW263 is produced in just 20 pieces and will retail for EUR 101,000
The second Anniversary Elegance model comes in an 18k rose gold case and its spectacular green dial is decorated with an intricate geometric motif radiating from the centre
the dial is machine-engraved by hand and the colour takes its inspiration from the white birch trees close to the studio
Like the trees with their white trunks and vibrant green leaves
the dial shimmers in green and white as the viewing angle changes
The case measures 39mm in diameter and has a height of 11.6mm and is beautifully finished with mirror-polished (Grand Seiko’s legendary Zaratzu technique) and brushed surfaces
The rest of the dial is typically GS with diamond-shaped indices cut at the tip to reflect more light and polished to a mirror-like finish
with their surgically sharp edges and brushed upper surface contrast to the bright polish of the central seconds hand
Also equipped with manual-winding GS calibre 9S64
the movement has a 72-hour/3-day power reserve
is resistant to magnetic fields of 4,800 A/m and has an accuracy rate of +5 to -3 seconds per day
This Grand Seiko 60th Anniversary Limited Edition SBGW264 in rose gold is produced in 120 pieces and will retail for EUR 25,000
Both watches will be available from July 2020 in Grand Seiko Boutiques and Salons worldwide
For more information, please visit grand-seiko.com
To the watchmakers that work at the Shizukuishi studio
the sky’s blue hue is ideal for the dial of its SBGR321
Grand Seiko is determined to make the world aware of two things this year
it is celebrating its 60th anniversary as a luxury brand; born out of Seiko Corporation
that its watches are inspired by the nature and culture of its native Japan
particularly the area around its two watchmaking studios in Shizukuishi and Shinshu
The latest anniversary limited edition from Grand Seiko is inspired by the brilliant blue sky over Mount Iwate near its Shizukuishi studio
To the watchmakers that work at the studio
the sky’s blue hue is ideal for the sunray dial of its SBGR321
and also for the oscillating weight of its Caliber 9S65
which can be seen through a sapphire caseback that has a red inner ring
It comes in a 40mm steel case on a steel bracelet
Three domestic factories in Iwate Prefecture (Morioka Seiko Instruments Inc.
located in Shizukuishi-cho; Tono Seiki Co.
in Ninohe City) that manufacture watches for Seiko Watch Corporation (SWC)
an operating company of Seiko Holdings Corporation (Chairman & Group CEO
have signed an electricity supply and demand contract for the use of renewable energy generated by the Tohoku Electric Power Group
100% of the electricity used at SWC's watch factories in Japan will come from renewable energy sources
The Seiko Holdings Group's “Initiatives for Climate Change and a Decarbonized Society” are among the Group’s key materiality issues for environmental responsibility
the Group is actively expanding the introduction of renewable energy to achieve carbon neutrality by 2050.As part of this effort
which manufactures luxury mechanical watches such as the Grand Seiko and Seiko Prospex lines
which manufacture and assemble watch parts
signed a renewable energy supply contract in April 2022 with Tohoku Electric Power Co.
called “Yorisou (Stay close) Renewable-Energy Power,” in which Tohoku Electric agrees to supply electricity from seven hydroelectric power plants in northern Japan
This plan’s long-term target is to achieve zero CO2 emissions from electricity production
Seiko aims to obtain 100% of the electricity used at its domestic factories from renewable energy sources
and thereby reduce its CO2 “footprint” by approximately 10,000 tons per year.The Seiko Holdings Group will continue striving to reduce greenhouse gas emissions throughout its business operations
in part by increasing energy-saving activities in offices and manufacturing sites
and also improving the energy-saving performance of its products and services
The Group will strengthen its efforts to achieve a decarbonized society by actively introducing renewable energy in its operations
Seiko Holdings CorporationPublic Relations & Investor Relations Department
2025
2024
2023
Business & Products
Copyright © document.write(new Date().getFullYear())
The Grand Seiko Studio Shizukuishi is a place for all seasons
NEWSPAPER SECTION: Life
In the rural Japanese town of Shizukuishi in Iwate Prefecture
a new wooden studio for Grand Seiko blends with its natural surroundings
A swooping roof and clear glass window offer a sublime view of Mount Iwate
where rocks unfold their true colours when snow melts
the studio bears witness to wild creatures
are breathing life into mechanical watches
It is a place that embodies the brand's philosophy of the nature of time
in an environmental and technological sense
we have a sensible notion of appreciating changing seasons
The appreciation of subtle change is how the Japanese enjoy the flow of time
we want to have our product reflect that," said Akio Naito
"It also suggests the essence of watchmaking
Grand Seiko is meant to be an ultimate functional watch
the Seikosha Factory faced its greatest crisis
A fire destroyed 1,500 timepieces that customers sent in for repair
but Kintaro Hattori replaced all of them for free
Seiko Group has been manufacturing and selling watches for over 140 years
it established one of its manufacturing bases
it produces high-quality watches for Grand Seiko (Seiko's collection that eventually became an independent brand in 2017) and other lines
The Grand Seiko Studio Shizukuishi officially opened in July 2020
the Morioka Handcraft Village and Tsunagi Hot Spring
Japan's prominent architect behind the Japan National Stadium and many other notable projects
The roof is reflected in a platform at the entrance
walls and pillars are built in the yamato-bari style to create rhythm
On view are historic timepieces and the manufacturing process that show unrivalled craftsmanship
a high-beat movement with long power reserve
Its bridge has curving outlines that draw inspiration from Mount Iwate and the Shizukuishi River
make adjustments and inspect products in the clean room
the Grand Seiko Studio Shizukuishi is committed to environmental protection
a long walkway allows visitors to observe takumi at work in the clean room
Their desks are made in the style of iwayado-tansu
adjusting hairsprings that demand an accuracy of 0.01mm
it has set up a human resource development system whereby takumi are certified according to the level of their skill and train their successors
"We have to protect high skills and pass them down to the next generation of watchmakers," said Tomomi Ichinokura
assistant manager of the studio's public relations
Being mindful of the future translates into environmental sustainability
The studio is committed to waste reduction
water treatment and carbon emission control
Staff are looking after more than 1,000 trees
They also provide birdhouses and insect hotels
one of which is located in front of the studio
it collects and purifies rainwater and releases it into a pond
This is an area where animals pass to Mount Iwate or Lake Gosho," said staff member Wataru Inoue
"We take nature to our design and therefore have to harmonise with it."
The Seiko Museum Ginza chronicles the history of the brand’s timepieces
the Seiko Museum moved from Sumida-ku to Ginza
Located in Tokyo's premier shopping district
the museum chronicles the brand's history of timepieces
In front of the six-floor building is Rondeau La Tour
a clock of 5.8m in height with a slowly swinging pendulum
dolls and gears move in unison amid radiating rainbow light
a wall depicts trees made up of gear motifs
Visitors can buy souvenirs at the shop and explore each floor
where timepieces are displayed under different themes
"Merchants must stay a step ahead of the rest
If they stay too many steps ahead they will be seen as prophets
Merchants shouldn't be prophets," founder Hattori once said
Hattori's room demonstrates his vision that is "always one step ahead of the rest"
Japan used the seasonal time system where the traditional clock would be adjusted according to the changing length of daylight
It was eventually replaced by the fixed time system
Hattori thought it would make for a good business because people would have to buy new clocks
he opened his store (now on the site of Wako) selling imported timepieces
he began manufacturing clocks at the Seikosha Factory
there was a huge earthquake in Tokyo in 1923
He decided to give customers new watches for free even if they didn't have receipts anymore
an exhibition shows the technological development of timepieces
including the world's highest-quality wristwatch
The Japan Society of Mechanical Engineers designated the historic trio -- the Laurel
the Grand Seiko and the Quartz Astron -- as mechanical engineering heritages in 2014
A long walkway allows visitors to observe takumi at work
It is said to be the "embodiment of Hattori's soul"
On the rooftop are its iconic clock tower and a new garden that offers a panoramic view of the district
But the highlight is the new Atelier Ginza
the studio will provide room for artisans to produce high-end mechanical watches for Grand Seiko
I got an opportunity to listen to the heartbeat of its Kodo Constant-force Tourbillon
which won the chronometry prize from the Grand Prix d'Horlogerie de Genève in November
"Because I brought takumi with me to Geneva
There are only few watchmakers who are capable of assembling this very difficult piece," said Naito
"We thought we were able to complete [the production of a limited edition of] 20 pieces in two years
they uncovered technical problems and had to go back and redo it
watchmaking has seen the advent of smart gadgets
Is it possible that mechanical timepieces will vanish
Naito said "they will stay" because they have special values
"Timekeeping is not the only value of [mechanical] wristwatches
There is something that you can appreciate -- either companionship in your life or some memorabilia which can be passed on for generations -- other than function
regardless of whatever revolution will take place."
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Grand Seiko is helping us to keep dreaming of azure skies into the fall with two GMTs inspired by the view from its Shizukuishi Watch Studio near Tokyo
The Grand Seiko Sea of Clouds GMT (SBGJ275) captures the sky on a slightly cloudy day while the Mid-heaven GMT (SBGM253) dazzles with a bright sunray sky blue face
Both are powered by in-house hi-beat mechanical calibres
with their blue oscillating weights visible from the back
The Sea of Clouds GMT is a masculine 44.2mm and has a day/night 24 hour bezel for the second time zone
and its bright blue dial is certain to appeal to both men and women
Grand Seiko offers the same dial in a three-hand automatic with date
The Sea of Clouds GMT is limited to 2,000 pieces worldwide and is on sale now for $7,600
with a production run of 1,700 is retailing for $5,600
The behemos watch business of Seiko Holdings Corporation has been recording revenues in excess of $1 billion since 2010 and has been maintained
closing at more than $1.2 billion for the financial year ending 31 March 2020
who in April 2010 was appointed President of Seiko Holdings Corporation
Currently the Chairman and Group CEO of both Seiko Holdings Corporation and Seiko Watch Corporation
Shinji is the great-grandson of Seiko founder Kintaro Hattori
he became President and CEO of Seiko Watch Corporation
he established the “Shizukuishi Watch Studio” located outside Morioka City
This is where high-end mechanical watchmaking by an elite core of skilled craftsmen takes place
The “Grand Seiko Studio Shizukuishi” was also established here in mid-2020
and is the home of Grand Seiko mechanical watches
Shinji led the development of the automatic Spring Drive that was unveiled in 2004
launched highly complicated watches equipped with Spring Drives
namely the Credor Sonnerie (2006) and the Credor Minute Repeater (2011)
as well as introduced Seiko’s very first tourbillon movement – the Credor Fugaku Tourbillon – in 2016
Shinji was a key driving force behind the world’s first GPS solar watch – the Astron GPS Solar that made its debut in 2012
development began after Shinji asked the R&D department to build such a watch
that was not completed until six years later
The Astron GPS Solar perpetuates the strong legacy of the world’s first quartz watch – the Seiko Astron 35SQ of 1969
Seiko’s Prospex collection was finally offered worldwide
Shinji firmly entrenched Grand Seiko on the world’s stage
Once offered in only a few countries outside of Japan
Grand Seiko was launched globally in 2010 and became an independent brand in 2017
the largest Grand Seiko Boutique opened on Place Vendôme in Paris
a move that showcases what this Japanese brand can truly offer to an international watch collecting audience
*On the occasion of GMT Magazine and WorldTempus' 20th anniversary, we have embarked on the ambitious project of summarising the last 20 years in watchmaking in The Millennium Watch Book, a big, beautifully laid out coffee table book. This article is an extract. The Millennium Watch Book is available on www.the-watch-book.com
with a 10% discount if you use the following code: WT2021
Order now
13 trails (or courses) are spread over just 65ha so it’s fair to say Shizukuishi isn’t the largest resort out there. More advanced skiers and boarders will find enough terrain to entertain themselves for 2-3 days. However another five of Japan’s similarly lesser-known resorts are not far away in Appi Kogen(approx
A single run will cost you a mere ¥400 –even less if you’re doing multiple runs
While the cat skiing only operates on Saturday
Sundays and public holidays and skiing is confined to the piste
if you’re lucky and it’s a powder day (a fairly regular occurrence in Japan) you’ll have over 700m of open pow filled vertical laid out before you
or hop on one of the many buses organises by the folk at Shizukuishi Prince Hotelfrom there
a natural hot spring serviced by the hotel that has deservedly been recognized as an Onsen heritage site
the restaurant and apres scene is also fairly sparse
There’s a family style restaurant on the seconds floor of the Prince Hotel
On mountain eateries include Ramen Akenko at the bottom of the Ropeway Station – try the “Anekko Miso Ramen’
catch the Ropeway to the top and enjoy a Japanese-style western menu at Restaurant Alyeska – try the rice omelette
whilst kids will be entertained by the ninja themed ‘play field’
light snow only found in the coldest parts of central Hokkaido..
Once I bought baby formula from my local supermarket in Kutchan
the most popular resorts in Japan tend to be the ones with the m..
Introducing the inaugural 'Snow Chasers Pass'..
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Japanese version
stunning night views and hot springs take pride of place in the beautiful wilderness of Japan’s second largest prefecture
Situated in the mountains along the western border of Iwate Prefecture
the small town of Shizukuishi can be reached in three hours from Tokyo on the Akita Shinkansen
a plentiful supply of high-quality snow and a choice of three ski resorts make the area a great choice for winter sports
There are also hot springs and nature-themed activities on offer
If you’re looking for a laidback winter getaway laced with genuine local hospitality
All Shizukuishi’s ski resorts are located on the southern side of Mount Iwate
and you can choose the one that best suits the needs of your group or try out all three
The biggest is the Shizukuishi Ski Resort next to the Shizukuishi Prince Hotel
of being the first place in Asia to host the Alpine Ski World Championships
the longest of which runs for 4.5 kilometers
Shizukuishi Snowland offers child-friendly activities like sledding and tubing
and a kids’ club keeps little ones entertained while adults are out on the slopes
If you’re looking for something more challenging
try the “cat skiing” — guided backcountry exploration with a snow cat transporting skiers out to untouched snow
Multilingual signs and support are offered for international visitors at the resort
“I particularly recommend our hotel’s Shizuikishi Takura Onsen spa — an open-air hot spring bath inside the hotel
including a pond with carp swimming right next to the hotel
which you can see from the onsen,” says Osamu Yoshida
The hotel also offers stargazing tours where visitors can ride the ropeway up to see uninterrupted night views
Amihari Onsen Ski Resort has the best powder snow in the area
This comprehensive resort has seven trails for all levels
along with a ski school and a children’s play area
The Kyukamura Iwate-Amihari Onsen Hotel is conveniently located nearby and offers a choice of five different baths
the adjacent Onsenkan Yakushi-no-Yu facility welcomes day trippers
unpretentious resort which is particularly popular with snowboarders due to its long
It also has a well-maintained mogul area and “freestyle course and snow park” where snowboarders can attempt some natty tricks
Iwate Kogen Snow Park offers lessons for anyone who would like to attempt mogul skiing
along with a school with the usual ski and snowboard classes for beginners
Courtesy of the Ministry of the Environment
which is located within Towada-Hachimantai National Park
The center provides information on recreational activities
and uses interactive technology such as augmented reality to present information in several languages
The center sits on the edge of the Amihari Forest where you can experience snowshoe trekking in winter
with a choice of modern snowshoes or traditional oval-shaped wakanjiki shoes available for rent
“Our wakanjiki are handmade with local materials and are ideal for the rugged terrain of in our local mountains and forests
They’re lighter than snowshoes with large claws
so they work better on the slopes,” explains staff member Chieko Kawaguchi
Visitors of all ages will enjoy venturing out into a pristine winter wonderland and searching for animal footprints
Staff at the center will do their best to answer any questions about the trail and about the plants and animals that can be spotted in the area
Snowshoe trekking is also offered at Koiwai Farm
a working dairy farm with a long history and which is now a major tourist attraction in Shizukuishi
Staff will guide visitors up to the backcountry areas surrounding the farm
and the courses are suitable for all levels of fitness
The Shizukuishi region has a wide variety of onsen and after a long day on the ski slopes it’s a great way to relax and unwind
While a hotel might be the most convenient choice of accommodation for snow sports
there are many onsen facilities available in the area
Of particular note is the Shizukuishi Anekko Roadside Station (Michi-no-Eki) complex
which includes the spacious Hashiba Onsen day spa where you can choose from either Japanese or Western-style baths
There are also a range of restaurants and gift shops in this well-appointed roadside station
so you can indulge in some local cuisine as well as picking up souvenirs of your trip or snacks for the road
Although winter might not seem like ice cream weather
you might change your mind after trying the Hitomebore soft serve
made with the local milk for which Shizukuishi is known
a hot springs village which has been popular for more than 450 years
There are a variety of places to stay here
ranging from modern hotels to traditional family-run inns
the hot springs were discovered during the late sixteenth century
when a local man saw a Japanese bush warbler soaking its injured leg in the water
The story inspired the creation of Oushuku’s mascot character
Kekyokichi — a chubby bush warbler who loves hot springs
a visit to Shizukuishi will prove that this little town definitely isn’t just for the birds
Further Details: It takes about three hours from Tokyo Station on the Akita Shinkansen to reach Shizukuishi
a rental car is ideal for getting around and making the most of the area’s attractions
This article was published in Tokyo Weekender’s Nov-Dec 2021 magazine
Grand Seiko has just released a stunning example of a classic, hand-wound mechanical watch
The watch pays homage to both traditional Japanese craftsmanship and Seiko’s history watchmaking by housing its 9S64 caliber movement (72-hour power reserve) and a dial that’s made using Urushi dial techniques
The Urushi lacquer dial is sourced from trees grown outside of the town of Joboji
The mountain is often referred to as “Nanbu Fuji” for its resemblance to Mount Fuji
and can be seen from the Shizukuishi Watch Studio
jet-black lacquer dial are gold Arabic numerals and highly legible indices decorated with a raised maki-e technique from Isshu Tamura – a master of Kaga Maki-e Urushi
Looking for the entire ski and snowboard experience in Japan
or looking to unwind with some retail therapy
Furano and Hakuba will lend a helping hand
The Grasshopper has wrapped up his weekly Japan forecasts for for the 2024/25 season
He’s having a couple of months R&R and will be back in June with his Australian and New Zealand forecasts
Japan’s best snow forecasts will resume in December 2025
it leaves the climate open to be more impacted by sub-seasonal mid-scale drivers..
Snowfall also ramps up and spreads southwards over the Canadian Rockies on Satur..
colder winds from the northwest will bring another sizeable dump of powder to th..
A storm will then reach the Pacific coast Saturday night before ballooning out..
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The revised active volcano law has taken effect in the hopes of helping residents such as those around Mount Iwate in the Tohoku region prepare for the worst
the highest in the Ou Mountains that straddle the cities of Hachimantai and Takizawa and the town of Shizukuishi in Iwate Prefecture
experienced an "eruption crisis" 26 years ago with increased volcanic activity
the local economy was dealt a major blow.googletag.cmd.push(function() { googletag.display('div-gpt-ad-1499653692894-0'); });
But memories of the crisis are fading with time
and the local community faces the need to better prepare for possible eruptions after long intervals of quiet
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quality journalism is more crucial than ever.By subscribing
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By Kensuke Fukushima / Yomiuri Shimbun Staff Writer
Seiko Watch Corp.’s luxury wristwatch brand
marked the 60th anniversary of its establishment in 2020
a new studio to produce the brand opened in Shizukuishi
The Grand Seiko Studio Shizukuishi sits at the edge of a forest amid a rich natural environment
who was also behind the National Stadium built for the Tokyo Games
The company said the aim was to create a building that embodies the Japanese sense for the passage of time through changes in the natural environment
Timber such as those from larch trees were used to make the building
The interior walls are made with a technique called Yamato-bari in which boards are laid in such a way that their edges just overlap each other
The company said the technique was used to inspire the rhythm of the passage of time
“Seiko’s craftsmanship is world-class,” Kuma said
“I’m happy I could design a studio that produces these representative watches.”
about 20 watchmakers were working with their faces full of concentration
Visitors can see them work through a window in an aisle of the studio
The heart of each watch is a movement that is only a few centimeters in diameter
more than 200 tiny parts are assembled inside the drive unit
The studio is a valuable place for visitors to learn about the deep appeal of wristwatches
and directly see some of phenomenal skills required of watchmakers
While taking into consideration the effects of the novel coronavirus pandemic
the studio is scheduled to remain open to the public
“I want to make this studio a base for promoting the GS brand to the rest of the world.”
The history of the Grand Seiko brand overlaps the progress of watches made in Japan
The first model of the Grand Seiko brand was created in 1960
Watchmakers at the time had a slogan: “The highest-quality wristwatches made in Japan that can take on the world.”
This model was sold as the first mechanical watch made in Japan with high accuracy levels that passed the standards of the official watch bureau of Switzerland
more than double the starting salaries of high-ranking public servants
Seiko continued to release new models with higher functionality and higher accuracy
Seiko produced a model for women that was epoch-making
as the model’s monthly time gap was within two minutes
After Seiko released the world’s first quartz watch in 1969
The Grand Seiko brand released its first quartz watch in 1988
consumers reappraised the good points of mechanical watches manufactured manually by skilled artisans
the popularity of mechanical watches have regained momentum
the Grand Seiko brand revived a mechanical model
with Seiko releasing its first Grand Seiko chronograph in 2007
a model commemorating the 60th anniversary was released
WATCHPRO
Seiko Watch Corporation chairman and CEO Shinji Hattori says the studio will improve mechanical watchmaking for generations to come
Grand Seiko has officially opened an entirely new studio dedicated to the production of its mechanical watches
the chairman and CEO of Seiko Watch Corporation
says the studio provides the ideal environment for our craftsmen and women to bring Grand Seiko’s mechanical watches to life and for the next generation of watchmakers to be trained and their skills developed
“It embodies Grand Seiko’s philosophy
and is clear evidence to the world of our dedication to the art of mechanical watchmaking,” he adds
the architect who designed the Grand Seiko Studio in Shizukuishi
says he was aiming to bring the natural setting of Shizukuishi into the building
“Grand Seiko’s view of the importance of nature is reflected in every corner of its design and construction
To balance natural materials with the room’s high-technology technical requirements was a new and intriguing task,” he describes
the studio also has an exhibition space where visitors can immerse themselves in Grand Seiko’s history and explore the manufacturing characteristics of Grand Seiko’s mechanical watches
Events will be held at which visitors can try their hand at assembling a mechanical watch in a dedicated space known as the Studio Seminar Room
Very creative approach to establish such a facility
Japanese version
Japanese version
well-known Japanese dairy brand Koiwai Farm is Japan’s largest private production farm
with the grounds equaling double the size of Haneda Airport
Aside from its prolific work as a forestry and livestock farm
the grounds offer a variety of events on the range
horseback riding and butter-making classes
visitors can tour the backyard and factory
the farm will transport you back to a more picturesque era through its traditional wooden architecture and Japan’s oldest brick silos
a variety of snow and light illumination events will be held
turning the grounds into a silver winter wonderland
(Ticket prices are subject to change depending on the season of travel
for example they reduce to half price in winter.)
Book Now: koiwai.co.jp/makiba/en/ (guided tour tickets including entry fee are available)
Email Contact: [email protected] (English and Japanese)